House on Oyster Creek (with spoiler)

Schmidt, Heidi Jon. The House on Oyster Creek. New York: NAL Accent, 2010.

Probably the most distracting aspect of Schmidt’s style of writing was her almost fanatical need to portray Henry as the older, colder, and uncaring husband. I get it. Schmidt wants the reader to cheer Charlotte on when she meets a man more to her liking, more to her temperament, more to her everything. You aren’t supposed to hate the damsel in distress. You aren’t even allowed to dislike her. In order to make the damsel’s potential affair acceptable said damsel’s husband needs to be bad. Very bad. If the husband is really awful you wind up begging, praying for that knight in shining armor. In an attempt to make Henry bad I think Schmidt went overboard. As a result Henry became a caricature of the very worst. In the first chapter alone (we’re talking 13 pages) there were over 24 negative words associated with Henry. Here are some, but not all, of the words and phrases used to describe Henry’s words, actions and demeanor. I left out dialogue with Charlotte:

  • irritation
  • seething
  • contempt
  • staunch
  • “heart seemed to harden” (p 3)
  • bleak
  • rebellious
  • stark
  • “nothing pleased him” (p 6)
  • fury
  • bitter
  • “fit to kill” (p 7)
  • “real hatred” (p 8.)
  • rigid
  • suspicion
  • jeer
  • scorn
  • irritated
  • contemptuous
  • darkening
  • “glance was poison” (p 11)
  • infuriating
  • infuriated
  • “patience stretched to breaking” (p 13)
  • shuddered
  • “spasm of disgust” (p 13)
  • icy

To make matters worse, on the other side of this marriage is Charlotte and her demure, sweet, sensitive, caring, loving, “made of empathy” personality. Schmidt is not as fanatical about driving that point home. But, you get the point just the same.

However…once I got beyond page 14 I loved The House on Oyster Creek. Charlotte is a little self-righteous at times but after putting up with Henry all those years she deserves to. While House on Oyster Creek focuses on Charlotte as she makes her way the book is really about the entire community she joins. Schmidt is extremely accurate when introducing Charlotte to the new community. when it comes to a tight-knit community there will always be this Them and Us attitude. You could be in a community for over 30 years and just because you are the first generation to do so, you are still the newcomers in town. The more generations you can brag of, the more clout you have in the community.

Of course, I had favorite lines that I really hope Schmidt keeps in the book, but I won’t quote them here.

I have to admit I never rooted for Charlotte to have an affair. There was something so broken about Henry that I think Charlotte owed it to him to work it out. When Darryl ends up marrying someone else I was happy. I can admit the story ended exactly how I wanted it to end.

Confessions of Nat Turner

Styron, William. The Confessions of Nat Turner. New York: Random House, 1966.

I have never run so hot and cold about a book before. On the one hand William Styron has a beautiful writing style. His descriptions of the Virginian south in the 1830s are breathtaking while his depictions of slavery are simultaneously heartbreaking. What I didn’t care for was the obvious artistic liberties Styron took with the plot surrounding  historical fact. Obviously, in order to fill an entire novel he needed to expound on the factual confession of Nat Turner which was less than a standard chapter in length. He had to assume supporting plots and characters, but was it necessary to have Nat Turner only lust after white women? Do we know this to be a true trait of Nat? His sexuality seems to be fodder for controversy. I saw The Confessions of Nat Turner to be the truth bundled by fiction. At the heart of Styron’s novel is Nat Turner’s confession, but what surrounds it is pure imagination and speculation. While the book garnered a Pulitzer Prize it was also banned in some parts of the south. That should tell you something.

Two lines that stuck with me: “They were in the profoundest dark” (p 17), and “I do not believe that I had ever thought of the future, it is not in the mood of a Negro, once aware of the irrecoverable fact of his bondage…” (p 171).

BookLust Twist: From Book Lust and More Book Lust. From Book Lust in the chapter called, “100 Good Reads, Decade by Decade: 1960s” (p 178) and from More Book Lust in the chapter called, ” Southern-Fried Fiction: Virginia” (p 209).

Happenstance

Shields, Carol. Happenstance: Two Novels in One About a Marriage in Transition. New York: Penguin, 1994.

The very first thing I noticed about this book is how it is arranged. I understood that Happenstance had originally been two very separate stories, published with two very different names. The husband’s side of the story was the original Happenstance (published in the early 80’s) and the wife’s side of the story was called A Fairly Conventional Woman. The wife’s story was published sometime later. The version of Happenstance Nancy Pearl suggested was the combined stories of the husband and wife. So, back to the arrangement of the book – her side has a pink cover with a photo of a woman’s upper torso in a frame. To see his side you have to flip the book upside down and over. His cover is blue with a photo of a man’s lower legs in a frame. Clever. I started with the wife’s story because if the book were to sit on a shelf properly (spine displayed correctly) it is her cover you see first when you pull it off the shelf. I’m sure this is the way Shields meant it to be read even though the husband’s story was written and published first.

In the first 50 pages I couldn’t tell if I liked Mrs. Brenda Bowman. She seemed too persnickety to me. Too particular. Too fussy. I am prone to comparing characters to myself, especially if we have something in common like upbringing, hobbies, schooling, age, or certain circumstance. In Brenda’s case, it was age. We are almost the same age. So, by default her actions made me seem fuddy-duddy. I don’t act that old, do I? Her husband seemed more laid back in an odd, disconnected kind of way. Together, they made up a marriage that needed some waking up, some simultaneous letting go. Both husband and wife had the opportunity to cheat on the other. I don’t think it’s a plot spoiler if I say the wife comes closer to doing so than the husband, even though the husband has a better excuse.

The most honest line in the whole book, “You could become crippled by this kind of rage” (p 49). How true.

What I liked the best about Happenstance is the idea of two sides of the same marriage. Both husband and wife notice small things while separated: Brenda notices small accomplishments like going out of town by herself. Jack notices small changes in the family he has practically taken for granted.

BookLust Twist: From More Book Lust in the chapter called, “Carol Shields: Too  Good To Miss” (p 197). I have to say I am sad that breast cancer took the life of this great author.

June ’10 is…

June is a weird month for me. I might have a Monhegan plan. I’m not sure. The one thing I know about June is that there will be music. Plenty of music and books. As two constants in my life, I doubt anyone is honestly surprised by that remark. Music and books. For music it is the lovely Rebecca Correia at the Iron Horse in Northampton. June 11, 2010 at 7pm. That same weekend it is the eternally talented Sean Rowe at the DreamAway Lodge in Beckett. June 13, 2010 at 8pm…I think. There is Phish somewhere in there as well…I know, don’t say it.

For books it is:

  • Master and Commander by Patrick O’Brien ~ in honor of National Ocean month
  • Hatchet by Gary Paulsen ~ in honor of Adventure fiction month
  • Confessions of Nat Turner by William Styron ~ in honor of Virginia becoming a state in June
  • Happenstance by Carol Shields ~ in honor of June being the most popular month to get married in…
  • Writing Dangerously: Mary McCarthy and Her World by Carol Brightman ~ in honor of Mary McCarthy’s birth month.

For LibraryThing’s Early Review program:

  • The House on Oyster Creek by Heidi Jon Schmidt

For the fun of it:

  • Master of Your Metabolism by Jillian Michaels

May ’10 was….

Pretty in Pink

May. What to say about May? For obvious reasons it wasn’t the month for reading. I still haven’t mastered walking and reading without doing both at an excruciatingly slow pace!

  • Endless Love by Scott Spencer ~ apparently this was made into a movie. I am curious how they handled the anal sex scene…
  • You Make Me Feel Like an Unnatural Woman: Diary of a New (Old) Mother by Janet Newman ~ funny, funny, funny (although, an odd choice to honor Mother’s Day)
  • Wobegon Boy by Garrison Keillor ~ my first Keillor book. Now I know what all the fuss is about. Another funny one!
  • Zorba the Greek by Nikos Kazantzakis ~I admit it. I gave up on this after 50 pages. I moved onto a Jillian Michaels book. More on that next month….

For LibraryThing & the Early Review Program:

  • Fundamental Weight Training by David Sandler
  • Fall Asleep Forgetting by Georgeann Packard ~ this should be a movie. It was weird but good!

For the hell of it:

  • Homer’s Odyssey by Gwen Cooper

Zorba the Greek

Kazantzakis, Nikos. Zorba the Greek. Trans. Carl Wildman. New York: Simon and Schuster, 1952.

I will be the first to admit it wholeheartedly. I did not enjoy Zorba the Greek. There, I said it. I am beginning to feel I have a built in prejudice against translated stories because this is not the first time I have said this. Something gets lost in the translation. I am sure of it. Not only that, but this time I was bored. Supposedly, Nikos Kazantzakis’s Last Temptation of Christ is more exciting. I can only wait and see.

Lines I did happen to like, “And I’m making it snappy so I don’t kick the bucket before I’ve had the bird!” (p 36), and “The mischievous demon in the wine had carried her back to the good old days” (p 37).

BookLust Twist: From More Book Lust in the chapter “The Alpha, Betas, Gammas of Greece” (p 9).

Fall Asleep Forgetting

Packard, Georgeann. Fall Asleep Forgetting. New York: Permanent Press, 2010.

I have a love-hate relationship with books like Fall Asleep Forgetting. The problem is Packard’s writing is too good. Like a delicious meal I couldn’t slow down when it came to eating it up; devouring whole chapters at a time. What’s wrong with that? In truth, this is a book meant to be savored slowly. The writing is delectable, deliriously rich and expressive. One minor distraction is character focus is a little out of focus. I would have preferred Claude as the obvious heroine rather than swirled in a mishmash of other incredibly strong personalities. Because Fall Asleep Forgetting really is about Claude and her strange involvement with a married couple, Paul and Sloan, that fact really needs to be teased out. Paul is dying and his wife is bisexual and mentally ill…sort of. Claude is caught up in their relationship until it becomes her relationship, her obsession, but as I mentioned before, she is not the only one. There is nine-year-old Six and her parents Rae and Sonny, Cherry the transvestite owner of the trailer park where most everyone lives and her partner Barton, and elderly Mr. and Mrs. Saugerties. Each one of these characters has a unique and tantalizing story.

Quotes that I really hope are kept: “Once your parents hate you for who you are, the scorn of others in mere child’s play” (p 42), and “I see now that equal parts repulsion and attraction make for the most voracious form of lust” (p 124).

Personal note: I was really excited to see e.e. cummings quoted at the beginning of the chapter called “The Curving Support of Feather Pillows” (p 129). ‘Milly and Maggie and Molly and May’ is a great poem. My only argument would be against calling it a poem about just Maggie because Milly, Molly and May all had important parts.

Samuel Johnson is Indignant

Davis, Lydia. Samuel Johnson is Indignant: stories. Brooklyn: McSweeney’s Books, 2001.

I always love it when I get a collection of short stories to read. For some reason I like idea of the simplicity of keeping something short when sometimes, nothing could be further than the truth; especially when it comes to a short story. A short story might be short on words or sentences or even paragraphs, but long on meaning and, in the end might turn out to be a little thought provoking or dare I say didactic? In other words, I might learn something!

Lydia Davis is funny. But, more importantly she has an amazing range of subject material. So much so that I found myself asking what subject does Lydia Davis NOT cover in a short story? What’s more, Lydia Davis has a wide range of writing styles. Everything she writes has a common theme: strange and wonderful, but no two stories could be characterized as “the same.” Her stories are eerie and contemplative, funny and sad, wise and irreverent.

Favorite lines, “You can’t tell everyone the truth all the time, and you certainly can’t tell anyone the whole truth, ever, because it would take too long” (p 7).

BookLust Twist: From  Book Lust in the chapter called simply, “Short Stories” (p 221). Duh.

Endless Love

Spencer, Scott. Endless Love. New York: Alfred A. Knopf, 1987.

At the center of Endless Love is David Axelrod. David starts his story remembering how, as a 17 year in love, he set fire to his girlfriend’s house. Not as an out-of-anger act of revenge but more of an uncontrollable response to an all-consuming love for his girlfriend, Jade Butterfield, and her family. Having been banished from the Butterfield home David’s plot is to ignite the house in the hopes the fire will give him the perverse opportunity to become the hero and ultimately rescue the entire family from the inferno he started. His desire to be needed by the entire family is blinding. Of course David’s plot doesn’t work out so smoothly…and thus begins Unless Love. It is a dark and tangled tale about obsessions and the inability to see past them. It is about dysfunctional families that use one another to seem normal. It is about struggling relationships set against the ever turbulent late 1960s. In the middle is confused, young, obsessed David Axelrod. He reminds me of Llyod Dobler from ‘Say Anything’ – an all-around nice guy with little direction and not much more ambition who can sum up his life in one sentence, “I just want to be with your daughter….sir.”

My favorite quotes are on the subject of love: “Love gives us a heightened consciousness through which to apprehend the world, but anger gives us a precise, detached perception of its own” (p 40) and, “If endless love was a dream, then it was a dream we all shared, even more than we all shared the dream of never dying or of traveling through time, and if anything set me apart it was not my impulses but my stubbornness, my willingness to take the dream past what had been agreed upon as the reasonable limits, to declare that this dream was not a feverish trick of the mind but was an actuality at least as real as that other, thinner, more unhappy illusion we call normal life” (p 162).

I think the reason why I liked Endless Love so much is because every character was a head-scratcher. It wasn’t just David Axelrod who had a personality worth paying attention to. the story of his parents held mysteries to be explored. Every member of Jade Butterfield’s family kept the story alive and buzzing with intrigue. The questions most asked – who would defend David? Who would forgive him? Who wouldn’t forget?

BookLust Twist: From Book Lust in two different chapters. First, in the chapter called, “First Lines to Remember” (p 87), and again in “Sex and the Single Reader” (p 218).

May ’10 Is…

  • Endless Love by Scott Spencer ~ in honor of Lust Month
  • Samuel Johnson is Indignant by Lydia Davis ~ in honor of National Short Story month
  • Wobegone Boy by Garrison Keillor ~ in honor of May being the month Minnesota became a state
  • The Victorians by A.N. Wilson ~ in honor of Antique Week
  • You Make Me Feel Like an Unnatural Woman: Diary of a New (Older) Mother by Judith Newman ~ in honor of Mother’s day

Promises. Promises. I should know better. With the Just ‘Cause walk happening (finally) this month I will refrain from writing any more than than this…

April ’10 was…

April was that kind of month that just flew by without warning. When Just’ Cause is over I will get back to writing in the real sense… for now here is the literary month of April.

For books it was:

  • Affliction by Russell Banks ~ can’t wait to see the movie
  • Belshazzar’s Daughter by Barbara Nadel ~ speaking of movies, this should be one
  • Truth & Bright Water by Thomas King ~ probably my second favorite read of the month
  • South Wind Through the Kitchen by Elizabeth David ~ a collection of “best of” Elizabeth David
  • Without End by Adam Zagajewski ~ a collection of poetry
  • Water Witches by Chris Bohjalian ~ my favorite read of the month

For poetry it was:

  • “Luncheon on the Grass” by Carl Phillips (In the Blood, 1993.)
  • “Rebus” by Jane Hirschfield (Given Sugar, Given Salt, 2002.)
  • “Hospital” by Karl Shapiro (Poems: 1040-1953, 1953.)
  • “A Secret Life” by Stephen Dunn (Landscape at the End of the Century, 1999.)
  • “The Welcoming” by Edward Hirsch (Earthly Measures, 1994.)
  • “Prophet” by Carl Dennis (Practical Gods, 2001.)
  • “Funeral II” by — (New & Collected Poems, 2000.)
  • “Days of Pie and Coffee” by — (Shroud of the Gnome, 1997.)
  • “Try to Praise the Mutilated World” by Adam Zagajewski (Without End, 2002)
  • “Kaddish” by Allen Ginsberg (Kaddish and Other Poems 1958 – 1960, 2001)
  • “Wisdom of the Desert Fathers” by Katha Pollitt (the mind- body problem, 2009)
  • “Forgetfulness” by Billy Collins (Sailing Alone Around the Room, 2002)

For poetry set to music it was Natalie Merchant’s long awaited Leave Your Sleep. This is the track listing for the fantastically amazing album:

Part I

  1. Nursery Rhyme of Innocence and Experience by Charles Causley
  2. Equestrienne by Rachel Field
  3. Calico Pie by Edward Lear
  4. Bleezer’s Ice-Cream by Jack Prelutsky
  5. It Makes a Change by Mervyn Peak
  6. The King of China’s Daughter by Anonymous
  7. The Dancing Bear by Albert Bigelow Paine
  8. The Man in the Wilderness by Mother Goose
  9. maggie and milly and molly and may by E.E. Cummings
  10. If No One Ever Marries Me by Laurence Alma-Tadema
  11. The Sleepy Giant by Charles Edward Carryl
  12. The Peppery Man by Arthur Macy
  13. The Blind Men and the Elephant by John Godfrey Saxe

Part II

  1. Adventures of Isabel by Ogden Nash
  2. The Walloping Window Blind by Charles Edward Carryl
  3. Topsyturvey World by William Brighty Rands
  4. The Janitor’s Boy by Nathalia Crane
  5. Griselda by Eleanor Farjeon
  6. The Land of Nod by Robert Louis Stevenson
  7. Vain and Careless by Robert Graves
  8. Crying, My Little One by Christina Rossetti
  9. Sweet and a Lullaby by Anonymous
  10. I Saw a Ship A-Sailing by Anonymous
  11. Autumn Lullaby by Anonymous
  12. Spring and Fall: to a young child by Gerard Manley Hopkins
  13. Indian Names by Lydia Huntley Sigourney

For LibraryThing’s Early Review program it was: a browse through a weight training book. Full review coming next month…

For fun it was: The Book of Calamities by Peter Trachtenberg

“Funeral II”

Szymborska, Wislawa. “Funeral II.” New and Collected Poems. New York: Mariner Books, 2000. p 206.

This poem disturbed me to the core. To read it quite literally it is people standing around before (or after, or anytime in between) a funeral and gossiping. This sort of thing happens all the time. Events like funerals and weddings bring people together. Conversations are bound to happen, especially when people haven’t seen each other since the last milestone – wedding, or funeral…
I think what disturbed me the most is that I could identify with it so readily. I, too, have stood around making small talk; commenting on the people strangers around me. Call it catty. Call it human nature. It happens.

BookLust Twist: From More Book Lust in the chapter called, “Poetry Pleasers” (p 189).

Water Witches

Bohjalian, Chris. Water Witches. Hanover: University Press of New England, 1995.

This is the story of environmentalists against developers. The storyline is simple. A Vermont ski resort needs to expand in order to stay in business. They are looking to clear trees and tap into a river in order to build more ski trails and man-made snow. That means obtaining permits and permissions. For lawyer Scottie Winston, working for Powder Peak, this means more jobs for the community…or so he says over and over again. Is he trying to convince himself? The trouble is Scottie is married to a water witch with minimal skills. More so, his sister-in-law is considered the most talented dowser in the country. Her abilities to find water, and even missing travelers is legendary. She is marrying the region’s most vocal environmentalist who opposes Powder Peak’s expansion. To make matters worse, Scottie’s own daughter is proving to be an even more accomplished water witch than her aunt…Scottie must chose between his job and his family especially when a drought complicates things not only for Powder Peak but for the entire community.

BookLust Twist: From Book Lust in the chapter called, “Ecofiction” (p 77).

Note: this review is lame because somehow I lost the one I thought I had already written….I didn’t have the energy to write it twice.

“Forgetfulness”

Collins, Billy. “Forgetfulness.” Sailing Alone Around the Room: New & Selected Poetry. New York: Random House: 2002. 29.

You know that point in a conversation when someone says something so true and indisputable all you can do is nod in emphatic agreement? “Forgetfulness” is that point in the conversation. How many of us read something, whether it be an article, book or poem and couldn’t remember who wrote it a week later? A week after that and now we can’t remember the title of what we read. We find ourselves saying stupid things like, “I read this great book about the tenth largest island in the world by…by..oh what was his name? Anyway, it was really interesting.” I also like Billy’s imagery of a brain making room for something else to remember. When a new address or phone number is added to the brain, the author or title of a book must come out. For every new piece of information stored, something older must come out and slip away. Who knows where it goes? Billy has the answer:
“…to a little fishing village where there are no phone lines” (p 29).

BookLust Twist: From Book Lust in the chapter called, “Kitchen-Sink Poetry” (p 138).

“Days of Pie and Coffee”

Tate, James. “Days of Pie and Coffee.” Shroud of the Gnome. Hopewell: Ecco Press, 1997. pp 2 -4.

This is such a simple image. A man is walking his dog (a golden retriever no less) along a country road. He and the dog are startled by a motorist roaring up and looking for directions. A stranger in this part of the world is such a shock to the man and yet he finds easy conversation with the stranger…as if they are sitting down to a meal of pie and coffee.

I like the powerful descriptions in the poem. It’s not just a poem, it’s a story when you can see the images and feel as if you are there. The act of being startled because you don’t expect a motorist in your little part of the world. A conversation that haltingly starts with mistrust and grows easier with familiarity.

BookLust Twist: From Book Lust in the chapter called, “Kitchen-Sink Poetry” (p 138). Note: this missed getting included in the index.