Category: BookLust II

Bean Trees

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Bean TreesKingsolver, Barbara. The Bean Trees.New York: HarperPerennial, 1989. 

Barbara Kingsolver is my favorite author. I’ve said it before and I’ll say it again. I love the way she writes. The Bean Trees is on my Book Lust list and I’ve already read it hundreds of time. It’s the book I grab when I am in between other reads. It’s the book I reach for when I have a few minutes to kill while the rice bubbles on the stove. Given the chance to read it again just for Book Lust I am more than happy to jump at the chance.

Taylor Greer isn’t Taylor until she takes to the highway. Leaving her hometown of Kentucky to see something other than small town rumors and ruts she finds herself on the road, “adopting” a three year old American Indian girl on the way then finally landing in Tucson, Arizona.  Taylor is smart, witty and, for lack of a better word, feisty. She tells us her story with great observance to the spirit of humanity.

One of the things I love about Kingsolver’s work is the reoccurring themes: respect for nature described in gorgeous, vibrant detail, immigration and the political implications, the joys and struggles of motherhood (especially the single mother), the value of both belonging to a community and having independence. The Bean Trees is no different. All of these themes are carefully woven into the framework of the novel.

My favorite lines (okay some of them): “Whatever you want the most, it’s going to be the worst thing for you” (p 62).
“There were two things about Mama. One is she always expected the best out of me. And the other is that then no matter what I did, whatever I came home with, she acted like it was the moon I had just hung up in the sky and plugged in all the stars. Like I was that good” (p 10).

BookLust Twist: From More Book Lust’s first chapter called”Adapting to Adoption” (p 1). I have to admit I don’t agree with Pearl’s description of how Taylor “acquires” the American Indian child. Pearl says “When Taylor Greer leaves Kentucky for points west in order to escape the confines of small-town life, she finds an abandoned and abused Cherokee child left in her car…” (p 2). It actually went more like this: “Then she set this bundle down on the seat of my car. “Take this baby,” she said….”where do you want me to take it?” She looked back at the bar, and then looked at me. “Just take it.” I waited a minute, thinking that soon my mind would clear and I would understand what she was saying. It didn’t.” (The Bean Trees p 17). This is a poignant scene to me and it makes a big difference (to me) whether the child was left or handed over.

ps~ November is National Adoption month. I reread this just a tad early.

Update on the Lust

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I’m approaching 100 books in the Book Lust challenge. I’m proud of this because 1) I have been reading Random House books at the same time (I’ve read four so far with another one the way). 2) I started a new job so I’m not only reading “How to be a director” bullsh!t but I’m reading up on how to get my library ready for NEASC. In other words, I don’t read what I want to all the time.

I’ve amended my “rules” too. I had to with all the book reviews I’ve been asked to do. It just seemed like the right thing to do.
And I’ve come up with a strategy for how to decide when to read certain books. It will take me some time to compile the data but since I have four days of alone time coming up and I’m not going anywhere for Thanksgiving (have to work) I’ll make the time.

What I’m reading now:
Bean Trees by Barbara Kingsolver

Yellow Raft in Blue Water

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Yellow raft in blue waterDorris, Michael. A Yellow Raft in Blue Water. New York: Warner Books, 1987.

This is high school to me. I remember being holed up somewhere reading this nonstop. Hot off the press, freshly published and oh so new I couldn’t put it down. I reread it and reread it until finally I could move on to other Michael Dorris creations, which somehow were never quite as good. Nothing compared to A Yellow Raft in Blue Water back then and it is still a faovrite to this day.

Someone described this book as an onion, reading it was like peeling back the layers of a story, and while that imagery is accurate enough, I like to think of Yellow Raft as a game of telephone. First, there is Rayona. She tells the story from her perspective. She is all of fifteen years old…at that difficult age where rebellion against your mother is the easiest thing to do. As she says, “when mom and I have conversations, they mostly involve subjects not personal to our lives” (p 26). She tells her story like it’s the honest truth. Then, there is Christine, her alcoholic mother, and her story. In the beginning you want to hate her for how seemingly unfair she had been to Rayona. But, learning about Christine’s heartbreak you realize Rayona’s reality is only her perception. The wires of communication have been crossed and in some cases, completely disconnected. Christine had her reasons for everything she did (and didn’t do). “I never had been good company for myself” says Christine (p 185). Finally, there is Ida, Christine’s mother. Her story is, by far, the most revealing and tragic. Everything you heard whispered from Rayona through Christina is trapped in the warped truth of Ida. All three women are stubborn, flawed by fate, and determined to make the best of life as they know it even if it means coming off as cruel to others. Being on the inside, privy to their hearts, makes you want to shake each one screaming, “talk to your daughter!”

Favorite lines:
“Ghosts were more lonesome than anything else. They watched the living through a thick plate of glass, a one-way mirror” (p176).
“A bath brought me peace, made me float free” (p340).

BookLust Twist: In both Book Lust and More Book Lust. In Book Lust Pearl mentions A Yellow Raft in Blue Water early; on page 23 in the chapter “American Indian Literature.” In the chapter “Men Chanelling Women” (p 166) in More Book Lust Pearl adds A Yellow Raft in Blue Water because Michael Dorris does an amazing job setting the voices of three very different women free.

A Map of the World

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map of the worldHamilton, Jane. A Map of the World. New York: Anchor Books, 1995.

National bestseller. Oprah book. A movie. All that should tell you something. Normally, I don’t try to read reviews before I myself have read the very last page. This one was a little different. Praise for A Map of the World was on the inside cover and I couldn’t resist. One line really said it all for me, “the story of how a single mistake can forever change the lives of everyone involved.” If you read my blogs you know I am fascinated by the what could have been, fate and serendipity. The path less taken, the path not known to take at all. This is the story of a mistake, an err in judgment, and the time and effort it takes to get back to good.

Told in first person from both Alice & Howard, husband and wife. Alice begins and ends the tale with Howard interjecting in the middle. Details that overlap her story and his tie the couple and their voices together. It’s their marriage talking. Yet, their views on life are very different. There is a moment when Howard is driving by the library and he thinks of the librarian, a man with a hook for one hand. Howard remembers that his wife thinks of the librarian as Captain Hook, not only because of the hook, but because the librarian was supposedly “cranky and unhelpful” to her. Howard recalls learning from the librarian and how he “never even noticed his hand.” Walking down the road of life Alice and Howard see the scenery differently, despite being hand in hand.

Favorite lines:
“I used to think if you fell from grace it was more likely than not the result of one stupendous error, or else an unfortunate accident” (p 3).
“She was all nerve, so energized by rage she had a hard time sorting out what she most hated” (p 291).
“It is one thing to be in a car with someone who is quiet, and another to be with someone who is silent” (p 364).

BookLust Twist: From More Book Lust and the chapter “Big Ten Country: The Literary Midwest (Wisconsin)” (p 25). I started reading A Map of the Worldbefore I double-checked what Pearl had to say about it. I had just finished the part about a major tragedy. I have to say it was a shock to read there was another one in store for me. I almost wished I hadn’t known that.

Reading Lolita in Tehran

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Reading lolitaNafisi, Azar. Reading Lolita in Tehran: A Memoir in Books. New York: Random House, 2004.

The first thing I think as I am 13 chapters into Reading Lolita in Tehran is maybe, just maybe I should have read Lolita first. Yet, it is not just about Lolita. It’s also about Gatsby, Daisy Miller and Pride & Prejudice. Those, I have read. But, these four books are not the only ones Nafisi recommends. There is a whole list of them. I am tempted to start another challenge and add them to my “must read” list.

But, back to Reading Lolita in Tehran. Where do I start? Blanketing the entire story (nonfiction) is the outrage I felt. Professor Azar Nafisi must secretly meet with seven students to study Western classics, books that are forbidden in the Islamic Republic of Iran. I don’t know how they dared. Morality squads roamed the streets, raiding homes and shops whenever they wanted, fundamentalists took over the university where Nafisi formally taught, women are arrested for not wearing the veil, being seen in public with men other than their husbands, brothers or fathers, for wearing makeup…It just reminds me I am a spoiled Westerner who can paint my eyes black as night, show the curve of my neck, and most importantly, read any book I want.
Think of a braid. One strand is politics, another literature, the last society. This is Reading Lolita in Tehran. Woven over and under and throughout is Azar Nafisi’s life. Her personal views on relationships, society and of course, the books she loves. Because it’s her point of view and hers alone we have to trust that she is telling us the truth. Her truth. Here are my favorite quotes – some with my commentary after.

“Reality has become so intolerable, she said, so bleak, that all can paint now are the colors of my dreams” (p 11).
“I think I somehow felt that as long as I was conscious, nothing bad could happen, that bad things would come in the middle of my dreams” (p 45).
“Some people take up alcohol during periods of stress. I took up Jeff” (106).
“In the midst of gunshots and chants we hugged and chatted about the almost two decades since we had last seen each other” (p 148).
“The administration wanted us to stop working and at the same time pretend that nothing has changed” (p 151). ** I’m reminded of a relationship I once had when the entrapment was the same. **
If I turned towards books, it was because they were the only sanctuary I knew, one I needed in order to survive, to protect some aspect of myself that was now in constant retreat” (p 170).
I became more anxious. Until then I had worried for the safety of my parents, husband, brother and friends, but my anxiety for my children overshadowed all” (170). ** I thought of my sister when I read this line. I think she would agree. **

Random comments~ I want someone to explain these things to me. How someone can be pompous and meek at the same time; how someone can speak precisely and leisurely; and how someone can murmur a defiant no. Just odd descriptors in my opinion.

BookLust Twist: From More Book Lust and the chapter called “Me, Me, Me: Autobiographies and Memoirs” (p 162). I would say Nafisi’s story is a chapter of a memoir; a partial snapshot of a life.

Middlesex

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MiddlesexEugenides, Jeffrey. Middlesex. New York: Picador, 2002.

First the cover. Before I even read a word it frightens me. Inky black (my cancer) smoke swirls from a cigarrette-bearing person lounging with a friend. That same smoke meets up with the smoke stack of an ocean-going vessel and encircles the skyline of a city. I instantly recoil from the seductive swirls and think, “I’m gonna hate this book.”

But I don’t. It’s long (529 pages), but I’ve enjoyed every page. I can see why it won a Pulitzer Prize. It’s the story of Calliope Stephanides and the two generations that brought her into this world. It’s Greece and Germany and Grosse Point. It’s the science of genetics meeting the mother of all family secrets. Calliope is also Cal, one and the same. Girl meets Boy. Girl is Boy. Boy is Girl. Sound confusing? It isn’t. It’s poetic and sad, funny and smart. Something you just have to read for yourself. Cal will tell you the story. His story. Her story. My favorite lines:

“…German wasn’t good for conversation because you had to wait to the end of the sentence for the verb, and so couldn’t interrupt” (p 7).
“Filling her head with music, she escaped her body” (p 115).
“The only thing that roused her was her daily lineup of soap operas. She watched the cheating husbands and scheming wives as faithfully as ever, but she didn’t reprimand them anymore, as if she’d given up correcting the errors of the world” (p 271).
“…her application to join her husband in heaven was still working its was through a vast, celestial bureaucracy” (p 286).

BookLust Twist: From More Book Lust. Pearl mentions this book several times. First, on page 97 in the chapter “Gender Bending” then on page 141 in the chapter “Lines That Linger, Sentences That Stick.” She is referring to Middlesex‘s opening line. It’s a doozy. Finally, on page 166 in “Men Channeling Women” Middlesex is listed one last time. As you can see Jeffrey Eugenides hit a homerun with this one.

ps~ The cover makes perfect sense to me now.

The Odd Sea (with spoiler)

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odd seaReiken, Frederick. The Odd Sea. New York: Delta, 1998.

From the very first page I thought the location of this book sounded really familiar. Westfield River, the Hilltowns, Dalton, Cummington…like seeing a familiar face while on vacation far, far from home. You can’t place it, yet you know it. Why? Work? School? The neighborhood? Until finally, one last detail seals the deal and suddenly you remember – the cashier from your favorite grocery store. It was “Mohawk Trail” that finally brought Western Massachusetts into sharp focus for me. Without a doubt, I was reading about my stomping grounds (and lately, stomp I do).

So, back to The Odd Sea. This is Frederick Reiken’s first novel and I have to say, I have a soft spot for firsts. This is the haunting story of the Shumway family and their lives after the dissapearance of 16 year old Ethan Shumway. It’s told from the point of view of younger brother Philip. My copy of The Odd Sea has notes in the margins that I found distracting. They made suggestions and speculations I wouldn’t have considered otherwise as well as ones overly obvious. One of the repeating, clear-as-day themes of the notes was Philip’s inability to accept his brother’s vanishing as never-coming-back final. I considered that obvious because otherwise, there wouldn’t be a story to tell. Philip can’t move on like the rest of his family. He needs to dig for answers, search for clues, and come up empty, bewildered, and denying every single time. I wasn’t surprised when, by the end of the book, Ethan is never found.
After reading Ordinary People I was ready to start my own BookLust chapter on “Mothers Who Lose It.” Probably one of my favorite descriptions in the book is of Philip’s mother’s insomnia. Having been afflicted with sleeplessness I could picture her nocturnal habits perfectly. “Some nights she did not bake or read. Instead she’d stand out with the stars. She said on clear nights the sky could draw the sadness from her heart” (p 10). I also enjoyed the scene when Victoria teaches Philip’s sister, Dana, to eat rose petals. Having eaten a few island roses in my day, I could taste the silkiness on my own tongue.

BookLust Twist: From More Book Lust and the chapter called “Small Town Life” (p 203).

Abyssinian Chronicles

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Abyssinian ChroniclesIsegawa, Moses. Abyssinian Chronicles. New York: Alfred A Knopf, 2000.

This took me absolutely forever to read. In the beginning Athenian Murders seemed more interesting. No, I take that back. It seemed a faster read. Honesty is the best policy. Then, I started Autumn Across America. Juggling two “landscapes” as sweeping as Abyssinian and Autumn wasn’t easy. Both are elaborate, even panoramic, if you will. Very descriptive. But, enough excuses – back to Abyssinian Chronicles.
This is story of Mugezi. It is more than a coming-of-age chronicle. It is Mugezi’s life story from childhood to harsh adulthood in the span of twenty years and the necessary means it took to survive each and every day. In addition, it weaves in the landscape of Uganda, the politics of the 1970s, society, religion, violence,  and the family traditions of African clan. It is panoramic and profound. Isegawa’s language is harsh, his subjects, brutal. For example, the children Mugezi looks after are caller “shitters.” A line that made me laugh outloud was Muzegi’s aunt’s warning to a woman who was letting herself go, “If she did not take care, Nakibuka thought, soon birds would be nesting in her hair, baby hippos snorting in her belly and hyenas rubbing their rumps in her armpits” (p 162). If you are anything like me, you read that sentence and said “whaaaat?” I read it twice, said “whaa?” and then laughed out loud. I have no idea what it means (especially the hyena part) but it was funny. Female cattiness. I can relate to that. But, probably the section I can relate to the most is a tie between politics and family. First, politics: “Local politics were also at work: you never bit the hand that fed you… Consequently, there was much turning of the other cheek and much patience in the hope that everything would turn out right in the end” (p 218). Words I should take to heart in my present situation. Now, family: “Grandpa’s old lawyerly dreams boiled inside me. I felt I had stepped onto holy ground” (p 341). I felt that way when I was training for the Leukemia Society…something about fighting the ghosts of cancer, cradled in my grandmother’s name…

BookLust Twist: From More Book Lust and the chapter “Africa: A Reader’s Itinerary” (p 3). While I called Isegawa’s novel panoramic and sweeping Pearl describes it as sprawling and ambitious. Either way it’s 462 pages long. I think you get the point.

Autumn Across America

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redsky.jpg

Teale, Edwin Way. Autumn Across America. New York: Dodd, Mead & Co., 1965.

I’m sure hundreds of books about traveling across the country have been written (I’m thinking specifically of Steinbeck’s Travels With Charley among others), but this is one of my favorites. It is a great combination of science and ecology, history and socialism with personal antidotes sprinkled throughout: a story of a deaf, mute man who lost his dog; the antics of sea otters playing in the surf; pages from John Muir’s diary and lines from Emerson’s poetry, to name a few. You can tell that Teale loves the land and everything above, around, on and in it. He has stories about birds and butterflies, deer and dogs, trees and turtles, flowers and faces. He introduces you to wonderful people, interesting facts. My favorite part, which I read outloud to kisa, involved scaring a pond load of birds only to have them all react in precisely the same way. Not one bird reacted more than another. They all did the exact same thing at the exact same time. I found that so fascinating.

My favorite line, by far, “We had, for the space of a whole glorious autumn, been time-rich” (p 356). Wouldn’t that be nice? Where would you go if you had a whole season to travel in?

BookLust Twist: From More Book Lust in the chapter appropriately called “Nature Writing” (p 173). Pearl writes, “…these books beckon us to emulate Teale’s own travels…” (p 174).

Accidental Connoisseur

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Accidental ConnoisseurOsborne, Lawrence. The Accidental Connoisseur: An Irreverent Journey Through the Wine World. New York: Fair Point Press, 2004.

Even though I don’t know much about wine and I probably wouldn’t have picked up this book if it weren’t for the challenge, I had to admit this: ILMAO. Lawrence Osborne has a great deal of fun with the punny, the witty, and the downright funny. Right off the bat, on page four, he had me giggling with “all drinks came under the Arabic word alcohol, essentially reducing them to a level of chemical sin, and none of them could be bought on Sunday.” Especially since we had downed a wine called Evil on vacation, thanks to Stacey. See below for the proof.

Even if you aren’t a wine drinker or even a wine liker, Osborne’s writing will amuse you. He has phrases that are somewhat identifiable as my own, “when the happiness of drinking overwhelms you, you cannot resist it” (p 21) and “Wine is 99% psychological, a creation of where you are and with whom” (p 22). This makes me sound wildly alcoholic, but bear with me a second. Think of any great seduction scene. Who is usually front and center (along with soft music and sexy candlelight)? Partners in  crime – a wine bottle and two wine glasses. I found that a glass of wine is definitely more pleasurable when enjoyed in the presence of good friends and equally good scenery.
Seriously, I learned a lot from this short book. For example, how you space the vines in each row determines the complexity of a wine (according to one grower). The theory is plants with less crowding don’t have to compete for sunlight and growth space. They are more relaxed and get this, less stressed out. You see, the more stressed out a plant is, the more psychotic it is. It’s this aggrivated state that develops the complexity of flavor. Got it? I learned a new wine word, too: terroir. Makes me think of ‘terror’ but whatever.

Other favorite parts: “”what do you taste?” “Grapes,” I said. “Good. That’s what’s in it!”” (p 97)

“If wine is sex, ” I said, “this is like yoga.”
“Yoga? You’re saying it’s like yoga?”… I’m not sure I get you there. You mean athletic?”
“Virtuous. Unsexy.”
“Ah, you mean American!” (p 101)

But, probably my favorite line is an obvious one, “Wine summons ghosts out of the cupboard” (p 228).

BookLust Twist: From More Book Lust in the chapter “A Holiday Shopping List” (p 115). It’s true that I would buy this for the wine lover that I know, only I don’t think he drinks and reads. Is that a problem?
wine.jpg

1968: The Year That Rocked the World

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1968Kurlansky, Mark. 1968: The Year That Rocked the World. New York: Ballentine Books, 2004.

The year before I came into being. What an amazingly troubled yet vibrant time. There is very little that Kurlansky doesn’t cover. Everything you want to know about what changed world views is here. My favorite chapters were about the civil rights movement and the protesting that went on. From sit-ins and the feminist movement to Freedom Rides and every raised sign in between. Talk about voicing your opinion! Here are my favorite quote on the subject: “The protesters can be nonviolent, but they must evoke a violent reaction. If both sides are nonviolent, there is no story” (p. 38). For this very reason women had a hard time getting their January protest march on Washington documented. They weren’t violent enough.
The harder chapters to read were about politics and the Vietnam war, two very unavoidable subjects for 1968. Both carried the weight of violence and unbridled hatred. The Chicago convention in August…”miraculously, the clubbings in Chicago killed no one…At the same time, Vietnam had its worst week of the summer, with 308 Americans killed, 1,134 wounded, and an estimated 4,755 enemy soldiers killed” (p286).

BookLust Twist: In the chapter “The 1960s in Fact & Fiction” (p 179) from More Book Lust.

Gift from the Sea

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GiftsLindbergh, Anne Morrow. Gift From the Sea. New York: Vintage Books, 1991.

I have to say this is something every woman should read annually. The words and their meaning will change every single time and they will be different for every reader. In the simpliest of terms Gift From the Sea uses seashells, (whelk, moon shell, oyster) all gifts from the sea, as metaphors for life, vehicles for deeper thoughts. On vacation (ironically on an island, like me) Anne picks seashells and ponders religion, relationships, growing old, being young, nature, love and marriage…She picks at nagging thoughts like scabs, letting them bleed, revealing raw emotion and a tender heart. Here are a few of my favorite quotes:

“…I think best with a pencil in my hand” (p 9). I agree!
“…I have shed the shell of my life for these few weeks of vacation” (p 22). Since I was on vacation when I read that I had to smile because it happens to me, too.
“…social life is exhausting; one is wearing a mask” (p 32). Very true! Couldn’t have said it better myself.
“And since our communication seems more important to us than our chores, the chores are done without thinking” (p 100).

I read this in an afternoon. Gulls cried overhead, sea air salted my skin, waves crashed in the distance. It was the perfect setting for Gift from the Sea.

BookLust Twist: From the chapter called “Journals and Letters: We Are All Voyeurs at Heart” (p 130). I swear on everything holy I did NOT have More Book Lust with me when I wrote this review. I was still home without any of my Pearl books. So, I was incredibly surprised to read these words from Pearl, “Some of us still reread them yearly to remind ourselves of what’s important in this frantic world” (p 131). Pearl is referring to everything written by Lindbergh, but I had the exact same thought specifically about Gift from the Sea. Gift from the Sea is also in Book Lust in the chapter, “100 Good Reads, Decade by Decade” (p 175).

Under the Tuscan Sun

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Mayes, Frances. Under the Tuscan Sun: At Home in Italy. New York: Broadway Books, 1997.Under the Tuscan Sun

Under the Tuscan Sun was made into a movie I have never seen, nor do I think I ever want to. I don’t see how the richness of Mayes’s Italy comes to life on the silver screen. I can’t picture the blood, sweat and tears of rebuilding a house; the glorious smells of garden fresh cooking; the love and laughter of enjoying one’s surroundings in moving pictures. I don’t see how Mayes’s  lush language is communicated. Really. Tuscan Sun is the journey of a woman (with the help of her second husband) to rebuild a Tuscan farmhouse. While she struggles with culture, language barriers and politics she falls in love with her Italian life. Try as I might I can’t see it as a movie. Okay, so now maybe I’ve convinced myself to see it out of curiosity!
I think I’m having trouble picturing a movie because I read Under the Tuscan Sun in my own personal paradise – by the dying light of fiery sunsets with the cadance of the surf as my only distractions. To say that I devoured Under the Tuscan Sun is an understatement. During the day I read it between hiking, eating, and breathing in my own love affair with a place. Every single time Mayes gushed about her Italian home I wanted to challenge her. I wanted to boast that it was I, not she, who was living the perfect life. On page 86 she says, “Where you are is who you are. The further inside you the place moves, the more your identity is intertwined with it. Never casual the choice of place is the choice of something you crave.” I found that quote so profound to my place I had to choke back tears. It is hard to explain arriving on Monhegan and reading those words on the very first night home. I had arrived to the only place my soul knows intimately. The only place where my whole being breathes a sigh of relief. Home is who I am, for sure. Later, I bought a guestbook for our rental cottage and wrote Mayes’s same words on the inside cover.

BookLust Twist: From More Book Lust in the chapter called “Ciao, Italia” (p 46). I like that Pearl describes Mayes adventure as a “love affair” (p 47). We’re both on the same page with this book.

My love affair:
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Autobiography of a Face

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AutobiographyGrealy, Lucy. Autobiography of a Face.New York: HarperCollins, 2003.

I had all the right conditions to finish this book in two days – traveling, vacationing, but most of all, fascination. I couldn’t put it down. On the surface Autobiography of a Face is the tragic story of one woman’s struggle with cancer and journey through recovery. Only her struggle isn’t as an adult. She is a child. Confronting Ewing’s sarcoma at age nine Lucy battles through radiation therapy and chemotherapy. Her tone can only be described as matter of fact as she recounts the loneliness and pain after countless surgeries to correct the deformity of losing a third of her jaw. Deeper than that, Autobiography is about rising above the cruelty of others, shaking off the superficial prejudices of what supposedly makes a face beautiful. Lucy is defiant and remarkably stoic in her recollections of childhood taunts, adult avoidance, and across the board lack of social acceptance.
Critics call this book the vehicle with which to free oneself from self loathing and fears of rejection. It is a message to stop wallowing in self pity and live with dignity – no matter what. It’s also a call to be human and have real emotions as Lucy admits, “and as much as I wanted to love everybody in school and waft esoterically into the ether when someone called me ugly, I was plagued with petty desires and secret, evil hates” (p 181).

My favorite quote: “speaking seemed like something one could grow tired of” (p 77).

Lucy’s story ends with her getting published, finding friendships and getting on with her life. Yet, there is a darkness to it all. She is criticized for not telling the whole truth. There is mystery surrounding her untimely death in 2002. Her story leaves you asking what happened and wanting more. What the book doesn’t tell you is that her multiple surgeries led to an addiction to pain meds and subsequently, heroin. She died of an overdose at the age of 39. There is more drama after death, but I’ll leave that for you to figure out.

BookLust Twist: From More Book Lust and the chapter “Other People’s Shoes” (p 181). I can’t even begin to imagine being in Lucy’s shoes.

The African Cookbook

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African CookbookSandler, Bea. The African Cookbook: Menus and Recipes From Eleven African Countries and the Island of Zanzibar. New York: Citadel Press Book, 1993.

This is a gorgeous cookbook. Not just for the recipes and menus, but also for the art. The illustrations by Diane and Leo Dillon are amazing. My personal favorite introduces the recipes of Tanzania (p. 57).
In the first half of the cookbook the recipes cover all the regions of African cooking. In addition each chapter has a section on the culture of the region, how meals are served (traditionally) and how you, the American cook, can pull off your own Tanzanian, South African or Liberian meal. The second half of the cookbook covers additional recipes. Chapters are gouped by product – fish, poultry, beef, starch, etc.
Something else I find interesting is the nontraditional layout of each recipe. You won’t find a list of ingredients and then preparation instructions. Instead, each ingredient is presented as needed in the preparation instructions. Something I am never good at is reading through the entire recipe before starting and with The African Cookbook that step would be imperative.

BookLust Twist: From More Book Lust in the chapter “Africa: A Reader’s Itinerary” (p4).