Tag: june

Master & Commander

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O’Brian, Patrick. Master And Commander. Philadelphia: J.B. Lippincott, 1969.

Sorry! Sorry! Sorry! I couldn’t get into this. As the last book of the month I found it incredibly boring. Maybe it was stopping every ten minutes to look up words like felluca and dursn’t and slops. It was all I could do to call up my father’s ghost and remember nautical terms like foretopgallantsail and cockade and halliards. To be honest, it was too much work for summer reading. This is something I went to bury myself in in the dead of winter when nothing else can distract me or call me away. I’ll put it back on the list in honor of something else.

PS ~ this was made into a movie starring Russell Crow. Maybe I should just shut up and watch it.

Less Than Angels

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Pym, Barbara. Less than Angels. New York: E.P. Dutton, 1980.

My impression of the first 50 pages of Less Than Angels was that the plot was very slow-moving, like a wide river with almost no perceptible action. Indeed, the first 50 pages are the reader’s surface introduction to at least fifteen different characters and only the very beginnings of a plot. Some of the characters are unnecessary to know for they never resurface again. Others are more important. On the whole, Less Than Angels is a community of contrasts. Professors of Anthropology mingle with fledgling students. The aged and retired cast a skeptical eye on the young and impulsive. Frenchmen stand baffled by the British. At the center of the story is Tom Mallow, a distinguished yet vain anthropologist caught between a relationship with a sophisticated older journalist and a younger wide-eyed student. In addition, Less Than Angels is an excellent study of English culture (lots of tea-times and interesting meals) along with the typical social graces and faux pas.

Favorite lines: “Curiosity has its pains as well as its pleasures, and the bitterness of its pains must surely be the inability to follow-up everything to its conclusion” (p 9) and, “And so it came about that, like so many other well-meaning people, they worried not so much about the dreadful things themselves as about their own inability to worry about them” (p 41)

BookLust Twist: From Book Lust in the chapter “Barbara Pym: Too Good To Miss” (p 195).

I Don’t Know Why I Swallowed the Fly

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Maxwell, Jessica. I Don’t Know Why I Swallowed the Fly: My Fly Fishing Rookie Season. Seattle: Sasquach, 1997.

Jessica Maxwell takes on fly fishing. I Don’t Know Why I Swallowed the Fly is an account of her very first year learning the sport. As with any hunting sport Jessica needed to learn how to think like her prey. She needed to teach her body, muscle, bones and nerve, to perform the movements necessary for a perfect, flowing cast. As psychological as the game of golf, Jessica found herself untangling the intricacies of throwing out the flawless line. Rod and reel in perfect harmony with human dynamics. Aside from Jessica’s expanse of humor throughout I Don’t Know Why.. I was drawn to the vibrant imagery of the landscapes around her. I adored the way she described, nature – especially when it came to light. Sunlight, especially. Her words had a way of dancing like rays on water, sparkling and bright.
But I Don’t Know Why… isn’t just about one woman’s fly fishing adventure. Jessica subtly deals with the loss of her father with poignant memories and in the end, revelations about the man who shaped her future with a simple love for nature and of course, fishing.

I don’t know anything about fly fishing so, for me, this was a nice 101 about a typically male-dominated sport.

Favorite lines: “Every day somebody somewhere becomes obsessed with an idea that won’t turn them loose” (p 50), “Now the radio static was so bad, Sting sounded like Bob Denver” (p 101), and “My mind was gone to the joy of the memory of what was for a moment so long ago but couldn’t last, and to the pain of what could have been but wasn’t” (p 214).

Small question for Jessica: where is the wrong side of Oregon? I couldn’t find it on a map…

Side note: Make no mistake about it. I always at least glance at the acknowledgments. They are usually a long blahblahblah list filled with family names and “I’d like to thank my editor…” It’s like looking at a yearbook from a school you have never heard of. Names and faces mean nothing. Jessica Maxwell’s acknowledgment page is another yearbook, but a fun one. True, it’s all names I don’t know, but for once Jessica made me want an introduction.

BookLust Twist: From More Book Lust in the chapter called, “Gone Fishin’ (p 101).

Writing Dangerously

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Brightman, Carol. Writing Dangerously: Mary McCarthy and Her World. New York: Clarkson Potter, 1992.

Mary McCarthy was born on June 2nd, 1912. Hence my reasoning for picking up her biography by Carol Brightman this month.

Mary reminds me of my friend, Ruth. Beautiful, outspoken inasmuch as she says what she feels, means what she says. In addition, she doesn’t take sh!t from anyone, yet has a heart of gold. She laughs when anyone else would have crocodile tears. She can confront fights with fire. She’s popular with the men with a come-hither glint in her eye and has no time for sugar cookie lies. Need I say, independent yet fidelis. I think I would have gotten along with Mary had I been in her day or she in mine.

Mary McCarthy was an outspoken critic of practically everything around her. From her humble beginnings as a self-proclaimed abused orphan Mary quickly grew into a witty writer and reporter with a constant comment about the world around her. No subject was off-limits whether it be about the abuse she suffered at the hands of her uncle, her contradictory religious views, losing her virginity at age 14, a scathing look at her peers in academia, Communism or war. Carol Brightman often quotes McCarthy to support her biography using both McCarthy’s fiction and nonfiction. Two sections of photography round out an already very thorough account of the controversial Mary McCarthy.

Favorite word, “bildungsroman” ( a genre of novel of complete self-development).

Favorite quote: “One of Mary McCarthy’s legendary attributes is that no matter how much fire and brimstone she and her fictional heroines traverse before they see the light, they never seem to get burned” (p 58).

BookLust Twist: From More Book Lust in the chapter called, Literary Lives: The Americans (p 145).

Confessions of Nat Turner

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Styron, William. The Confessions of Nat Turner. New York: Random House, 1966.

I have never run so hot and cold about a book before. On the one hand William Styron has a beautiful writing style. His descriptions of the Virginian south in the 1830s are breathtaking while his depictions of slavery are simultaneously heartbreaking. What I didn’t care for was the obvious artistic liberties Styron took with the plot surrounding  historical fact. Obviously, in order to fill an entire novel he needed to expound on the factual confession of Nat Turner which was less than a standard chapter in length. He had to assume supporting plots and characters, but was it necessary to have Nat Turner only lust after white women? Do we know this to be a true trait of Nat? His sexuality seems to be fodder for controversy. I saw The Confessions of Nat Turner to be the truth bundled by fiction. At the heart of Styron’s novel is Nat Turner’s confession, but what surrounds it is pure imagination and speculation. While the book garnered a Pulitzer Prize it was also banned in some parts of the south. That should tell you something.

Two lines that stuck with me: “They were in the profoundest dark” (p 17), and “I do not believe that I had ever thought of the future, it is not in the mood of a Negro, once aware of the irrecoverable fact of his bondage…” (p 171).

BookLust Twist: From Book Lust and More Book Lust. From Book Lust in the chapter called, “100 Good Reads, Decade by Decade: 1960s” (p 178) and from More Book Lust in the chapter called, ” Southern-Fried Fiction: Virginia” (p 209).

Hatchet

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Paulsen, Gary. Hatchet. New York: Aladdin, 1987.

Considering this book was written for kids ages 11-13 this was a breeze to read. I think I started it around 5:3pm and finished about 7:45pm…

Brian Robeson is a pouty thirteen year old on his way to visit his newly divorced dad. Despite an exhilarating, first time ride in a single engine airplane (sitting as copilot), Brian is not impressed. He is more obsessed with thinking  about his new fate – shuttled between two parents who don’t love each other anymore. What’s worse is that his mother has a Secret. It’s all Brian can think about until the pilot has a heart attack…

Somehow Brian survives the crash and is plunged into a vast Canadian wilderness with only a small hatchet  his mother had given to him as a gift right before getting on the plane. It is obvious the pilot is dead and Brian is very much alone. As the realization of his situation is revealed Brian’s preoccupation with  his parents and The Secret fades from his mind. His self pity is replaced with a new priority, staying alive. The best parts of Hatchet are Paulsen’s descriptive hunting scenes. As Brian learns to build a fire, pick edible berries and hunt small game he grows into a mature individual. This is a coming of age story, survival style.

Probably my favorite section of the story is the epilogue. Paulsen is able to wrap up every concerning loose end – how Brian makes it home (hey, this is a kids book. You didn’t expect him to stay lost forever, did you?), what Brian took away from his ordeal in the Canadian wilderness, and the confronting of the obvious truth that Brian probably wouldn’t have survived a winter. What further intrigued me was the research Paulsen put into Hatchet. Brian’s adventure is very believable.

Favorite line: “Time had come, time that he measured but didn’t care about; time had come into his life and moved out and left him different” (p 122).

BookLust Twist: From Book Lust in the chapter called, “Adventure By the Book: Fiction” (p 7).

Happenstance

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Shields, Carol. Happenstance: Two Novels in One About a Marriage in Transition. New York: Penguin, 1994.

The very first thing I noticed about this book is how it is arranged. I understood that Happenstance had originally been two very separate stories, published with two very different names. The husband’s side of the story was the original Happenstance (published in the early 80’s) and the wife’s side of the story was called A Fairly Conventional Woman. The wife’s story was published sometime later. The version of Happenstance Nancy Pearl suggested was the combined stories of the husband and wife. So, back to the arrangement of the book – her side has a pink cover with a photo of a woman’s upper torso in a frame. To see his side you have to flip the book upside down and over. His cover is blue with a photo of a man’s lower legs in a frame. Clever. I started with the wife’s story because if the book were to sit on a shelf properly (spine displayed correctly) it is her cover you see first when you pull it off the shelf. I’m sure this is the way Shields meant it to be read even though the husband’s story was written and published first.

In the first 50 pages I couldn’t tell if I liked Mrs. Brenda Bowman. She seemed too persnickety to me. Too particular. Too fussy. I am prone to comparing characters to myself, especially if we have something in common like upbringing, hobbies, schooling, age, or certain circumstance. In Brenda’s case, it was age. We are almost the same age. So, by default her actions made me seem fuddy-duddy. I don’t act that old, do I? Her husband seemed more laid back in an odd, disconnected kind of way. Together, they made up a marriage that needed some waking up, some simultaneous letting go. Both husband and wife had the opportunity to cheat on the other. I don’t think it’s a plot spoiler if I say the wife comes closer to doing so than the husband, even though the husband has a better excuse.

The most honest line in the whole book, “You could become crippled by this kind of rage” (p 49). How true.

What I liked the best about Happenstance is the idea of two sides of the same marriage. Both husband and wife notice small things while separated: Brenda notices small accomplishments like going out of town by herself. Jack notices small changes in the family he has practically taken for granted.

BookLust Twist: From More Book Lust in the chapter called, “Carol Shields: Too  Good To Miss” (p 197). I have to say I am sad that breast cancer took the life of this great author.

Adventures of Tom Sawyer

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Twain, Mark. The Adventures of Tom Sawyer. New York: Oxford University Press, 1996.

A classic is a classic is a classic. No doubt about it. My copy of The Adventures of Tom Sawyer was a facsimile of the first American edition so it includes the original illustrations, typeset, etc. This made reading really fun because the illustrations really add to the story. Truth be known, I had forgotten a great deal of the plot. While I remembered Tom was a troublemaker, I couldn’t remember details of his escapades. I’m glad I reread this.

Tom Sawyer is a typical Southern boy looking for adventure. I don’t think there are many young boys that would skin a cat or fake his own death so that he might attend the funeral, but the mischief of such a boy has always been there…and will always be there, too! Tom lives with his auntie and while he is well loved he is always looking for ways to run away. His sidekick, Huck Finn is eager to join him in adventures “down river.” Both are “smarties” as my grandfather would say. Showing off for their peers, and besting the adults -there is never a dull moment in Tom Sawyer’s world.

Two favorite lines: “The strangling hero sprung up with a relieving snort” (p 40), and “Huckleberry was cordially hated…” (p 63).

BookLust Twist: From Book Lust in the chapter called, “Literary Lives: The Americans” (p 145).

Comfort of Strangers

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McEwan, Ian. The Comfort of Strangers. New York: Simon & Schuster, 1981.

The entire time I was reading The Comfort of Strangers I felt an uneasiness – so much so that the hairs on the back of my neck would stand up from time to time. There was something sinister about nearly every scene, every page (all 127 of them). I can just imagine what the movie is like.

Colin and Mary are unmarried, unhappy lovers on vacation. Bored with each other and frustrated with their foreign holiday destination (probably Venice or Rome), they are constantly having to remind each other and themselves they are on holiday and are supposed to be relaxing and enjoying themselves. Their disdain for each other annoyed me at times. For the couple getting lost in the ancient, winding, narrow streets wasn’t supposed to be a problem because they have nowhere specific to be. Colin and Mary go on like this until suddenly, the story changes gears after a native enters their bored bubble. That chance meeting changes the course of their lives forever. It is a psychological, violent, erotic second half to the book, full of sex and selfishness. From the moment, Robert, the charismatic stranger, comes into the picture nothing seems normal again.

I didn’t find any particular lines that grabbed me. The whole story in its simplicity was enough to shock me.

BookLust Twist: From Book Lust in the chapter called, “Ian McEwan: Too Good To Miss” (p 149).

Daydreamer

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McEwan, Ian. The Daydreamer. New York: Scholastic, Inc., 1994.

Here’s how I got around to reading this (in two hours) – I had just finished Braun’s The Cat Who Saw Red and realized I had a small dilemma. I had nothing to read for the weekend. No new books had come in from other libraries nor were they going to by the time Saturday rolled around. So. I cheated. The Daydreamer wasn’t scheduled to be read for at least a year (there is something else in honor of McEwan’s birth month already picked out), but there it was. So, on a lazy Friday afternoon I was able to get through it.

The Daydreamer is an extremely cute book about a boy named Peter Fortune. He’s a good boy except he has a wicked imagination. His ability to daydream himself out of reality gets him into trouble all the time. My favorite “dream” was when he is finally, finally allowed to ride the bus to school. His parents have decided he’s not only old enough to take himself to school (at ten years old), but he is mature enough to take his seven year old sister, who goes to the same school, as well. Everything goes according to plan until Peter starts thinking about how he would protect his sister from anything…including a pack of hungry, drooling wolves. First he would take out his hunting knife, then his pack of matches, then he would…and before Peter knows it he is in the land of imagination, fighting off wild wolves. He is no longer riding a bus with his little sister on their way to school. It’s halarious.

Favorite lines: “That night Peter did not sleep, he ran. He ran through his dreams, down echoing halls, across a desert of stones and scorpions, down ice mazes, along a sloping pink, spongy tunnel with dripping walls” (p 89).
“She was one of those rare unhappy grown-ups who are profoundly irritated by the fact that children exist” (p 118)

BookLust Twist: From Book Lust in the chapter, “Ian McEwan: Too Good To Miss” (p).

This Boy’s Life

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Wolff, Tobias. This Boy’s Life. New York: Perennial Library, 1989.

This Boy’s Life was spellbinding. Tobias Wolff’s personal memoir is not tremendous. It may even sound familiar to anyone who came from a broken home, had trouble with a step-parent, or had a mischievous streak growing up (who hasn’t?). What makes This Boy’s Life such a page turner is the honesty that radiates from every page, every sentence. It is not an overwhelming tragic tale, but it is painful and very real. Wolff does not paint a picture of hero, nor victim. It’s just an account of a troubled childhood. The writing is so clear, so unmuddied, that we can easily see bits of our own childhoods reflected in every chapter.

Probably one of my favorite parts was when Tobias (going by the name ‘Jack’ at this point) talks about altering his less than stellar grades in school. Report cards were written in pencil and ‘Jack’s’ admission of guilt is simply, “I owned some pencils myself” (p 184). It’s sly and smile evoking.

BookLust Twist: From More Book Lust in the chapter called, “All in the Family: Writer Dynasties” (p 5).

Cat Who Saw Red

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Braun, Lilian Jackson. The Cat Who Saw Red. New york: Jove Books, 1986.

Only 183 pages long The Cat Who Saw Red  was a really quick, really fun read. Although it had all the elements of an on-your-toes thriller: a possible murder, intrigue, scandalous affiars, missing persons, and too many possible suspects to count, it was what I would call a “gentle” mystery. A quiet, light suspense ripples throughout the plot. There is just as much humor as danger.
James Qwilleran is an award winning journalist sent on assignment to write a food column. As a former cop Qwill, as he is known by everyone, smells as mystery sooner than a burning souffle. Sniffing out leads, it is not long before he is using his restaurant experiences to wine and dine clues out  of unsuspecting suspects.
As an aside: every chapter begins with a sentence that mentions James Qwilleran. I found that to be a weird thing to notice.

Tidbit of trivia: I find it amazing that Lilian J. Bruan first started her “The Cat Who…” series back in the 1960’s and then vanished for eighteen years. Her triumphant return was with The Cat Who Saw Red.

Funny conversation: “…’This is crummy soup.’
                                             ‘Is it canned?’
                                              ‘No, worse! It tastes like I made it.'” (p 101)

BookLust Twist: From Book Lust in the chapter called, “Cat Crazy” (p 52).

Bigamist’s Daughter

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McDermott, Alice. A Bigamist’s Daughter. New York: Random House, 1982.

A Bigamist’s Daughter is Alice McDermott’s first book. Even though I read it in less than 24 hours I thought it was wildly imaginative and thought-provoking. Elizabeth is editor-in-chief for a vanity publishing house in Manhattan. while the title sounds impressive she knows she’s not fooling herself. In fact, the central theme of A Bigamist’s Daughter is all about false impressions. Her father, never home, always leaving for somewhere (or someone?) else, is perceived to be a bigamist. Even in Elizabeth’s adult life she is confused about who her father was or what he meant to her. Marriage becomes a mirage as she tries to make sense of relationships both past and present. When Elizabeth meets an author who hasn’t finished his book (about a bigamist) the questions become harder and the answers more complicated.

Favorite lines: “She’s been divorced from Brian for nearly seven years now, but his name still haunts her conversations; she seems to hold it in her mouth like a dog with a bit of coattail: the only part of the thief that didn’t get away” (p 11).
“If cancer can be said to have any compensations, surely it is in the cliche of time allowed. Time to say what can no longer wait to be discovered. Time when death is not merely a thought to put your teeth on edge, to be dismissed with a swallow, when life is marked clearly by beginnings and endings, by spoken words that mean something and change everything” (p 127).
“She could treat her vagina like a hungover roommate: I don’t care what you did last night, I’m going to the library” (p 137).
There are a ton more, but I’ll leave the discovery up to the reader.

BookLust Twist: From Book Lust in the very first chapter called, “A…My Name is Alice” (p 1).

Living High

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Burn, June. Living High: an Unconventional Autobiography. New York: Duell, Sloan and Pearce, 1941.

I like books that make me ask questions. I like books that leave me wanting more. Not more of the story. Usually, the ending is adequate enough and I don’t need to know more about that. I am left wanting to know more about the author, about the life of the author at that time. Such was the case with June Burn. When I read Living High I held in my hands a first edition copy signed by June herself. Maddeningly, there were no pictures to guide my imagination. How old was she when she finished Living High? Where were her parents? What did she looked like? I pictured a fiery redhead with an unmatchable zest for life. But, I wanted the truth of who she was.

Living High is called an “Unconventional Autobiography” and I would have to agree. Not because it doesn’t cover a life from the sunrise of birth to the sunset of death, but because it has a moral to the story. There is a lesson to be learned within Living High’s pages and that lesson is live life to the fullest. Enjoy every single moment of each and every day. June is elegant and adventurous when describing living on the gumdrop island of Sentinel off Puget Sound with her husband, Farrar; or remembering walrus hunting and dogsledding in Alaska; or later, bombing around the west coast in the Burn’s Ballad Bungalow with Farrar and two kids (named North and South, I kid you not).

Best quotes: “Be thrifty with the things that count and you won’t have time to worry about whether your wallet is fullor not” (p 7), “To go on an island and pull the ladder up after us and live, untroubled by anything – that would be heaven” (p 11), and “the wind came howling out of the north, with icicles in its whiskers” (p 150). My favorite is, “When you walk you are somewhere at every step” (p 264).

Interesting side note: June changed her name and so did her second son, South. One day he decided he was Bobby or Bob.

BookLust Twist: From More Book Lust in the chapter called, “Living High in Cascadia” (p 149). Go figure.

Three Farmers

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Powers, Richard. Three Farmers on Their Way to a Dance. New York: Beech Tree Books, 1985.

Three Farmers on Their Way to a Dance centers around a clever theme: a photograph. It begins with a contemporary first person account from a man traveling across the country. Seeking to occupy his time during a five hour layover in Detroit he visits an art museum and discovers a photograph that hijacks his imagination. It is a 1914-1915 photograph of three men identically dressed, identically posed, walking down a muddy road. The story then moves to third person as the narrative crawls inside the photograph and relives the three brothers’s perspective on the brink of war. The final aspect of The Farmers is another contemporary story of a Boston based computer writer who finds the same photograph in his family heirlooms. While the story centers on a photograph, the central theme is technology and it’s contribution to World War I. Three Farmers on Their Way to a Dance intertwines fiction with nonfiction, mixing real people and events to a fictional landscape.

Favorite line: “You ride a bicycle instead of an auto, and you tel lies for a living. I cannot think of a worse combination” (p 26).

BookLust Twist: From Book Lust in the chapter, “Richard Powers: Too Good to Miss” (p 192).