Return of Sherlock Holmes

Doyle, Arthur Conan. The Complete Sherlock Holmes: The Return of Sherlock Holmes. Doubleday & Company, 1930.

Reason read: I am still working my way through Sherlock Holmes. I obviously took a little break, but now I am back.

The Return of Sherlock Holmes is comprised of thirteen adventures. There is a certain formula to Doyle’s writing. Someone is always trying to scam, blackmail, or extort something from someone else. Clients come to Holmes when Scotland Yard thinks the case is out of their league. Scandal, public embarrassment, or out and out trickery is usually the name of the game. Sherlock is always the master of disguises; a chameleon of identity. He is always seeing details others commonly miss. Confessional: I got a little tired of his smug attitude. I love love Watson, though.

  • “Adventures of the Empty House”
  • “Adventure of the Norwood Builder”
  • “Adventure of the Dancing Men”
  • “Adventure of the Solitary Cyclist”
  • “Adventure of the Priory School”
  • “Adventure of Black Peter”
  • “Adventure of Charles Augustus Milverton”
  • “Adventure of the Six Napoleons”
  • “Adventure of the Three Students”
  • “Adventure of the Golden Pince-Nez”
  • “Adventure of the Missing Three-Quarter”
  • “Adventure of the Abbey Grange”
  • “Adventure of the Second Stain”

Author fact: Doyle tried to kill off Sherlock but his fans wouldn’t let him.

Book trivia: The Return of Sherlock Holmes was published in 1905 as a collection. The stories came out individually from 1903 – 1904.

Nancy said: Pearl never mentions The Return of Sherlock Holmes because it is within The Complete Sherlock Holmes.

BookLust Twist: from Book Lust in the chapter called “I Love a Mystery” (p 117).

Childhood’s End

Clarke, Arthur C. Childhood’s End. Random House, 1981.

Reason read: October is Science Fiction Month for some people. I also needed a book set in the future for the Portland Public Library 2023 Reading Challenge.

Confessional: this review will be very brief. As I have said before, I am not a fan of science fiction. Boo. The first section of Childhood’s End is based on a short story called “Guardian Angel”. Earth is controlled by the Overlords. They provide security, peace and prosperity but their interests lie in human psychology, mysticism, telepathy, the occult, second sight, and psychic phenomena. Fact meets fiction. The Republic of South Africa had racial tensions for over a century. U.S. and Russia did have a race to space. I found those elements to be interesting. The other aspects of Childhood’s End I found curious were the social commentaries Clarke was making about the human race. When we cannot pronounce a name that is unfamiliar to use (like Thanthalteresco) we come up with nicknames (like the Inspector). The Overlords are like parents, banning something (space) because they think their children (humans) are not ready for it. My favorite part was when Jan Rodricks, a Cape Town engineering student, pulled a Trojan Horse stunt and stowed away in a giant whale replica to visit the Overlords on their turf.
The moral of the story could be that without conflict there is no passion. Without passion there is only apathy and with apathy comes boredom. With boredom comes the need to rile things up.

Author fact: Have you seen the list of books Clarke has written, both in fiction and nonfiction? It is impressive. I am only reading Childhood’s End for the Challenge.

Book trivia: Childhood’s End was originally published in 1953 and considered way before its time. It took almost a year to write.

Nancy said: Pearl said Childhood’s End was a great read.

BookLust Twist: from Book Lust in the chapter called “Science Fictions, Fantasy and Horror” (p 213).

Literary Companion to Sex

Pitt-Kethley, Fiona. The Literary Companion to Sex: an anthology of prose and poetry. Random House, 1992.

Reason read: July is National Parenting Month. Parenting comes about from having unprotected sex (among other ways) so…

I liked Pitt-Kethley’s approach to organizing The Literary Companion to Sex. It made sense to break the book into five sections according to the ages rather than a strict chronology that could be disputed. First we have the Ancient World which includes the Bible, Talmud and writings from such as Homer and Virgil. Next comes the eighteenth century with excerpts from Dafoe, Milton, and Marvell. (I think everyone knows “To His Coy Mistress”.) The nineteenth century features writings from Richard Burton, Honore de Balzac, and Emile Zola, to name a few. “The Magic Ring” from Kryptadia was one of my favorites. The twentieth century surprised me. Yes, I know Philip Roth, Henry Miller, and John Updike would be included, but what about Edmund White?
I also appreciated Pitt-Kethley’s statement that she “inserted the rude words omitted” like a warning to keep your hands inside the moving vehicle at all times. You have a more enjoyable ride if you know what’s coming. Pun totally intended.
Here is what I got out of reading The Literary Companion to Sex. Like all good pornography, the plot is minimal in most stories. Benjamin Franklin believed sex with an older woman was better because the woman they would be so grateful (among other reasons). Women can be harsh about other women’s bodies describing breasts that hang heavy and “navel-low”.
What I really want to know is how Pitt-Kethley found all of these juicy parts of poems, plays, novels, letters, journals, and essays? I cannot begin to imagine the research that went into compiling the contents of The Literary Companion to Sex.

Editor fact: Pitt-Kethley had a blog here where she lists cats and karate as interests.

Book trivia: I had a really hard time finding this in a local library. I couldn’t even borrow Literary Companion to Sex from any library across the state so I ended up reading it on Internet Archive.

Nancy said: Pearl didn’t say anything about The Literary Companion to Sex except to say it is a collection of the really “good” parts of novels.

BookLust Twist: from Book Lust in the chapter called “Sex and the Single Reader” (p 218) as if the married reader couldn’t enjoy a romp between the pages every once in awhile.

Farewell Symphony

White, Edmund. The Farewell Symphony. Alfred A. Knopf, 1997.

Reason read: I started White’s trilogy in June to celebrate pride month. Farewell Symphony is the last of the three.

We continue the autobiography of an unknown protagonist (okay, okay! It’s White). By now he is a full fledged adult and it is the early 1960s. Whereas the other books in the trilogy spanned a short period of time, Farewell Symphony is much longer and covers nearly thirty years, ending in the early 1990s. By the end of The Farewell Symphony Mr. Nameless has outlived most of his friends. AIDS has infiltrated his love life. But I am getting ahead of myself. Let us start at the beginning. Brice, a former lover, died six months before the story opens. From there, the author experiences a string of sexual encounters barely qualifying as relationships: the heartbreak over Sean, a man who was unobtainable. Lou and Kevin. Fox. I could go on. For the most part, Farewell Symphony seems to be a running commentary on sex within the homosexual community. The nameless protagonist prowls for hookups, threesomes, and orgies all fueled by an insatiable desperation to not go lonely. When he isn’t trying to get laid, he desires to be published. The most poignant and sorrowful portion of The Farewell Symphony is the bitter end. True to the title of the book, the symphony of gay men die off, one by one, leaving one voice to take a final bow.

I’ve having a mental block. I cannot think of the word when several coincidences occur at the same time. I just finished reading Proust’s Remembrance of Things Past and White’s character is also reading the epic story.

A weird moment of deja vu: I came across a passage in The Farewell Symphony where a character defends sex with children. I feel like that exact same passage was either earlier in the book or in a previous volume of the trilogy.

Quotes worth quoting, “I’ve never liked to feel things in the appropriate way at the right moment” (p 3), “I invited him home and found him to be complicated in ways that bored me” (p 23),

Author fact: at the time of publication, White was a professor at Princeton University.

Book trivia: some reviews of The Farewell Symphony called it trashy.

Setlist: George Thill’s “O Soave Fanciulla” from La Boheme, Sgt. Pepper, Haydn #45, Billie Holiday, Helen Morgan, “Chopsticks”, Verdi, Wagner, Aretha Franklin, Gerard Souzay-Dupare, “Why Did You Leave Me?”, “Strangers in the Night”, Muddy Waters, Jimi Hendrix, Jim Morrison, Paolo Conte, Bartok, “the Magic Flute”, Frank Sinatra, “I’ll Be Seeing You in Apple Blossom Time”, Phoebe Snow, Diana Ross, Joni Mitchell, Bette Midler, Puccini, Schubert’s “Erlkonig”, “Up on the Roof” by the Nylons, and Helen Morgan.

Nancy said: Pearl said nothing specific about The Farewell Symphony.

BookLust Twist: from Book Lust in the obvious chapter called “Gay and Lesbian Fiction: Out of the Closet” (p 93).

Time Regained

Proust, Marcel. Remembrance of Things Past: Time Regained. Vol. 7. Translated by Stephen Hudson. Illustrated by Philippe Jullian. Chatto & Windus, 1960.

Reason read: to finally, finally, finally, finish the series started in honor of National Writing Month. As an aside, I heard that some people take a decade to read Proust so I don’t feel that bad!

I had to roll my eyes when I saw Gilberte and Albertine’s names as early as page two. Was this going to be another obsessive missive about these women? Had Albertine lived! That is the refrain. Not exactly. Time Regained, as the final installment of Remembrance of Things Past is exactly that – a circling back to remembering people, places, and experiences long since past. It is a mediation on society, aging, relationships, art, beauty, and truth. Proust even goes back to the first moments with his mother detailed in the first volume, Swann’s Way. We all grow old and we all learn things along the way. I am not sure what message Proust is trying to make with the aging of his nameless protagonist. He never really learns anything profound except that relationships are precious. Gilberte and Albertine are two women he never should have taken for granted.

Author fact: Since this is the final time I will be talking about Proust, let’s recap everything I said about him. I said he was compared to James Joyce but that Flaubert was one of his biggest influences. I gave you his full name and explained that he was a recluse. The term romans-fleuves was coined to describe his novels and that he spent a year in the army. He was also an essayist and a literary critic. The end.

Translator fact: Proust’s long-time translator, C. K. Scott Moncrieff past away before he could work on Time Regained. Stephen Hudson was able to make a translator’s dedication to the memory of Moncrieff, saying he was a friend and an incomparable translator. That touched me.

Book trivia: as the final book in the Remembrance of Things Past series, the eighth part was originally published in 1927.
Book trivia II: I was very happy to return to the Chatto & Windus series just so I could enjoy Philippe Jullian’s illustrations. “Berma” is really special, but so is “Madame Verdurin.”
Book trivia III: Time Regained was made into a movie in 2000. Nope. Haven’t seen it.

Nancy said: for the last time, the only thing Pearl said about the entire Remembrance of Things Past is that the term romans-fleuve first came about to describe Proust’s work.

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Beautiful Room is Empty

White, Edmund. The Beautiful Room is Empty. Alfred A. Knopf, 1988.

Reason read: to continue the series started in June in honor of Pride Month.

When we rejoin our nameless narrator he is now seventeen years old and exploring deeper relationships, sexual and platonic. He has moved from the Midwest to the culturally explosive Greenwich Village of New York to pursue college and a career. There he keeps his relationships in different compartments. The fraternity brothers do not mingle with the bohemians and the bohemians do not know the Chinese. And no one knows of the anonymous hairy legs and hard penises of grimy bathrooms. There is a lot more descriptive sex in The Beautiful Room is Empty. Our narrator is less concerned with “going straight” then he is finding a handsome man with whom to link arms and entwine legs. The shame of homosexuality burns with a smaller flame but is always there.

Favorite lines, “A small black toad of a laugh hopped through his lips” (p 137)

Author fact: Edmund’s middle name is Valentine.

Book trivia: The Beautiful Room is Empty is the second book in the trilogy.

Playlist: Bach, Barbra Streisand’s “Happy Days are Here Again”, Bartok, Baroque Revival, Beethoven, Brahms, Brenda Lee’s “Break It to Me Gently”, Caruso’s “Oh Ginnie Whiskey”, Charles Mingus, Charlie Parker, Des Grieux aria, Dionne Warwick, Everly Brothers, “God bless the Chile That’s Got His Own”, “Good Morning Heartache”, Hammerklavier Sonata, Handel, Haydn, “I’ll Be Seeing You in Apple Blossom Time”, “I’m Travelin’ Light”, “Kitten on the Keys”, “Mister”, Pucci’s “Marion Lescaut”, “My Guy”, Rosemary Clooney’s “If I Had Known You Was A-Comin’ I’d’ve Baked a Cake”, Stravinsky’s “the Firebird”, Tchaikovsky, “This is Love”, Timi Yuro’s “Make the World Go Away”,

Nancy said: Pearl did not say anything specific about The Beautiful Room is Empty.

BookLust Twist: from Book Lust in the outdated chapter called “Gay and Lesbian Fiction: Out of the Closet” (p 93). These days we would say LGBTQ Fiction: Loud and Proud!

Two Cities

Wideman, John Edgar. Two Cities: a love story. Houghton Mifflen Company, 1998.

Reason read: read in honor of Philadelphia’s Global Fusion Fest that happens in July.

Two cities of then and now. Before and after.
I knew I would like Wideman when I read the passage about taking people for a walk. Like dogs, people should be exercised to work out pent up energies and aggressions. People might be nicer.
Kassima has known trouble and a grief so deep it is truly a constant sorrow. She lost her husband and two sons all within ten months. Each death was a seemingly fluke accident of epic proportions. Her husband, serving time in prison contracted AIDS. One son died while playing Russian roulette while another was murdered; a revenge killing for a drug deal gone wrong that didn’t concern him. Kassima doesn’t sugar coat the cruel realities of what it means to be black growing up on mean streets, or a man serving time in prison. When she meets a new romance, Kassima is afraid to take a chance on love. It isn’t until the death of a neighbor brings clarity to a life worth living.
Wideman’s writing is like a photograph. Images of young men trash talking while playing a game of basketball is crystal clear.

Quotes to quote, “All men got the dog” (p 21) and “People are as good as dead when you weren’t around them” (p 85).

Author fact: I am reading three novels by Wideman: Philadelphia Fire, Sent For You Yesterday and Two Cities.

Book trivia: the dedication in Two Cities is heartbreaking. It begs the question what happened? I did some digging and found that Wideman has had more than his share of tragedy.

Playlist: “Everybody Plays the Fool”, the Dells, the Imperials, the Spaniels, the 5 Royales, the Five Saints, the Diablos, Bessie Smith’s “Backwater Blues”. As an aside, Wideman mentions a guy by the name Louis Berry. I couldn’t find his musician (at least one that fit his era), but I found a new favorite with the same name

Nancy said: Pearl included Wideman in her list of other good examples of African American fiction by men.

BookLust Twist: from Book Lust in the chapter called “African American Fiction: He Say” (p 12).

I Capture the Castle

Smith, Dodie. I Capture the Castle. St Martin’s Griffin, 1948.
Smith, Dodie. I Capture the Castle. Read by Toby Jones and Holliday Grainger. BBC4 Radio, 2016.

Reason read: A long time ago we stayed in a castle. It was June and very romantic.

Teenage Cassandra writes in her diary like a typical girl. She makes observations about not-so typical situations, like the fact her family lives in poverty in a rundown English castle. Her dream is to become a famous author so to practice she recounts the lives of her family with sharp and witty commentary. As she says, “contemplation seems to be about the only luxury that costs nothing” (p 25). At the onset, the name of the game seems to be to marry off sister Rose to the highest bidder; and that man seems to be American Simon Cotton. Poor Rose cannot even find a suitable dress for dinner let alone charm her future husband over a decent meal. I Capture the Castle is more than a dating game, it is the story of society’s opinion of a woman’s place. It says something about the attitudes about feminine decorum.
One of my favorite moments was when Simon and his brother Neil spotted Rose and Cassandra in ratty fur coats. To avoid anyone seeing them in such shambles Neil pretends they are a bear and “kills” it before mother can see. How perfectly ridiculous yet, there is an air of social grace in the midst of destitution.

As a personal aside, I could relate when Cassandra was seduced with the help of music. I have been there myself, both as seducer and seduced. Music can say a lot without saying anything at all…if you know what I mean.

Author fact: Dodie is Dorothy Gladys Smith, born in 1896. I Capture the Castle is her first novel, but she is also responsible for the Disney story of the One Hundred and One Dalmatians, inspired by Pongo, Smith’s own Dalmatian.

Book trivia: I Capture the Castle was made into a movie “most romantic” but before that, it was a play in 1954. Confessional: I have been saying I captureD (past tense) the castle for days now.

Audio trivia: the BBC4 Radio version is a big production with a full cast complete with music.

Playlist: “Green Sleeves”, “The Isle of Capri”, “Blow the Man Down”, “God Save the King”, Handel’s “Air from the Water Music”, Debussy’s “Water Music” and “Clair de Lune”, La Cathedrale Engloutie”, “La Terrasse Des Audiences au Clair de Lune”, Bach’s “Lover” and “Sheep May Safely Graze”.

Nancy said: Pearl admitted it was hard not to smile when reading the first line of I Capture the Castle. What was that first line? Read the book to find out.

BookLust Twist: from Book Lust in the chapter called “First Lines to Remember” (p 86).

End of the Hunt

Flanagan, Thomas. End of the Hunt. Dutton, 1994.

Reason read: to finish the series started in April.

Flanagan’s End of the Hunt picks up where Tenants of Time left off; right after the Easter Rebellion. So begins the birth of the IRA (Irish Republic Army). Flanagan weaves intimate portraits of widow Janice Nugent as she tries to find love again; Patrick Prentiss as he navigates the world as a World War I amputee; and Frank Lacy, a contradiction in character with his weapons and Virgil in hand. Character development is so on point you swear you have met these people before. Meshed with real historic events and people, it is easy to see why End of the Hunt is a best-seller.

As an aside, how can you be historically deliberate and accurate and yet only coincidentally name actual people? I realize the coincidence phrase is a standard blurb to cover an author’s ass, but either these people were a part of history or they weren’t.

Line I liked, “Dublin is a city of half sentence” (p 7).

Author fact: At the time of publication, Flanagan divided his time between Long Island (New York) and Ireland.

Book trivia: End of the Hunt is the final book in the Irish trilogy and has been compared to Leon Iris’s Trinity.

Playlist: “Lead, Kindly Light”, “Sean O Dwyer”, “Slievenamon”, and “A Nation Once Again”.

Nancy said: Pearl called the entire trilogy “magnificent” and End of the Hunt “good.”

BookLust Twist: from Book Lust in the obvious chapter called “Historical Fiction From Around the World” (p 113) and again in the chapter called “Irish Fiction” (p 125). Funny how none of the other books in the trilogy are mentioned in this chapter.

Sweet Cheat Gone

Proust, Marcel. Remembrance of Things Past: The Sweet Cheat Gone. Vol. 6. Translated by C.K. Scott Montcrieff. Chatto & Windus, 1961.

Reason read: to continue the series started in November for National Writing Month. Obviously, I have skipped a month or two.

If The Fugitive was all about keeping Albertine hostage, The Sweet Cheat Gone is her escape. Albertine’s departure sets the stage for volume six. Proust has this way of capturing obsession and grief in all their painful intricacies. You know that moment, right before coming fully awake when you thinks maybe yesterday has all been some kind of horrible nightmare? But then remembrance brings back the horror with a vengeance. Yesterday’s reality is today’s truth. Proust’s narrator is constantly remembering the times he bused Albertine’s love. He couldn’t tell her she reminded him of paintings of other female forms because he didn’t want her to think of female nude bodies. His jealousies were that strong. After her departure, he is inconsolable; able to pick up his grief right where he left off before sleep; as if he had never closed his eyes. He repeatedly fixates on how to return the escaped Albertine back to him. If you don’t believe me, count the times Albertine’s name appears on every page. It got to the point where I wanted to please take this man out behind the barn and put him out of his misery.
It is so cliché to say, but you really do not know what you have until it is gone. Proust’s narrator is no different. He enjoyed hurting Albertine while she was in his possession, but upon hearing of her death he fixates on all the times he took her for granted or thought her company to be a nuisance. Her charms, her innocence was something to be scoffed at until she vanished. Now that he has lost her everything she touched (including “the pedals of the pianola she pressed with golden slippers”) becomes all too precious. He knows he has abused her and admits as much in the way he describes her departure as flight, escape, gone, and on the run. His obsession grows worse when he thinks her dead. He couldn’t even read newspapers because the mere act of opening and lifting one to his eyes brought back memories of Albertine doing the same.
In volume two there is a return to M. de Guermantes and Gilberte. Everything remains the same. Our nameless narrator is still looking for love wherever he can find it. His mother is unwilling to let him see just how much she loved him and that bothers him.

Quotes to ponder, “An impression of love is out of proportion to the other impressions of life, but it is not when it is lost in their midst that we can take account of it” (p 107) and “We wish to be understood, because we wish to be loved, and we wish to be loved because we are in love” (p 111). This last sentence is probably my all time favorite quote of Proust’s.

Author fact: For the first volume I told you Proust’s full name. In the second review I explained where the term romans-fleuve came from. In the third review I mentioned Proust spent a year in the army. In the fourth review I mentioned the influence of Flaubert, but by the fifth review I had run out of things to say (either that or I just forgot to add an author fact). Now, in this sixth review, my author fact is Proust was also an essayist. I won’t be reading any of his essays.

Book trivia: Sweet Cheat Gone is also called The Fugitive or Albertine Gone. So many different titles, I can’t keep track! Another tidbit of info: in the French text Albertine Disparue volume one ends before chapter two, “Mademoiselle De Forcheville.” It is at this time that the obsession with Albertine abruptly ends. She is not mentioned on every page life the first volume.

Nancy said: Pearl said absolutely nothing about this volume of Remembrance of Things Past.

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Boy’s Own Story

White, Edmund. A Boy’s Own Story. Iconic Books, Open Road Media. 2000.
White, Edmund. A Boy’s Own Story. Vintage International, 1982.

Reason read: June is Pride Month.

First published in 1982, A Boy’s Own Story‘s main character has been compared to Teddy Roosevelt and characters from Lolita and Huckleberry Finn. The first in a trilogy and supposedly autobiographical in nature, A Boy’s Own Story introduces themes of desire, coming of age, and identity. The book’s nameless young narrator navigates his own sexuality in an age when parents simply warn their children about predators who seem “oversexed” and “take advantage of younger boys.” Our hero fights his homosexual tendencies while wondering why the adult camp counselor doesn’t rub his back in the middle of the night. Torn between propriety and passion, he struggles to find normalcy in his desires. Will his feelings for other boys fade in time? It this something to grow out of? In an effort to “change” he first seeks the advice of a priest. When that does not work, he convinces his father to send him to an all-boys boarding school. Maybe being in the presence of so many males would normalize his sexuality and set him straight? Not so. Next came a psychiatrist. Maybe he can address the psychological aspects of being attracted to men? Ultimately, he is looking for a way to have sex with a man and then disown him so to disavow his homosexuality. The secret to his longing is power which makes A Boy’s Own Story all at once poignant and sad.

Line I liked, “The subject of this book might be that brief eloquence between the fantasies of a dream-bound child and his implementing through charm, sexuality, his wits” (p 6). The saddest sentence in the book, “I had spent so much of my childhood sunk into a cross-eyed, nose-picking turpitude of shame and self-loathing, scrunched up in the corner of a sweating leather chair on a hot summer day, the heat having silenced the birds, even the construction workers on the site next door, and delivering me up to the admonishing black head of the fan on the floor slowly shaking from left to right, right to left to signal its tedious repetition of no, no, no, and to exhale the faintly irritating vacillations of its breath” (p 126).

Author fact: White lists Proust as one of his influences. I love it when I’m reading a connection to another book.

Book trivia: A Boy’s Own Story is autobiographical.

Playlist: “Dies Irae”, Juliette Greco, “Nothing Like a Dame”, Odetta, “Pat Boone’s “Twixt Twelve and Twenty”, “Now is the Hour”, “Zip-a-Dee Doo-Dah”, “Kitten on the Keys”, “I’ll Be Seeing You in Apple Blossom Time”, “The Tennessee Waltz”, Haydn, Mozart, Beethoven, Brahms, Liberace, Schubert’s “Unfinished”,

Nancy said: Pearl said Boy’s Own Story was “set prior to Stonewall” (Book Lust p 94). For those who don’t know, Stonewall refers to the Stonewall Rebellion or Stonewall Uprising; a riot in the early morning of June 28th, 1969. Police violently raided an establishment known as Stonewall. The community in and around Greenwich Village, New York, protested the attack.

BookLust Twist: from Book Lust in the too-short chapter called “Gay and Lesbian Fiction: Out of the Closet” (p 93). There are so many other great novels Pearl could have mentioned (like Annie On My Mind by Nancy Garden).

At Weddings and Wakes

McDermott, Alice. At Weddings and Wakes. Farrar Straus Giroux, 1992.

Reason read: June is a very popular month for weddings…to the point where it is almost cliché.

Time is handled in a “This Is Us” fashion: time goes backwards and forwards in At Weddings and Wakes. Time moves through memory and observation and seems incrementally slow. This is the story of what it means to be Irish-American in New York, told from the point of view of Lucy Dailey’s school-aged children. Again, I was reminded of “This Is Us.” The viewpoints are poignant and sad, tender and true to life. This Is Life. Lucy dutifully brings her children from Long Island to see her sisters and stepmother in Brooklyn. The three generations of family all have a rich bittersweet history to tell. Aunt Veronica needs alcohol to numb her grief. Aunt Agnes is nothing but sharp-tongued and career driven. But, the sweetness and light is found with Aunt May, a former nun in the midst of a romance with mailman.
McDermott is a master at displaying human emotions and behaviors in a way that you swear the characters are in your life; just ghosts who have just passed into another room while you weren’t looking.
As an aside, can I just say how much I love the slug scene that appears in the beginning of the book and then returns at the end?

Line I liked, “She inherited her mother’s easy access to regret” (p 52) and “The need to disagree rose in her like appetite” (p 87).

Author fact: I am reading five McDermott books. I cannot wait for That Night and Child of My Heart. I have already read Charming Billy and The Bigamist’s Daughter .

Book trivia: this should have been a movie.

Setlist: “All the Things You Are” by Jerome Kern, “Wild Irish Rose”, “I’ll Be Seeing You”, “I’ve Been Working On the Railroad”, “Rambling Wreck From Georgia Tech”, and “The Caissons Go Rolling Along”.

Nancy said: Pearl did not say anything specific about At Weddings and Wakes.

BookLust Twist: from Book Lust in the chapter called “A…is for Alice (p 1).

Brothers Karamazov

Dostoevsky, Fyodor. The Brothers Karamazov. Translated by Richard Pevear and Larissa Volokhonsky. Alfred A. Knopf, 1992.

Reason read: I no longer remember why this was chosen for May.

The question of nature versus nurture has always been a topic for debate. Who are we? Why are we here? Do we have a divine reason for being on this planet? In short, Dostoevsky is asking for the meaning of life. Sort of. This is the story of a patricide when any of Fyodor’s children could have been his killer because no one has a good relationship with him. Not to mention the competition between father and son over Agrafena (Grushenka). Here is a brief overview of The Brothers Karamazov:

  • Book One sets up the family dynamic
  • Book Two introduces the dispute over the family inheritance
  • Book Three is about the love triangle between Fyodor, Dmitri, and Grushenka
  • Book Four – you can skip. It’s a side story
  • Book Five is pros and contra, the Grand Inquisition & Jesus (reason and blind faith)
  • Book Six is about the Russian monk; the life and history of Elder Zosima, dying in his cell
  • Book Seven introduces Alyosha and the death and decay of Zosima
  • Book Eight illustrates Dmitri’s greed in order to run away with Grushenka
  • Book Nine is Fyodor’s murder (finally)
  • Book Ten is another side story
  • Book eleven is about Brother Ivan and his quest to find his father’s killer
  • Book Twelve is the trial of Dimitri

Author fact: Dostoevsky died shortly after finishing The Brothers Karamazov.

Book trivia: The Brothers Karamazov was originally published as a serial.

Nancy said: Pearl said “A good part of reading life can be spent most productively with the great (and well-known) Russian books…” (Book Lust p 210). She said more but you’ll just have to read it for yourself.

BookLust Twist: from Book Lust in the chapter called “Russian Heavies” (p 210).

The Prisoner

Proust, Marcel. Remembrance of Things Past. Translated by C. K. Scott Moncrieff. Modern Library, 1956.

Reason read: to continue the series started in November in honor of Proust.

Whatever you want to call this volume of Remembrance of Things Past, whether it be “The Prisoner” or “The Captive”, it is also for obvious reasons called “The Albertine Novel.” In the beginning of “The Captive/Prisoner” Albertine is the narrator’s mistress. As soon as she wants to visit friends he (as narrator finally named Marcel at times) bribes Albertine with furs and jewels to make her stay in his family’s Paris apartment. There he keeps a close eye on her. Despite this possessive nature, he (Marcel) soon grows tired of Albertine but cannot completely let her go, hence the title of prisoner or captive. He becomes progressively more jealous, possessive, obsessive to the point of borderline psychotic worrying and wondering about who Albertine is with, male or female. Her confession of a friendship with lesbians forces Marcel to stoop to spying to see if she has relationships with other women. As usual, Proust has his finger squarely on the pulse of human nature. Albertine is the epitome of freedom while Marcel embodies jealousy and rage.
Sadly, because I had to switch to another publication, this version does not have the beautiful and whimsical illustrations of the other volumes.

Lines to like, “People who learn some accurate detail of another person’s life at once deduce consequences which are not accurate, and see in the newly discovered fact an explanation of things that have no connexion with it whatsoever” (p 2).

Book trivia: The Prisoner was published posthumously. The next book to read is The Past Recaptured.

Nancy said: Pearl didn’t say anything specific about “The Captive” or “The Prisoner.”

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Tenants of Time

Flanagan, Thomas. Tenants of Time. Warner Books, 1989.

Reason read: to continue the series started in March in honor of St. Patrick’s Day.

This is the account of the Fenian Rising of 1867 in the time of the Parnell Special Commission. All of Ireland rises up and greets war with bravery and stern determination. The chief storytellers are Patrick Prentiss and Hugh MacMahon, but you’ll also meet Robert Delaney, a shopkeeper and Ned Nolan, a terrorist. Like Katherine by Anya Seton Tenants of Time walks a tightrope between fact and fiction – a beautiful balance of great storytelling.

As an aside, I have a pang of nostalgia reading about Waterford crystal. I dated someone who lived in Waterford. He was my first “exotic” love.

Quotes to quote, “It was in a different world that he tended his roses, not the world of the white March morning” (p 174), and “It was a moment hinged upon silence, upon dreadful expectation” ( 201).

Playlist: “A Nation Once Again”, “The West’s Lake”, and “God Save Ireland”.

Nancy said: Pearl called the entire trilogy “magnificent.”

BookLust Twist: from Book Lust in the chapter called “Historical Fiction for Kids of All Ages” (p 114).