Death, Taxes, and Leaky Waders

Gierach, John. Death, Taxes, and Leaky Waders: a John Gierach Fly-fishing Treasury. New York: Simon & Schuster, 2000.

Reason read: June is Fishing Month or something like that.

You all have heard the fishing story about the one that got away. Well, Death, Taxes, and Leaky Waders could be about the one that got away but is actually moreso about the one that got caught. And the other one that got caught. And the other one. Again and again. Leaky Waders is a ‘Best Of’ compilation from several different books already published. As a side note, I found the details about the types of flies and the technique to tying them to be a bit tedious. To an avid angler this definitely wouldn’t be the case, but I was far more interested in Gierach’s fabulous friendships (especially the one with his friend A.K.) and the adventures they found themselves taking across the country in search of the perfect fishing spot. The story about sitting through a tornado was funny.

Quotes to quote, “A trip is an adventure, and on an adventure things should be allowed to happen as they will” (p 77), “Creeps and idiots cannot conceal themselves for long on a fishing trip” (p 85), and my favorite, “Fishing and running – solitary exercises that are usually practiced in groups” (p 156). So true.

As an aside, I had to smile when Gierach described going through his mantra before a trip, “rodreelvestwaderscamera” so as not to forget anything. I smiled because it is very similar to my husband’s mantra of “phonewalletkeysreadingglassessunglasses” before he leaves for work.

As another aside, I have to disagree with Gierach. Dr. Juice looks nothing like Allen Ginsberg except to say they both have beards and glasses.

Author fact: Gierach wrote a whole bunch of other books about fishing. I have a couple more on my Challenge list. From what I understand there is a bunch of overlap with Death Taxes and Leaky Waders so the others (Sex, Death & Fly-Fishing and Another Lousy Day in Paradise) be quick reads.

Book trivia: Death, Taxes, and Leaky Waders was illustrated by Glenn Wolff.

Nancy said: Death, Taxes, and Leaky Waders is the best Gierach book to start with.

BookLust Twist: from More Book Lust in the chapter called “Gone Fishin'” (p 100). Simple enough.

Cider with Rosie

Lee, Laurie. Cider with Rosie. New York: Crown Publishers, 1984.

Reason read: to “continue” the series started in May in honor of Spain’s Madrid Festival (although Cider should have been read before As I Walked Out).

Cider with Rosie begins when Lee is just three years old. He belongs to a family of eight. Lee’s father had eight children with his first wife (who died in childbirth) and four more with his housekeeper who became his second wife. Of the twelve children total, only eight survived. Lee’s father may have left the family when Laurie was only three but his memories of childhood are simply magical regardless. I think he was raised with the expectation that his father would be back. Here is one memory about sleeping with his mother as a toddler: “They were deep and jealous, those wordless nights, as we curled and muttered together, like a secret I held through the waking day which set me above all others” (p 22).
Cider with Rosie is a study in innocence. Lee sees the world as a place of discovery. Even when he was thought to be on death’s door he analyzed all that was around him. I won’t spoil what the title means except to say it’s the end of innocence.

Quote which confounded me: About bread – “We tore them to pieces with their crusts still warm, and their monotony was brightened by the objects we found in them – string, nails, paper, and once a mouse; for those were days of happy-go-lucky baking” (p 14). What?

Book trivia: My edition of Cider with Rosie was wonderfully illustrated. I would advise anyone wanting to read Cider to find it. 35 different artists had a hand in beautifying its pages. While most artists contributed only one or two illustrations,  C.F. Tunnicliffe is credited with thirteen. In total there were over 200 illustrations of various sizes, over 50 of them being full page and 45 photographs (some from Lee’s private collection). Mu favorite illustration was the dragonfly on page 34.

Nancy said: Nancy called Cider an “affectionate memoir” (p 164).

BookLust Twist: from More Book Lust in the chapter called “Me, Me, Me: Autobiographies and Memoirs” (p 162). As an aside, Pearl makes no mention of the other books in the series.

Henry James: the Conquest of London

Edel, Leon. Henry James: the Conquest of London (1870 – 1881), Vol II. Philadelphia: J.B. Lippincott Company, 1962.

Reason read: to continue the series started in April in honor of Henry James’s birth month.

At the end of Henry James: the Untried Years the year was 1870 and James had just returned to Cambridge, Massachusetts after his first major jaunt through Europe. His beloved cousin, Minnie Temple, had succumbed to a very long illness and James was finding his way as a successful writer. Now, in Henry James: the Conquest of London James is broadening his horizons with another trip to Europe. Volume One outlined James’s personality and temperament and the seedling of his career as a writer whereas Volume Two waters that seedling and produces the blossoming of a true novelist. The parallels between Henry’s characters and that of his own grow. It is life feeding art. The art that begins to blossom is the ever-famous Portrait of a Lady.

As an aside, James’s story Watch and Ward reminded me of the poem “If No One Ever Marries Me” by Laurence Alma-Tadema. Both narrators say if they are unlucky in love they will adopt/buy a little orphan girl to bring up.

Quotes I liked, “He thrived more on people than upon scenery” (p 88),

Author fact: Edel read some 7,000 letters to and from Henry James in order to write the series.

Book trivia: Like Vol. I there are eight photographs in Conquest of London.

Nancy said: Nancy said if you want to learn about the life of Henry James you can’t do better than Leon Edel’s “magnificent”  five volumes (p 144).

BookLust Twist: from More Book Lust in the chapter called “The Literary Lives: the Americans” (p 144).

Age of Gold

Brands, H.W. Age of Gold: the California Gold Rush and the New American Dream. New York: Doubleday, 2002.

Reason read: May is history month.

January 24th 1848 is considered the date of the birth of the gold rush.

Age of Gold takes a thorough look at a slice of American history. Beginning in 1848 Brands introduces the reader to people from all walks of life, uncovering every story from land and sea across several continents. Part One describes in detail the first adventurers to travel from every corner of the earth to seek gold. It is here John Fremont is introduced for the first time. Part Two is an introduction to the frenzied hunt for gold: panning, picking, cradling, digging, mining, sifting, sluicing. Part Three sees the birth of California’s borders and governing body. San Francisco becomes the first city in the state.

Confessional: When I first heard Natalie sing “Gold Rush Brides” I wondered what she used for inspiration to write a song about the gold rush from the point of view of the women on the trail. Some time later Natalie read a passage from Women’s Diaries of the Westward Journey collected by Lillian Schlissel before performing the song. I can’t help but think of this book in comparison to Age of Gold.

Author fact: Brands also wrote bestseller The First American (also on my Challenge list).

Book trivia: Age of Gold includes a great group of photographs.

Nancy said: Nancy called Age of Gold “wide-ranging and engaging” (p 20).

BookLust Twist: from Book Lust in the obvious chapter called “American History: nonfiction” (p 20).

As I Walked Out One Midsummer Morning

Lee, Laurie. As I Walked Out One Midsummer Morning. New York: Atheneum, 1969.

Reason read: the Madrid Festival in Spain (obviously) happens in May.

Confessional: Once again I am reading books out of order! Dammit, dammit, dammit. When I planned to read As I Walked Out I had no idea Cider with Rosie was the first book in a trilogy memoir. No clue! Pearl does not make mention of the connection even though Moment of War (the third and final book of the memoir) is also included in Book Lust To Go. As an aside, Cider is listed in the index of More Book Lust. Again, I did not make the connection.

Laurie Lee left home in England to find, at the very least, fame and fortune as a musician. With mixed emotions he found he could make a dime on street corners but had to supplement his income with other vocations like construction work before moving on to his next adventure. At the heart of his journey was discovery; as he put it, “I felt it was for this I had come: to wake at dawn on a hillside and look out on a world for which I had no words, to start at the beginning, speechless and without a plan, in a place that still had no memories for me” (p 54). Most of his discovery takes place in Spain. As an aside, I loved his description of Madrid as an old lion with broken teeth and bad breath. As I Walked Out… ends with Lee being escorted out of Spain by a British destroyer and yet by summer he was fixated on getting back to Spain to join the war.

Quotes that gave me pause, “I was affronted by freedom” (p 6), “Such a narrow gap between consent and dispute” (p 45) and “Halfway up, in a recess, a small pale child sat carving a potato into the shape of all doll, and as we approached, she turned, gave us a quick look of panic, and bit off its little head” (p 93). What’s that all about? One last quote, “Fear lay panting in the street like a dog” (p 219).

Author fact: Lee was the youngest of twelve in his family. But probably the most fascinating fact about LL is that he met his wife when she was five years old and neither could understand the other’s language (she French, he English).

Book trivia: As I Walked Out… was illustrated by Leonard Rosoman. One of my favorite illustrations is on page 50.

Nancy said: As I Walked Out… is included in a list of books about Spain Nancy said should be tried (p 220).

BookLust Twist: from Book Lust To Go in the chapter simply called “Spain” (p 218).

June Jitterbugs

May was a month of real struggle. Suicides, known and unknown, sucked the life out of my psyche and I had a hard time staying afloat myself. I became obsessed with the sinking of the Lusitania and devoured every documentary I could find. Yet, I was unsure of my own mind’s footing; enough so I couldn’t trust me or myself to stand at Monhegan’s cliff edge. A first for me. Upon returning home I found myself amazed to be so relieved at being landlocked once again.

Here are the books I have planned for June:

Fiction:

  • Under the Gypsy Moon by Lawrence Thornton
  • Key to Rebecca by Ken Follett
  • American Pastoral by Philip Roth (AB)

Nonfiction:

  • Provence: by Ford Madox Ford
  • Another Lousy Day in Paradise by John Gierach ~ June is Fishing Month

Short Stories (June is Short Story Month):

  • “Artie Glick in a Family Way” by Joseph Epstein
  • “The Executor” by Joseph Epstein
  • “Mendocino” by Ann Packer
  • “Babies” by Ann Packer
  • “The Spoon Children” by Tom Paine
  • “Gentleman Markman’s Last Stand” by Tom Paine

Series Continuations:

  • Cider with Rosie by Laurie Lee
  • Henry James: the Middle Years by Leon Edel

Early Review for LibraryThing (maybe – I haven’t received it yet):

  • Upstream by Langdon Cook

By May

I thought May was going to be a disaster. The first two and a half weeks were nothing but rain and way cooler temps. I worried about my garden. I didn’t feel like running. It felt like a downward spiral. I ended up running only 28 miles and running away to Monhegan for a week so it ended better than it began. But…it’s still raining.

“…when May is rushing over you with desire to be part of the miracles you see in every hour” ~ Natalie Merchant, These are Days.

“I wanted to be there by May, at the latest. April is over. Can you tell me how long before I can be there?” ~ Natalie Merchant, Painted Desert.

Here are the books:

Fiction:

  • H by Elizabeth Shepard (read in one day)
  • Nerve by Dick Francis (read in two days)
  • A Gay and Melancholy Sound by Merle Miller

Nonfiction:

  • Good-Bye to All That by Robert Graves
  • Age of Gold by HW Brands
  • Lusitania: an epic tragedy by Diana Preston

Series continuation:

  • “Q” is for Quarry by Sue Grafton (finished the series)
  • As I Walked Out One Midsummer Morning by Laurie Lee (okay, so I didn’t know this was part of a trilogy).

Early Review for LibraryThing:

  • At the Broken Places by Mary and Donald Collins

Lusitania

Preston, Diana. Lusitania: an Epic Tragedy. New York: Walker & Company, 2002.

Reason read: on May 7th, 1915 the Lusitania was torpedoed on her 101th journey from New York to Liverpool, England. This reading is in honor of that horrific anniversary, 102 years later.

1915 – the year when everyone was in competition to see who could build the biggest, the fastest, the safest, the most stylish luxury ocean liner on the Atlantic. In the meantime, war was underway so another group was trying to build the fastest, the safest, the most stealthy and deadly underwater vessel called a U-boat. On May 7th, 1915 these two ocean vehicles would come together and make controversial history and spark one of World War I’s biggest mysteries. In 1915 the British vessel the Lusitania was the fastest passenger liner on the ocean. It was rumored to be able to outrun any U-boat enemy. However, what is fascinating about Diana Preston’s version of events is the amount of suspense she builds in the telling. I found myself questioning what I would do if I was set to board a British passenger ship, knowing full well its country was at war and the enemy had just issued a warning to passengers (to me!) stating they would attack my mode of transportation. In addition, I had options. There were neutral American boats going the same way.
I enjoyed Preston’s Lusitania so much I sought out documentaries about the May 7th, 1915 sinking to learn more.

Cache of worthless information:

  • Admiral Lord John Arbuthnot “Jackie” Fisher would have been a solid contender on Dancing with the Stars.
  • Admiral Lord Charles Beresford had a hunting scene tattoo across his buttocks “with the fox disappearing into the cleft” (p 19). Thank you for that image, Ms. Preston!
  • Businessman Elbert Hubbard’s wife’s preoccupation with potted plants got on his nerves.

Quote to quote, “A disaster always seemed necessary to bring about safety improvements (p 59). Isn’t that always the case?
Here’s another interesting quote, “A group of bellboys had spent the night before sailing electrocuting rats…” (p 133).
But, the most devastating quote to me is, “The German government regretted that the American passengers had relied on British promises rather than heeding German warnings” (p 334).

As an aside, I enjoy when a book educates me further on things I wasn’t aware I needed to know. Reading Lusitania prompted me to look up Leonardo Da Vinci’s underwater suit. I wanted to know more about Alfred Gwynne Vanderbilt. His portrayed him as a dashing man.

Author fact: There is a saying out there, “stick to what you know” and Preston certainly subscribes to that point of view. She has written four other books about the sinking of the Lusitania. None of these, nor any other Preston books, are on my Challenge list.

Book trivia: at first glance Lusitania: an epic tragedy is a hardy 438 pages long. In reality, its text is more like 380 pages once you remove all the awesome photographs, maps and diagrams. There are 80 photographs, 5 maps, 7 illustrations and 5 diagrams in total.

Nancy said: Nancy called Preston’s account “fittingly moving” (p 76).

BookLust Twist: from More Book Lust in the chapter called “Dewey Deconstructed: 900s” (p 76).

Good-Bye to All That

Graves, Robert. Good-Bye to All That: an autobiography. New York: Jonathan Cape and Harrison Smith, Inc., 1929.

Reason read: Memorial Day is May 29th this year. Read in honor of remembering World War I veterans. Robert Graves is one to remember.

Robert Graves decided to tell his autobiography when he was a mere 34 years old. After experiencing the horrors of World War I he must have felt he had lived a lifetime by the time he was in his 30s. His descriptions of early trench-warfare and as one example, the crude, ineffective gas masks are haunting. Despite it all, Graves was able to keep some decency about him. This is evident when he was unable to shoot a German soldier who was bathing. There was something about the man’s nakedness that unnerved Graves. And yet, he had a job to do…
Authors usually don’t take the time to describe their picture in a book. Robert Graves explains why his nose is large and crooked (broken twice & operated on once) and why one shoulder dips lower (courtesy of a lung wound). He makes modest statements about how the world sees him (like how he broke two front teeth when he was thirteen) as if to offer apologies for his face. Despite these descriptions the most obvious is that World War I was not easy on Robert Graves. One look at his 1929 photograph on the frontispiece of Good-Bye to All That and one can tell he was a broken man by the time the picture was taken. His haunted staring eyes speak volumes.
But, probably the biggest surprise about Graves’s autobiography was the humor. I don’t know if he meant to be funny but if not, he succeeded without trying.

Two lines that left me dumbstruck, “My dedication is an epilogue” (dedication page) and “The objects of this autobiography, written at the age of thirty-three, are simple enough: an opportunity for a formal good-bye to you and to you and to you and to me and to all that…” (p 1).
The definition of courage: “I had a bad head for heights and trained myself deliberately and painfully to overcome it…I have worked hard on myself in defining and dispersing terrors” (p 48).

As an aside, I am currently reading another book that takes place during World War I simply called Lusitania. Graves mentions the tragic events surrounding the torpedoing of the ocean liner in Good-Bye to All That but admits, “As for the Lusitania, the Germans gave her full warning, and if it brings the States into the war, it’s all to the good” (p 247).

Author fact: I don’t know when I first read anything by Robert Graves, but I do know when I really heard him and absorbed his words for the very first time. I heard him with ears wide open when Natalie Merchant decided to put his poem “Vain and Careless” to music. Incidentally, this was the first time I heard of the game Bob Cherry, too.

Book trivia: Good-Bye to All That has trench maps which put Robert’s ordeal into perspective for me.

Nancy said: Nancy said Graves wrote about his “disillusioning experiences” (p 154).

BookLust Twist: from More Book Lust in the chapter called “Living Through War” (p 154).

At the Broken Places

Collins, Mary and Donald Collins. At the Broken Places: a Mother and Trans Son Pick Up the Pieces. Boston: Beacon Press, 2017.

Reason read: for the Early Review Program through LibraryThing

The concept for At the Broken Places is unique. Mother and son tell a collaborative story of Donald Collins’s transition from daughter to son & all of the emotional upheaval they endured together (and apart) along the way. Because of their opposing viewpoints it must have been a very difficult time for both of them. This definitely make At the Broken Places a more dynamic story.
As an aside, it was interesting to read between the lines and hear what wasn’t being said. Mary indicated names are powerful and matter a great deal when she explained that at sixteen her daughter was “J” and referred to as She. When “J” insisted on being called Donald her daughter was then referred to as He. Her son. The death of a name ushered in the death of a daughter. It is further revealed Mary held some resentment over the name “Donald Oliver” because it single-handedly wiped out memorializing her father (“J’s” shared his initials).

At the Broken Places could serve a wide audience: people facing similar situations; people who want to educate themselves; even people in positions of authority charged with changing the status quo.

If I could quote At the Broken Places I would definitely include what Donald said on page 15 and again later in the book. As an aside, I found his side of the story smart, articulate, sensitive and honest. That is not to say I didn’t find Mary’s voice appealing. She was just more slickly professional and less raw in her writing.

May I Read Another Book?

Confessional: I don’t have any runs planned for May. I don’t have any travel planned for May (except going home-home). All I want to do is read, plant my gardens & master the grill. While the garden and the grill ambitions cannot be quantified, here are the books!

Fiction:

  •  Nerve by Dick Francis ~ in honor of the Kentucky Derby being in May
  • A Gay and Melancholy Sound by Merle Miller ~ in honor of Miller’s birth month. BTW – This is a behemoth (nearly 600 pages) so I am not confident I’ll finish it in time.
  • H by Elizabeth Shepard ! in honor of mental health month. This is barely 160 pages & will probably finish on a lunch break or two.

Nonfiction:

  • Age of Gold by H.W. Brands ~ in honor of History month being in May (confessional – this looks boring)
  • Lusitania: an epic tragedy by Diana Preston ~ in honor of the month the Lusitania sank
  • Goodbye to all That by Robert Graves ~ in honor of Memorial Day

Series continuations:

  • “Q” is for Quarry by Sue Grafton ~ to continue, and for me, finish the series started in April in honor of Grafton’s birth month (AB). Should be able to finish this in a weekend (AB + print)
  • Henry James: the Conquest of London (1870 – 1881) by Leon Edel ~ to continue the series started in April in honor of James’s birth month.

Early Review for LibraryThing:

  • At the Broken Places: —- by Mary and Donald Collins

Spring Sprung Titles

What to say about April? I ran my fastest 10k while ill (go figure). I met two new runners and may have convinced someone to at least try. I don’t know where this acceptance to run with others is coming from. To share a conversation I had with someone: I asked where she runs. She replied she doesn’t have my pace, “nowhere near it” were her exact words. I answered I don’t have that pace all the time either. Me & my pace visit from time to time but we don’t make it a thing. She laughed and I saw myself ten years ago talking to someone who face-times with friends while running. I worried about her relationship with pace. But, this blog is turning into a thing different from reading.

So, without further ado, here are the finished books:

Fiction:

  • Diplomatic Lover by Elsie Lee – read in one day
  • Oxford Murders by Guillermo Martinez – read in two days
  • Celibate Season by Carol Shields and Blanche Howard – read in four days (this book annoyed me and I kept having to put it down)

Nonfiction:

  • Lost Upland: stories of the Dordogne Region by W.S. Merwin – confessional: DNF (bored, bored, bored)
  • Coming into the Country by John McPhee
  • Henry James: the Untried Years by Leon Edel
  • Another Part of the Wood by Kenneth Clark – this was cheeky!

Series continuations:

  • “F” is for Fugitive by Sue Grafton (I’m calling this a continuation even though I read “A” a long time ago.)
  • Rise of Endymion by Dan Simmons (AB + print so I could finish on time – today!)
  • Blue Lightning by Ann Cleeves – another quick read (finished in four days)

Early Review for LibraryThing:

  • My Life with Bob by Pamela Paul

Coming into the Country

McPhee, John. Coming into the Country. New York: The Noonday Press, 1977.

Reason read: in four months I will be visiting Alaska. I thought I would start reading about it now.

There is a little bit of all things Alaskan in Coming into the Country. To name a few: the trials and tribulations of traveling rivers via kayak, the must-know laws of sport fishing (for example, fishermen are prohibited from catching fish by anything but mouth. Who knew?), Juneau is two time zones away from Anchorage. There’s more: McPhee details the nature of Grizzly bears, the techniques of placer mining, the bickering over the new location of the state capital, marriage and survival, and my favorite, the people of Alaska (transplant and not). The people you meet in Coming into the Country are phenomenal.

As an aside, Pearl may have called Coming into the Country a “classic” but in a timely twist, the boom of oil in Alaska is anything but old news.

Quotes I liked, “The best and worst part of catching that fish was deciding to let it go” (p 77) and “On days when the mail plane does not come, the human atmosphere is notably calmer than it is now” (p 199).

Author fact: I already told you McPhee has a huge list of books he has written. And I already told you I have six of them on my Challenge list. I already reviewed “Crossing the Craton” a few years ago.

Book trivia: There are no photographs in Coming into the Country but there are several different helpful maps.

Nancy said: Nancy called Coming into the Country a “classic” (p 15).

BookLust Twist: from Book Lust To Go in the chapter called “All Set For Alaska” (p 15).

Henry James: the untried years

Edel, Leon. Henry James: the Untried Years 1843 – 1870 (Volume 1). Philadelphia: J B Lippincott, 1953.

Reason read: to honor the birth month of Henry James, born April 15th, 1843.

Henry James: the Untried Years is, for lack of a more appropriate description, the beginning of Henry James. It chronographs the James family origins (briefly) and covers the first twenty seven years of the writer’s life. Several pieces of trivia I picked up from this volume were of interest. I did not know the writings of young Henry James’s and those of his father’s were often confused, especially when they wrote for the same publication. It irked the younger James so much so that after his father’s passing he made sure everyone knew he was dropping the “junior” part of his name. But, by the same token James Sr had misgivings about artists in general which was  a shame considering one son wanted to be a writer while another thought his true vocation was one of an artist.
Edel also does a great job giving the reader a sense of place. Young James was a well traveled youth, but the Hudson area of New York was not only a place of family roots but it gave young James his first important hero. Newport, Rhode Island and Boston, Massachusetts are two other very influential American geographic locations. When James finally starts “trying” his years Italy and France become major influences as well.

As an aside, James’s description of George Eliot made me think of my father-in-law. Surely, “magnificently ugly”, “deliciously hideous” and “monstrously beautiful” all have a similar ring? Two were from James and one was from Jim.

Author fact: One of the most fascinating things about Leon Edel is that he had already mapped out how the James biography was to be written practically in its entirety before he wrote a single sentence. He stated that “his [James] was a large life and it requires a large canvas” (p 10). Another interesting fact is that had Edel lived just four more days he would have made it to 90 years old.

Book trivia: Volume 1 contains eight illustrations. What is nice about Edel’s edition is that he takes the time to give more information about these illustrations. For example, the photographs on page 193: Edel includes an explanation of when the photo was taken, what James was writing at the time & even James’s opinion of the photograph.

Nancy said: Nancy said if you want to learn the most about James then you can’t do better than Edel. She called his five-volume set “magnificent” (p 144).

BookLust Twist: from More Book Lust in the chapter called “Literary Lives: The Americans” (p 144).

Another Part of the Wood

Clark, Kenneth. Another Part of the Wood: a Self Portrait. New York: Harper & Row, 1974.

Reason read: I am reading this in error. See BookLust Twist at bottom of review for explanation. By the way, April celebrates libraries and libraries mean books.

Kenneth Clark’s childhood reads like a demented fairy tale. He was brought up in Edwardian times when people ironed the newspapers and drank tea-time whiskies. His parent often left young Clark alone with the help while they spent their time living on yachts. As a child he gallivanted about the French Riviera, attended shooting parties and wandered music halls. But something happened when he reached the age of seven. Suddenly, works of art had the power to move him profoundly. He had the ability to recognize real talent. This exceptional gift developed with time, scholarship and good old fashioned experience until, at the young age of thirty, he was appointed Director of the National Gallery. After that, Clark fills his pages with a who’s who of artists and others he has met. It’s a fascinating story which Clark tells with such animation and enthusiasm.

As an aside, as I was reading Another Part of the Wood I was reminded of Kevin Spacey’s character, Francis Underwood, in the Netflix political drama “House of Cards.” Every once in a while Underwood breaks from character and looks into the camera to address his unseen viewing audience. Clark does this with footnotes and side comments with enough frequency to imply a certain concern for his reader’s opinion of him.

As another aside, I had to smile when Clark mentions his home in Grosvenor Square. How many other people thought of Robert Hunter or Adelai Stevenson when they read that? I instantly was reminded of scarlet begonias and a man telling his mistress not to walk so fast.

Quotes to quote, “Leigh spoke no foreign language correctly but, with his musical ear, he could make noises that sounded exactly like the language in question” (p 118), “I went to most of the concerts, and have been a little sniffy about other performances of Beethoven’s symphonies ever since” (p 158),

Author fact: Clark wrote a plethora of books. I am only reading this one.

Book trivia: There are a smattering of great photographs in Another Part of the Wood. My favorite is of Jane and the twins. She is looking at them as if to ask, “who are these creatures and why do I have them?”

Nancy said: Pearl quotes Clark in his love for the 11th edition of the Encyclopedia Britannica (p 62).

BookLust Twist: erroneously from More Book Lust in the chapter called “Dewey Deconstructed: 000s” (p 62). In the Dewey decimal system, 000 is where you will find books about books. In this category you will find Pearl’s own Book Lust. You would not, however, find Another Part of the Wood (it would be in the 700s for museums, the arts and such). Pearl includes Another Part of the Wood in the 000s because Clark loved his edition of the Encyclopedia Britannica.