Category: BookLust II

Warriors Don’t Cry

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Beals, Melba Pattillo. Warriors Don’t Cry: A Searing Memoir of the Battle to Integrate Little Rock’s Central High. New York: Pocket Books, 1994.

If you stop and think about it, 1957 was not that long ago. Think about the span of a lifetime, on average. Think about the course of history and how slowly it moves. 1957, given all that, was yesterday. While we do not have clear lines of segregation that we did back then (water fountains, bathrooms and backs of buses to name a few) we still have the invisible lines that separate white from black. If that were not the case we wouldn’t have the rash of “firsts” that we have had recently: first black coach to win the Superbowl, first black President of the United States…These firsts would have happened years ago if the invisible line didn’t still exist to a certain degree.

I cannot imagine Melba Patillo Beals’s life. One of the scariest scenes for me was when she first tried to go to Central High after desegregation was declared. The hatred and violence she described seemed subhuman, barbaric even. Could we really live in a society that contained so much hatred? The obvious answer is yes, and we still do.

True to Beals’s title, Warriors Don’t Cry is a “searing memoir of the battle to integrate.” Every day was a struggle. Civil rights were hardly observed in a civil manner. Utter hatred spawned uncontrolled violence. For Melba Beals this hatred was not something she read about or glanced at on the television. She live it in every step she took. She experienced it first hand simply because of the color of her skin. How brave of her to write it all down! How lucky for us she decided to remember it all! Warriors Don’t Cry is not an eye-opener. We have seen these things all along. Her memoir keeps it all in view.

While I didn’t find any quotes that struck me one way or another I was moved by Melba’s experience with her “own” people. In addition to whites who were having an extremely hard time accepting integration, there were a fair number of blacks who didn’t want it either. Melba was making enemies on both sides of the color divide.

BookLust Twist: From More Book Lust in the chapter called, “Civil Rights and Wrongs” (p 49).

Hiding Place

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Azzopardi, Trezza. The Hiding Place. New York: Atlantic Monthly Press, 2000.

    I have to start by saying I would love to meet William Gedney just to ask him about the photograph on the cover of The Hiding Place. I guess Francine Kass (who designed the cover) would be more appropriate to ask of these questions. Nevertheless, here are the things I would ask of either:

    1. The girls are in the kitchen obviously paring something (apples? potatoes?). Why do they all have one leg up; why are they standing like storks?
    2. The painting of the Last Supper – was that meant to be symbolic since the girls are standing in a kitchen?
    3. There is a fourth pair of feet and evidence of a little knee behind the child leaning on the refrigerator. Who is she and why isn’t she more visible? I took this to be Dolores, the narrator of The Hiding Place. She is the youngest daughter and paid attention to the least. More symbolism?

    The Hiding Place by Trezza Azzopardi is sad, sad, sad. Dolores Gauci is the youngest of six daughters born to Maltese immigrants Frankie and Mary. Her view on the world is both tragic and innocent. She is at once stoic and childish; solemn and naive. What Dolores sees is a family slowly dismantled by a gambling and always losing father. As her siblings are bartered away Dolores must face a grim childhood with fewer and fewer protections as even her mother’s will to survive slips away. Serving as the backdrop for the Gauci family is the 1960s landscape of Cardiff, Wales, an immigration town populated with citizens hardened enough to do just about anything to survive.

    Favorite lines: “Her fury travels down the spoon and into Luca’s dinner. I am breast-fed: I get rage straight from the source” (p 22), “As with all truth, there is another version” (p 75), and “She’ll be scrubbing the steps again, probably – it’s a job best done in anger” (p 126).

    BookLust Twist: From More Book Lust in the chapter, “The Immigrant Experience” (p 123).

    Company of Three

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    O’Connor, Varley. Company of Three. Chapel hill: Algonquin Books, 2003.

    There is mystery that surrounds Company of Three. At face value it is the story of three actors struggling to see their name in lights on Broadway. New york City in the 1970s is a hub for creative activity such as dance and the theater and Robert, Patrick and Irene stand in the spotlight, ready as ever for their close ups. Company of Three follows their successes, their failures, their struggles. It examines their friendships and love affairs and what they mean to one another. Ultimately, it is the story of how far they would go for their careers and for each other.

    In truth, it is that friendship that has me scratching my head. At one point in the story the three friends vow to always be there for one another and someday run a theater together. They even seal the deal in blood. Yet, despite their close bond and the pact they have made, Patrick keeps some very dark secrets from his friends. Curiously, he lies continuously so his connection to Robert and Irene is questionable.

    Best quote (and why I think people take up acting): “Acting was not the departure from myself that I thought it would be, but rather a journey into the very parts of myself I thought I would rescue me from” (p 57).

    BookLust Twist: From More Book Lust in the chapter called, “All the World’s a Stage” (p 7).

    Why Things Bite Back

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    Tenner, Edward. Why Things Bite Back: Technology and the Revenge of Unintended Consequences. New York: Alfred A. Knopf, 2006.

    I first became interested in Why Things Bite Back when I thought of the title in relation to health and flu vaccinations. The more aggressively we try to fight the ills of the seasonal flu the more resilient the virus gets.  Now with the vast-reaching and rapid spread of the H1N1 virus Why Things Bite Back seems even more telling.

    Edward Tenner takes an in-depth look at the technology that first set out to make our lives easier, more convenient, and faster: technologies that include chemistry, invention, ingenuity and just plain luck. The advances science and medicine don’t come without fault and failure. It’s these drawbacks that Tenner describes as “revenges.” Seat belts that save adults but kill children, for example. The unexpected thrill to Tenner’s book is that it isn’t dry and didactic. There is actual humor hidden in the irony.

    My favorite line (for obvious reasons), “…what are we to make of stepping from office elevators into our cars and driving to health clubs to use treadmills (a feature of nineteenth-century prisons)…” (p 10).

    BookLust Twist: From More Book Lust in the chapter called, “Dewey Deconstructed: 300s” (p 66).

    Little Friend

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    Tartt, Donna. The Little Friend. New York: Alfred A. Knopf, 2002.

    In a nutshell The Little Friend is about Harriet Cleve Dufresnes, a twelve-year-old girl who decides she simply must solve the mystery of who killed her nine-year-old brother when she was just an infant. All Harriet knows of the incident is that little Robin was found hung from a tree on Mother’s Day and nobody knew why. During her attempts to solve the mystery Harriet and her sidekick Hely get themselves into troubles far more adult than their years. Larger Mississippi-southern issues such as poverty and prejudice encircle  more complicated crimes such as deception, drugs, and death.

    I love the way Donna Tartt writes, but was confused by plot. 555 is a long time to be reading about a mystery that doesn’t really get solved. The ambiguous ending is ripe for a sequel. Yet, there are seemingly unimportant characters that float in and out of the plot without an apparent role in the story (like Harriet’s sister Allison). Could they come back with a stronger presence in another book? One other concern is that The Little Friend is supposed to be a story set in the 1970’s. Were there meth labs back then?

    When you first meet Harriet you think she has all the beginnings of a serial killer: “She could set the house on fire if she wanted to, and no one would be there to stop here” (p 67), and “…this was the hallmark of Harriet’s touch: she could scare the daylights out of you, and you weren’t even sure why” (p 74).

    BookLust Twist: There is no doubt in my mind that Nancy Pearl loved this book and thought of it often. Case in point: it’s mentioned in Book Lust in the chapters “Families in Trouble” (p 82) because after little Robin is found murdered, nothing is ever the same for his family, and “Girls Growing Up” (p 102) because Harriet, Robin’s sister, grows up between the 555 pages of The Little Friend, as well as in the introduction (p xi) where Pearl says she knew she would love The Little Friend from the very first sentence. Little Friend is also mentioned in More Book Lust in the chapters “Lines that Linger; Sentences that Stick” (p 143) – the same first sentence Pearl mentioned in Book Lust, and “You Can’t Judge a Book by Its Cover” (p 238) because of its creepy doll face – a total of five mentions between the two Lust books. I can’t blame Pearl because Little Friend does fit nicely into each and every chapter mentioned.

    Semi-Attached Couple

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    Eden, Emily. The Semi-Attached Couple & The Semi-Detached House. New York: Dial Press, 1982.

    From everything that I have read it seems that Noel Perrin single-handedly revived an interest in Emily Eden’s The Semi-Attached Couple, calling it “what to read when you run out of Jane Austen.” He mentions this in his book, A Reader’s Delight and again in The Washington Post.

    The Semi-Attached Couple is a humorous and witty look at a Victorian couple who didn’t exactly marry for love. Surrounding their romance, or lack-thereof, is busybody family members, a cultural protocol for decorum, and good, old-fashioned Victorian society standards. Of course, Sarah married too young and Lord Teviot married too quick. Neither understands the other and isn’t sure of themselves. There is plenty of gossip, secrets, and satire in The Semi-Attached Couple.

    BookLust Twist: From More Book Lust in two different chapters. First, “The Book Lust of Others” (p 34), and “Viragos” (p 227). Pearl basically says the same thing in both chapters: Emily Eden is a recommendation of Noel Perrin (as mentioned before).

    Wonder Boys

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    Chabon, Michael. Wonder Boys. New York: Villard Books, 1995.

    From what I understand, Wonder Boys was made into a movie. Of course, that means I haven’t seen it. I don’t even know if it was any good when it first came out.

    Wonder Boys was a pleasure to read once I actually sat down to read it. The story is written from the point of view of aging, graying, heavy-weighted, writer/professor Grady Tripp but it’s really about his writing student, James Leer. James is a young, quiet, skinny, troubled, yet talented writing student who is obsessed with Hollywood suicides. Almost like a party trick he can recite style of suicide along with date of death and no one finds this strange. Somehow Leer and Grady become involved in a couple of crimes together and the rest of Wonder Boys is their journey in search of redemption and sanity. Michael Chabon’s style of writing is eloquent with a bite of sarcasm. Humor and sadness hold hands on nearly every page.

    A few of my favorite passages: “Her own parents had married in 1939 and they were married still, in a manner that approximated happiness, and I knew she regarded divorce as the first refuge of the weak in character and the last of the hopelessly incompetent” (p 30), and “They weren’t my family and it wasn’t my holiday, but I was orphaned and an atheist and I would take what I could get” (p144).

    BookLust Twist: Spotted a couple of times in More Book Lust – first in a chapter called, “Big Ten Country: The Literary Midwest (Pennsylvania)” (p 30). Also in “Lines that Linger; Sentences that Stick” (p 143). Just so you know, I didn’t quote the sentence that drew Ms. Pearl in. I found others I liked better.

    High Five

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    Evanovich, Janet. High Five. New York: St. Martin’s, 1999.

    I always read chick lit in a day or two. For some reason it goes by a lot faster than other, more serious reads. That doesn’t mean it wasn’t any good. I thought it was great. Perfect for New Year’s Day.

    Stephanie Plum is a sassy bounty hunter who starts out High Five looking for her uncle as a family favor (seeing as how she finds people for a living). Of course, nothing is as simple as it seems, and soon Stephanie is hip-swinging deep in a murder mystery, flanked by two very attractive, very sexy, strong men vying for her attention. The action never stops for Stephanie. If she isn’t beating up an angry little person or gorging on junk food, she is being stalked by a rapist, narrowly missing being blown up by bombs (twice), or being harassed by a supposed bookie. Add a former prostitute, a sassy grandmother, an astute gerbil, and a sarcastic Arab teenager into the mix and the fun never stops. In a word, High Five is fun. Something I would appreciate of all series is the fact you don’t have to read Four to Score in order to get High Five. The characters allude to previous Plum escapades, but they don’t confuse the story at all.
    It took me a little while to get the purpose of the title until I remembered the elaborate high five/handshakes Stephanie could never get the hang of throughout the story. What cracked me up was even her grandmother knew how to do one.

    An example of Stephanie Plum’s sexuality, “The note wasn’t signed, but I knew it was from Morelli by the way my nipples got hard” (p 25).

    Something I admired of Stephanie – after she binged on junk food she mentions not owning a scale. She didn’t own one. Instead, she judged her weight gain and loss by how her jeans fit.

    BookLust Twist: From More Book Lust in the chapter called, “Ms. Mystery” (p 171). I have to admit I am thrilled I will be reading the entire series.

    Walls Came Tumbling Down

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    Deal, Babs A., The Walls Came Tumbling Down. New York: Doubleday & Co., 1968.

    The Walls Came Tumbling Down is very much a late 1960s book. In the beginning I wasn’t sure I would get into it or even like it. It is the story of seven sorority sisters still living in the same small town, still friends as adults. Their friendships are tested when a skeleton of an infant is found in a wall of their sorority house. An investigation would prove the baby was hidden during a renovation that happened during a summer when only those same seven young women were living in the house – twenty-four years earlier. The majority of Deal’s book is filled with busybody gossip, small town snobbery and the uncovering of many secrets besides a hidden pregnancy and birth. Adulterous affairs, the inability to trust one another, and the growing suspicions and prejudices are all brought to light when literally and figuratively, the walls come down.

    My favorite line: “I do not want to believe I fell in love with a smile” (p 56).
    One of the most telling viewpoints of the times: “His secretary was Miss Wilson. She had been an airline hostess until she got too old. She was thirty-two: (p 109). Thirty-two is too old? Yikes?

    BookLust Twist: From More Book Lust in the chapter called, “Southern-Fried Fiction (Alabama)” (p 206).

    ps~ I found it interesting that Babs Deal had a small obsession with what kind of cars her characters drove.

    Soloist

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    Salzman, Mark. The Soloist. New York: Random House, 1994.

    I hated to put this book down. I started off reading it at the same time as two other books (which shall remain nameless), but soon I found myself favoring The Soloist over the other two. Which, when you think about it, isn’t a very smart move because when I finished The Soloist I was left with the lesser liked books.
    Lesson learned. There is a reason why dessert is served at the end of the meal – save the best for last. It tastes sweeter that way. That goes for books as well, especially The Soloist. I can’t wait to read Salzman’s other books.

    In a nutshell The Soloist is about a man who is struggling with who he was as a child in relation to who he has become as an adult. As a child Renne Sundheimer was a prodigy who mastered the cello and thrilled audiences world-wide. As an adult, having mysteriously lost his talent, Renne has become a cello teacher for a university in Southern California. His life revolves around the music he used to make until two completely different events happen. First, Renne is summoned to jury duty where he hears a case involving a murdered Buddhist monk. Second, Renne finds himself the tutor of another cello prodigy, a nine-year old Korean boy. In both situations Renne started out an unwilling participant. He was convinced he didn’t want to serve on a jury and planned to profess an undue hardship. He was also convinced he didn’t want to give private lessons to an introverted Korean boy. In both cases he fails to extract himself from involvement and ultimately ends up changing his life.

    Favorite lines: “Human beings are primates, and primates weren’t designed to tie themselves up into knots and hold still (p 99). I’m not sure how my yoga friends would take to this comment, but I found it funny.
    And the last lines of the book are perfect, “I don’t think about the past as much as I used to, and I hardly ever think further than a semester ahead. I’m not sure that’s a bad thing, though. I’m starting to think that the larger picture is overrated” (p 284). Precisely.

    BookLust Twist: From More Book Lust in the chapter called, “Mark Salzman: Too Good to Miss” (p 194).

    Off topic comment: When Pearl introduces Salzman in her second Lust book she mentions not going to readings given by authors she likes. She is always afraid of not liking the person behind the words, or thinking of the author’s voice when reading his or her newest offering. I’m like that with music. Once I see the musician I can’t get their image out of my head and sometimes, often, it skews the music.

    Tiepolo’s Hound

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    Walcott, Derek. Tiepolo’s Hound. New York: Farrar, Straus and Giroux, 2000.

    At first glance Tiepolo’s Hound is pretty deceiving. It looks like a simple poem with gorgeous pictures. Upon closer inspection Tiepolo’s Hound becomes more complicated. One narrative becomes two. Aside from Camille Pissaro’s desire to leave St. Thomas to follow his artistic dreams, the author describes his own journey to rediscover the details of a venetian painting. The dual narration tangles the storyline and leads to an anti-climatic ending to an otherwise fascinating journey. The vivid imagery of the sights, sounds and smells of St. Thomas make the poem beautiful. The colorful descriptions of the surrounding landscapes are what successfully capture the reader’s attention and hold it until the end.

    Favorite descriptor: “thunderhead cumuli grumbling with rain” (p 10)
    Favorite line: “I felt my heart halt” (p 7).

    Favorite aspect of the book: so many references to the sea. For example ~ blue gusting harbor, wide water, cobalt bay, quiet seas, wooden waves, furrowing whitecaps, soundless spray, sea-gnarled islets, etc, etc. Simply beautiful.

    BookLust Twist: From More Book Lust in the chapter called, The Contradictory Caribbean: Paradise and Pain” (p 55).

    Dingley Falls

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     Malone, Michael. Dingley Falls. New York: Harcourt, Brace & Jovanovich, 1980.

    I chose Dingley Falls in honor of National Author’s Day being in November. Nothing more random than that.

    Even if you didn’t know anything about Michael Malone you would swear his novel, Dingley Falls, is supposed to be a script, or at least the backdrop, to a titillating, slightly scandalous soap opera. The town of Dingley Falls, fictitiously located somewhere in Connecticut, is teeming with odd characters with even more bizarre stories to tell. It is as if the entire community has digested some mild altering hallucinogenic that causes everyone to come unglued. To give a few examples, mild-mannered Mrs. Abernathy suddenly ends up under a tree in the pouring rain having wild sex with a poet she has just met; post mistress Mrs. Haig is forced to retire because of a bad heart. It’s not the job that is stressing her out, it’s a snapping, snarling dog who chases her home five nights a week; Headmaster Mr. Saar has trouble controlling his sexual appetite and will wind up handcuffed to a bed in a seedy motel in New York City, naked and dead, if he isn’t careful. Mrs. Ransom tries masturbation for the very first time only to have some stranger catch her in the act.
    The list of characters goes on and on, so much so that Malone needed to list his crazy community individual by individual at the start of his book.

    When you discover Michael Malone has years and year of experience as the senior writer for One Life to Live then Dingley Falls begins to make sense. The heightened drama, the outrageous characters, the never-ending bizarre situations in Dingley Falls suddenly become par for the course…just a little more graphic with the sex scenes and violence, the things you can’t show as vividly on daytime television.

    Favorite lines: “The elderly shut-in bought a new car every year – each racier than the last – as if she thought she could outdrag death if she only had the horsepower” (p 94). “‘Did you know that until I drink this cup of coffee, anything you know is knowing too much?'” (p 145). “He drank in order to pose count; not like Walter Saar, to get in touch with who he was, but to stay out of touch with who he might have been” (p 157).

    BookLust Twist: In Book Lust and More Book Lust. This is a popular book in Pearl’s world. First, from Book Lust in the chapter called, “Southern Fiction” (p 222). From More Book Lust in the chapter called, “Michael Malone: Too Good To Miss” (p 160).

    Invitation to Indian Cooking

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    Jaffrey, Madhur. An Invitation to Indian Cooking. New Jersey: Ecco Press, 1999.

    I have to start off by saying I love Madhur Jaffrey’s cookbooks. I own several and all of them are well-organized and beautifully illustrated (or have gorgeous photographs).

    An Invitation to Indian Cooking might have been a more accurate title had it included the subtitle Getting to Know Indian Cuisines and Ingredients because Jaffrey not only invites you into the world of Indian cuisine she also includes history lessons and ingredient explanations in addition to recipes. While her tone is conversational I found it to be a little didactic at times. Her claims that Americans, on the whole, don’t know what well-prepared rice tastes like is one such example. Another drawback to An Invitation to Indian Cooking is its out-of-date information. Basmati rice, Jaffrey recommends, is readily available at specialty stores. That may have been true in 1973 when her first cookbook was published, but I expected the reprint to have some updated information. I also find it hard to believe that out of 50 states only 12 have stores that carry authentic Indian ingredients.
    But, having said all that, I love the recipes Jaffrey includes in her first cookbook. I like her attention to detail and her comparisons between American and Indian products. For example, Jaffrey points out that American chicken is more tender than chicken purchased in India, therefore traditional Indian cooking techniques would not work well on an American-raised bird.

    “The chicken available in American markets is so tender that it begins to fall apart well before it can go through the several stages required in most Indian recipes” (p 86).

    If you are ambitious enough to make several Indian recipes at the same time Jaffrey includes a series of different menus to try.

    BookLust Twist: From More Book Lust  in the chapter called, “India: a Reader’s Itinerary” (p 125).

    Just So Stories

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    Kipling, Rudyard. The Complete Just So Stories. New York: Viking, 2003.

    It took me a very long time to find a version of Just So Stories  that had the exact stories I was looking for. My library has a book that it calls Just So Stories but isn’t the complete volume of all stories. It’s missing the two crucial stories I needed for the Book Lust Challenge, ” How the First Letter was Written” and “How the Alphabet was Made.” 

    Despite being published in 1902 I am glad I found a 2003 republication. Isabelle Brent’s illustrations are wonderful! She took some liberties modernizing Taffy and her father who were supposed to be ancient tribal people, but her depictions of animals are accurate and her use of color is great.

    I only read two stories from Just So Stories, “How the First Letter was Written” and “How the Alphabet was Made.” Both were incredibly fun to read, especially aloud. Kipling pokes fun at the stereotypes of parents and children with names like, “Lady-who-asks-a-very-many-questions” for the mother and “Small-person-with-out-any-manners-who-ought-to-be-spanked”  for the child. In both stories the theme is the need for better communication skills and are meant to be read together. The first letter makes up the alphabet later on and one story is a continuation of the other. Rumor has it that both “How the First Letter was Written” and “How the Alphabet was Made” started out as oral stories, told to Kipling’s daughter Josephine in 1900.

    Favorite line: “We must make the best of  bad job” (p 70 from “How the First Letter was Written”).

    BookLust Twist: From More Book Lust in the chapter called, “Alphabet Soup” (p 11).

    The Life You Save

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    Elie, Paul. The Life You Save May Be Your Own: an American Pilgrimage. New York: Farrar, Straus and Giroux, 2003.

    What do Flannery O’Connor, Thomas Merton, Dorothy Day and Walker Percy have in common? For starters, they are all authors who struggled not only with identity, but religious faith as well. It’s this search for religious truth through writing that binds them together. They conducted their searches and tested boundaries of Catholicism through the art of writing.  Mary Flannery O’Connor began her writing career in Georgia at a very young age and was considered a prodigy by many: Thomas Merton, just a couple of states north in Kentucky began his writing as a Trappist monk who wrote letters about his faith: Dorothy Day, while older than all the others, founded the Catholic Worker newspaper in New York: Walker Percy started out as a doctor in the furthest south of them all, in New Orleans, but quit medicine to become novelist. In time the group became known as the School of the Holy Ghost because of their pursuit of the answers to religion’s biggest questions. Paul Elie brings that School of the Holy Ghost back together again in a 2003 book called The Life You Save May Be Your Own containing biographies and literary criticisms of all four writers. Elie does a great job detailing all four lives and the times they lived in, but is more thorough with the women than the men. Flannery O’Connor gets the most attention while Thomas Merton gets the least.

    I didn’t find any quotes that really spoke up or out, but my favorite part was Elie’s breakdown of Walker Percy’s The Moviegoer. I am almost tempted to read it again now that I have a better understanding of Percy and what he was trying to say.

    BookLust Twist: From More Book Lust in the chapter called, “Group Portraits” (p 109).