Proust, Marcel. Remembrance of Things Past: The Sweet Cheat Gone. Vol. 6. Translated by C.K. Scott Montcrieff. Chatto & Windus, 1961.
Reason read: to continue the series started in November for National Writing Month. Obviously, I have skipped a month or two.
If The Fugitive was all about keeping Albertine hostage, The Sweet Cheat Gone is her escape. Albertine’s departure sets the stage for volume six. Proust has this way of capturing obsession and grief in all their painful intricacies. You know that moment, right before coming fully awake when you thinks maybe yesterday has all been some kind of horrible nightmare? But then remembrance brings back the horror with a vengeance. Yesterday’s reality is today’s truth. Proust’s narrator is constantly remembering the times he bused Albertine’s love. He couldn’t tell her she reminded him of paintings of other female forms because he didn’t want her to think of female nude bodies. His jealousies were that strong. After her departure, he is inconsolable; able to pick up his grief right where he left off before sleep; as if he had never closed his eyes. He repeatedly fixates on how to return the escaped Albertine back to him. If you don’t believe me, count the times Albertine’s name appears on every page. It got to the point where I wanted to please take this man out behind the barn and put him out of his misery.
It is so cliché to say, but you really do not know what you have until it is gone. Proust’s narrator is no different. He enjoyed hurting Albertine while she was in his possession, but upon hearing of her death he fixates on all the times he took her for granted or thought her company to be a nuisance. Her charms, her innocence was something to be scoffed at until she vanished. Now that he has lost her everything she touched (including “the pedals of the pianola she pressed with golden slippers”) becomes all too precious. He knows he has abused her and admits as much in the way he describes her departure as flight, escape, gone, and on the run. His obsession grows worse when he thinks her dead. He couldn’t even read newspapers because the mere act of opening and lifting one to his eyes brought back memories of Albertine doing the same.
In volume two there is a return to M. de Guermantes and Gilberte. Everything remains the same. Our nameless narrator is still looking for love wherever he can find it. His mother is unwilling to let him see just how much she loved him and that bothers him.
Quotes to ponder, “An impression of love is out of proportion to the other impressions of life, but it is not when it is lost in their midst that we can take account of it” (p 107) and “We wish to be understood, because we wish to be loved, and we wish to be loved because we are in love” (p 111). This last sentence is probably my all time favorite quote of Proust’s.
Author fact: For the first volume I told you Proust’s full name. In the second review I explained where the term romans-fleuve came from. In the third review I mentioned Proust spent a year in the army. In the fourth review I mentioned the influence of Flaubert, but by the fifth review I had run out of things to say (either that or I just forgot to add an author fact). Now, in this sixth review, my author fact is Proust was also an essayist. I won’t be reading any of his essays.
Book trivia: Sweet Cheat Gone is also called The Fugitive or Albertine Gone. So many different titles, I can’t keep track! Another tidbit of info: in the French text Albertine Disparue volume one ends before chapter two, “Mademoiselle De Forcheville.” It is at this time that the obsession with Albertine abruptly ends. She is not mentioned on every page life the first volume.
Nancy said: Pearl said absolutely nothing about this volume of Remembrance of Things Past.
BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).