Wild Blue

Ambrose, Stephen E. The Wild Blue: the Men and Boys Who Flew the B-24s Over Germany.New York: Simon & Schuster, 2001.

Soap box: As a 21st century society we are so far removed from the horrors of war. For several different reasons the word ‘war’ does not strike fear into our hearts. Our soil hasn’t had World War magnitude bloodshed for generations. Even overseas, our method of battle with the enemy is by and large impersonal; remote control, if you will. Gone are the days of brutal look-you-in-the-eye hand to hand combat. Gone are the days when killing was typically up close and personal. Now it’s distant missile and drone strikes. We wince along with millions with what we witness on television but it can be as benign as watching a movie; as if it is complete with actors and ketchup. It is easy to forgot the contributions of soldiers who fought in World War II. Thankfully, there are authors like Ambrose who are here to remind us; to make our heroes flesh and blood again.

The prologue to Wild Blue illustrates the constraints to flying a B-24. The very first sentence sets the stage, “The B-24 was built like a 1930s Mack Truck, except that it had an aluminum skin that could be cut with a knife” (p 21). Ambrose goes on to describe the lack of windshield wipers, heat, bathrooms, pressurization, kitchen facilities, or even room to move. Sometimes the airmen are too large for their assigned compartments and had to remove their parachutes in order to fit. Immediately upon reading this you sense the difficulties these airmen faced just flying these planes – never mind the additional dangers of flak, combat, even the weather. Chapter One introduces you to the men (in some most cases, mere boys) responsible for flying these dangerous machines. While Ambrose lists many different individuals, his main focus is on the pilots, bombardiers, navigators, radio operators and gunners. With the help of interviews with veterans like George McGovern, Ambrose takes you into the cockpit of every “Dakota Queen” McGovern flew. Subsequent chapters of Wild Blue take us through training, combat missions, D-Day, and the final mission of April 1945. There is a semi-Cinderella happy ending to Wild Blue that was almost too good to be true, but I believed it.

Reason read: Stephen Ambrose was born in the month of January.

Author fact: Wild Blue is one of six books I have on my Challenge list. I made the mistake of poking around websites and learned that there is controversy surrounding the authenticity of Ambrose writing Wild Blue. Not wanting to contaminate my enjoyment of reading the book, I stopped poking around websites.

Book trivia: Wild Blue has a total of 15 black and white photographs clustered in the center of the book.

BookLust Twist: from Book Lust in the chapter called “World War II Fiction” (p 252).

Maus II

Spiegelman, Art. Maus II: A Survivor’s Tale: And Here My Troubles Began. New York: Pantheon, 1992.

I think by the time I read Maus II I was conditioned to lose the conundrum I previously faced with Maus I. When I first read Maus I I struggled with the dilemma of an extremely serious storyline wrapped in a cartoon; the holocaust in pictures. With the reading of Maus II my mind could reconcile the conflict. The heavy topics return as Spiegelman’s father continues his story of survival. At this point he is a prisoner in the concentration camp at Auschwitz and surviving because of his ability to appeared skilled at whatever the gestapo or Nazis need, whether it be working with tin or fixing shoes. The most poignant element of Vladek’s story is that he never gave up on his wife. Being that she was so thin and frail, he feared the worst but he never lost some small hope that he would see her again. The struggle between father and son held the most emotional tension, despite Vladek’s ordeals. Evidence of Alzheimer’s disease complicates their relationship, as does the leaving of Vladek’s second wife, Mala.

Stunning quotes, “If you want to live it is good to be friendly” (p 62) and “I wish he and Mala could patch things up and make each other miserable again” (p 120).

Reason read: to finish the Maus series I started well over a month ago.

Author fact: Thanks to Wikipedia I learned that Spiegelman came up with the Garbage Pail Kids after the Cabbage Patch Kid craze. Interesting.

BookLust Twist: from Book Lust in the chapter called “Graphic Novels” (p 103). Funny how I didn’t mention this earlier, but Spiegelman, Maus I and Maus II are not in the index of Book Lust. Somehow they were left out.

Fifty-Year Silence

Mouillot, Miranda Richmond. A Fifty-Year Silence: Love, War and a Ruined House in France. New York: Crown Publishers, 2015.

Reason read: an Early Review book from LibraryThing.

Here’s what I loved about Mouillot’s memoir straight away: she was unapologetic about the inaccuracies in her book. She admits a lot of her documentation is based on conversations and possible faulty memories. From some reason, that admission alone makes it all the more real to me.

How does a relationship go from just that, a relationship, to a subject for a book? When I think about Mouillot’s grandparents and their fifty year silence I find myself asking, what makes this divorce any different from other relationship that crashed and burned? Could we all write a story about a relationship that fell apart? Well, yes and no. Add World War II, being Jewish and escaping the Holocaust and suddenly it’s not just about a couple who haven’t spoken to each other. It’s a mystery of survival on many different levels. While Mouillot’s account is choppy and sometimes hard to follow I found myself rooting for her. I wanted her to discover the mysteries of love and relationships, especially since her own love life was blossoming at the same time.

We aren’t supposed to quote from the book until it has been published but I have to say I hope this sentence stays, “How do you break a silence that is not your own?” (from the preface). I love, love, love this question. It should be on the cover of the book because it grabs you by the heart and throttles your mind into wanting to know more. Maybe that’s just me. Case in point: I was drawn into the show, “The Closer” after hearing Brenda say, “If I wanted to be called bitch to my face I’d still be married” in a promo. One sentence and I was hooked. Sometimes, that is all it takes.

Book trivia: According to the galley I received, A fifty-Year Silence will have maps.

Children of Cambodia’s Killing Fields

Children of Cambodia’s Killing Fields: Memoirs By Survivors. Compiled by Dith Pran. New Haven: Yale University Press, 1997.

There has never been a more deadly genocide of its own people than in Cambodia. When Pol Pot’s Khmer Rouge regime descended into Cambodia in April of 1975 they brought with them a rein of terror like never seen before. Children of Cambodia’s Killing Fields contains eyewitness accounts of the genocide and lends a voice to the children who barely survived. Each chapter is a mini memoir, compiled by Dith Pran, a survivor himself. Some accounts are so graphically disturbing they left me sleepless for days. Imagine being forced to witness the killing of your family and not be able to show a single emotion? Imagine having to kill your own community? These children were worked to death, starved to death, disease-ridden and deprived. And yet, they survived and by all accounts, thrived once they escaped. A moving memoir.

I want to quote something from some of the survivors because their words have had a lasting impact on me. I want to pass that impression on.

  • Sophiline Cheam Shapiro: “I know of almost no family that survived without losses” (p 4)
  • Chath Piersath: “Like other mothers, you tried to wage a battle against it with the intention of saving what was left of your children” (p 7)
  • Teeda Butt Mam: “I was scared that they would hear my thoughts and prayers, that they could see my dreams and feel my anger and disapproval of their regime” (p 14)
  • You Kimny Chan: “We had hoped and prayed to leave for years, and now that we had the chance, we realized that we had nowhere to go” (p 25)
  • Sopheap K Hang: “Mother and I began laughing, but then the memory hit our hearts” (p 33)
  • Savuth Penn: “This time the unforgiving Khmer Rouge did not let my father survive” (p 46)
  • Charles Ok: “But life goes on, and I have to learn to take care of myself” (p 55)
  • Moly Ly: “Hitler is dead, but Pol Pot and his entourage are still alive and craving a return” (p 64)
  • Sarom Prak: “I am not you and you are not me, but we are all human beings (p 71)
  • Khuon Kiv: “Amazingly, human life still beats the odds” (p 103)
  • Sophea Mouth: “Can the effect of violence be so strong that it destroys human compassion?” (p 179)

Reason read: The Cambodian monarchy was restored in the month of September. Note to self, look up the Digital Archive of Cambodian Holocaust Survivors website.

Author Compiler fact: According to the back flap of Children of Cambodia Dith Pran is a photojournalist and the founder of the Dith Pran Holocaust Awareness Project. I knew the movie “The Killing Fields” was based on his own experiences in Cambodia.

Book trivia: Each story of a survivor is accompanied by a black and white photograph. But, interestingly enough, the cover has been photoshopped to exclude the temple which, during the Khmer Rouge regime, was used as a killing field.

BookLust Twist: from Book Lust To Go in the chapter simply called “Cambodia” (p 48).

Charlotte Gray

Faulks, Sebastian. Charlotte Gray. New York: Vintage International, 1998.

Charlotte Gray is a independent Scottish woman determined to make a difference in the effort to liberate France during the Nazi occupation of World War II. Starting out as a receptionist for a doctor in London, she quickly realizes she is meant for bigger and better things after she meets RAF pilot Peter Gregory. Falling hopelessly in love with him after a short yet passionate affair, she is determined to find him after his plane goes down behind enemy lines. Dyeing her hair and assuming a new identity is only the beginning for Charlotte, especially after she assumes the role of live-in housemaid to an ailing and eccentric Jewish artist. Throughout Charlotte’s search for Peter she is faced with many harsh realities about war and her own past. The big mystery is whether or not she will find peace or Peter or both.

Quotes I liked, “It’s the normalcy of everything that seems so treacherous” (p 161) and “Memory is the only thing that binds you to earlier selves; for the rest you become an entirely different being every decade or so, sloughing off the old persona, renewing and moving on” (p 379).

Reason read: to continue Faulks’s story (started with Birdsong in June).

Author fact: at the time of Charlotte Gray’s publishing, Faulks lived in London, England.

Book trivia: Even though Charlotte Gray ends the trilogy, it could be read independent of The Girl at Lion d’Or and Birdsong. Even though minor characters are the same, the story lines are different enough. However, the mention of Stephen Wraysford was like meeting an old friend in a foreign city.

Another book trivia: Charlotte Gray won the “Bad Sex” award but I happen to think the sex in Birdsong was more titillating.

BookLust Twist: from Book Lust in the chapter called “Sex and the Single Reader” (p 219). Charlotte Gray was lumped into the final paragraph because it was nominated for Britain’s annual Literary Review Best Bad Sex in Fiction Award. Faulks won in 1998.

Birdsong

Faulks, Sebastian. Birdsong. Read by Peter Firth. New Hampshire: Chivers North America Audio Books, 2000.

Birdsong is broken into seven different sections covering three different periods of main character Stephen Wraysford’s life, 1910, 1916 – 1918, and 1978 – 1979 (the last being through the eyes of his granddaughter, Elizabeth). When we first meet Stephen in 1910 he is a young Englishman sent to France to observe operations at a textile mill in Amiens. It is there that he meets the beautiful and lonely Mrs. Isabelle Azaire. From the moment they meet, their attraction to one another is instantaneous and unavoidable. Even an innocent activity like pruning in the garden speaks volumes of what is to come. It isn’t long before the two give in to their carnal desires and commit adultery. If you are shy about sex scenes, there are a few you may want to skip. The second encounter in the library is pretty racy! The attraction between the lovers is so strong that Isabelle runs away with Stephen, only to be wracked by guilt causing her to leave him a short time later. We don’t know what happens to this couple after Isabelle’s leaving. This is a mystery that hangs over the next section of Stephen’s life.
When we meet up again with Stephen it is six years later and he is a soldier, sent to work in the tunnels below enemy lines. This section of the book, covering World War I, is incredibly graphic and haunting. Faulk’s portrayals of battle are as realistic as they are heartbreaking, especially in the claustrophobic tunnels. Interspersed between Stephen’s World War I experiences is the life of his granddaughter, Elizabeth. When she becomes curious about his life she sets out to learn all that she can. She ends up learning more about herself in the process. History repeats itself and comes full circle for Wraysford’s legacy.

PS ~ I like the way Peter Firth reads. His voice is really pleasant. But, unlike Kirsten Potter, who read The Locust Eaters, Firth doesn’t even attempt a French accent! He does an Australian one pretty well, though.

Reason read: Austria started World War I on June 28, 1914.

Author fact: Faulks is also a journalist.

Book trivia: Birdsong is actually the second book in a trilogy. I didn’t find that out until I entered it into LibraryThing. Bad news and good news. The bad news is that the first book is not on my list. However, the good news is that the third book, Charlotte Gray, is…so I’ll read two-thirds of the trilogy. Pearl makes no mention of these two books being connected.

BookLust Twist: from Book Lust in the chapter called “World War I (fiction)” (p 250).

As an aside, I always think of the Grateful Dead when I hear the word “birdsong” and I am filled with nostalgia. When my husband and I were first dating I took him home to Monhegan. He brought along a video camera and made a music video of the island with Birdsong playing in the background. The video starts with me sitting on the floor in the old apartment trying to pack. So long ago!

Art Student’s War

Leithauser, Brad. The Art Student’s War. New York: Alfred A Knopf, 2009.

Right off the bat I have to mention the author’s note. If you are someone who normally skims or even completely skips this part, in a word: Don’t. It’s touching. For starters, I don’t know many men who have a decent relationship with their mothers-in-law much less those who find inspiration in them, but Leithauser has done those guys one better. He goes on to say that The Art Student’s War “must serve as a tribute…” to his mother-in-law. Classy. Seriously.

I didn’t think I would like The Art Student’s War because I’m not a big fan of the overly dramatic. Within the first fifty pages Bianca Paradiso’s family is rocked by scandal: her aunt accidentally reveals a breast when her bathing suit slips. The dynamics between the two families is never the same after that. Yes, I know the times are different now and you can almost expect to see a bare breast on a beach these days, but the amount of anguish the entire family suffers at the hands of this one mistake seems a little exaggerated…until I read on. First of all, mental illness plays a part here. And. And! And, I should have known better. Bianca’s character has been melodramatic from the start. Once, she was moved to anxious tears because she regretted not talking to a soldier on a bus. She lamented he didn’t hear her say thank you.
As the story deepens, and you get to know the characters better, Bianca rounds out to be a steadfast good girl with all the dreams and aspirations of becoming a worthy artist. Those dreams are first realized when she is asked to help with the war effort: to use her talents to draw portraits of wounded soldiers in the local hospital, the very hospital where she was born. It is here that she meets Henry. The relationship that blooms is complex and sets Bianca’s Coming of age in motion.
Halfway through the book there is a weird break that is told from the perspective of Bea’s uncle. It’s a glimpse into the future and doesn’t quite fit with the flow of the story. If you are paying attention, it gives away the plot and reveals more than it should. When we come back to Bea, she is a married woman with twin six year old sons. She has remained close to a few childhood friends, but is not the artist she used to be. Life goes on. Detroit is like another character in the book, growing along with Bea.

An added benefit of the Art Student’s War is the art history lesson you get along the way.

Reason read: Coleman Young, Detroit’s first black mayor, was born in the month of May.

Author fact: Leithauser is a Detroit native who studied at Harvard. That should tell you something – street smarts and book smarts!

Book trivia: scattered throughout The Art Student’s War are illustrations. These are the illustrations his mother-in-law drew that inspired the book. Leithauser also includes a photograph of Lormina Paradise. Very nice.

BookLust Twist: from Book Lust To Go in the chapter called “Definitely Detroit” (p 74). As an aside, Pearl calls Leithauser’s writing “magical” and I couldn’t agree more.

Winners and Losers

Quigley, Martin. Winners and Losers. Philadelphia: J.B. Lippincott Company, 1961.

Winners and Losers is such a stoic story! In Part I: Soldier, we first follow the life of Damon Mitchell as a staff Sergeant and patrol leader in World War II. It is while he is behind enemy lines in Germany that he learns of his younger brother Johnny’s death. In Part II: Boy, we jump backward in time to Mitchell’s teenage years to when his father loses his job in the Great Depression and family dynamics start to change. Damon must go out and get a job to help support the family. It’s at this point in the story we learn how close Johnny and Damon are as brothers and how removed Damon is from friendships and other meaningful relationships. In Part III: Man, Damon is becoming more and more successful. As he moves up the corporate ladder he becomes lonelier and lonelier. He is winning and losing at the same time.

Lines to like, “Long ago Damon had learned that asking questions just got you information” (p 37). Later in the story, if you are paying attention, you will notice just when Damon learns that lesson. One more, “They were precariously alone in the room” (p 217).

Reason read: April is National Sibling Month and Winners and Losers has two brothers. The story isn’t about them as brothers, though.

Author fact: This is really depressing but my copy of Winners and Losers didn’t come with any author information. So, I guess my author fact is that Martin Quigley isn’t plastered all over the internet.

Book trivia: My copy of Winners and Losers traveled from the Florida State library. Again, not a very popular author around here…

BookLust Twist: from Book Lust in the chapter called “My Own Private Dui” (p 165). Pearl puts this in the category of “Books that are simply treasures and ought not go unread” (p 165). Also, from More Book Lust in two chapters, “Friend Makers” (p 95) and “Oh, Brother!” (p 180).

“Aftermath”

Sassoon, Sigfried. “Aftermath.” Modern British “Poetry. Ed. Louis Untermeyer. New York: Harcourt, Brace & Co., 1920. pp 220. Print.

This is a heartbreaking poem and the message is super clear. This is a plaintive cry to Sassoon’s fellow veterans, Do not get caught up in the glories of war! Do not let anyone tell you war is an excusable act just because time has softened your memory. I think there is a country song out there with the same message, but I think it was directed towards people not forgetting about September 11, 2001. The message is the same: don’t become complacent and forgiving when you have suffered so much. Sassoon clearly did.

Author fact: There are only two poems I am reading this month. Turner and Sassoon were friends.

Poem trivia: PBS has a great site dedicated to the Great War. Supposedly, you can listen to an audio recording of “Aftermath” but I couldn’t get it to play (which is why I didn’t include the link here). Google it for yourself if you are curious.

BookLust Twist: More Book Lust in the chapter called “Living Through War” (p 237).

Ariadne Objective

Davis, Wes. The Ariadne Objective: the Underground War to Rescue Crete From the Nazis. New York: Crown, 2013

I used to shy away from stories (fact or fiction) about World War II simply because I didn’t want to give myself nightmares about the Nazis. Their methods of cruelty are legendary and are beyond comprehension. I am easily horrified by their torturous ways. Having said all that, I am glad I requested The Ariadne Objective. I am facing my fears head on and find that I am able to sleep at night. This particular book doesn’t delve into the violence.
The Ariadne Objective was a plot to infiltrate the island of Crete while it was under German occupation. Four unlikely soldiers are chosen as spies, as saboteurs, and ultimately as abductors, in an effort to thwart the Nazis and their maneuvers in Greece. Each intelligence officer brought a different specialty to the group. Patrick Leigh Fermor was a wanderer who loved to travel, John Pendlebury was an archaeologist, Xan Fielding and Sandy Rendel were both writers. What they all had in common was a knowledge of all things Greek. what follows is a true-to-life adventure story that will fascinate readers of all types and not just the history buffs.

Reason read: This was an early review for LibraryThing.

Author fact: Davis holds a Ph.D. in English Literature from Princeton and is the editor of Anthology of Modern Irish Poetry.

Book trivia: Because this copy was an uncorrected proof it didn’t include the maps and eighteen pages of pictures.

Last Supper

McCarry, Charles. The Last Supper. Read by Stefan Rudnicki. Blackstone Audio, 2006.

Paul Christopher is a CIA man who was raised around dark secrets. His parents smuggled Jews out of Germany via boat to Denmark during World War II when he was just a child. As a teenager he remembers he and his American father being removed from Germany while his German mother was held behind. This separation and the need to find her prompted Paul’s father to join the CIA. Following in his father’s footsteps after his murder, Paul also joins the “The Outfit.” The Last Supper spans all of the major conflicts between World War I and the Vietnam War. Stay on your toes because this is fast paced and involves many different characters who may or may not be spies.

Can I just say I love Stefan Rudnicki’s reading voice? He and his accents are great!

Edited to add: I didn’t get the opportunity to quote anything from The Last Supper because I experienced it in audio form. But, there was a few lines about running that I wanted to remember so I borrowed the book specifically so I could find the passage and quote it properly. So, here it is: “Only a bourgeois fool doesn’t know instinctively the deep spiritual meaning of running…It’s tremendously ritualistic. You put om a sweat suit and tennis shoes with funny soles that cost a hundred dollars and are all wound around with dingy adhesive tape, and you run through the public streets, dripping with sweat. It gives you shin splints and snapped Achilles tendons and wobbly knees but in compensation you build up your state of grace and these marvelous muscles” (p 288).

Reason read: the Cold War ended in September.

Author fact: According to the back of The Last Supper McCarry was an intelligence officer working deep undercover during the Cold War.

Book trivia: While McCarry wrote Paul Christopher as a series character the chronology is not based on publication. I read The Last Supper (published in 1983) before Tears of the Giraffe (published in 1974), but I don’t think it matters.

BookLust Twist: from Book Lust in the chapter called “Cold War Spy Fiction” (p 61).

Flamboya Tree

Kelly, Clara Olink. The Flamboya Tree: Memories of a Mother’s Wartime Courage. New York: Random House, 2002.

This is a short memoir. Some would say too short. Clara Olink Kelly is just four years old when her family is torn apart by the Japanese invasion of the Pacific Island of Java during World War II. Clara’s father is forced to work on the Burma railroad while Clara’s mother is left to care for two small children and a pregnant with a second son. It isn’t long before the Japanese commandeer their home and the entire family is transferred to a concentration camp, Kamp Tjideng. There Clara spends four long years enduring extreme crowding, starvation, illness and unspeakable filth. In addition she witnesses horrific abuse and violence that would haunt her for the rest of her life. The one piece of home that keeps them going is a small painting of a red flamboya tree. This painting, because it was never abused or destroyed by the Japanese, became a symbol of strength for the family. It goes wherever they go. The other symbol of strength is Clara’s mother. The beautiful thing about The Flamboya Tree is that throughout the entire story Clara’s respect and admiration for her mother never waivers. It is a lovely tribute to a mother who did everything she could to protect her children and survive the harsh conditions.

Powerful line, “She still had the audacity to hold her head high” (p 61).

Reason read: To recognize Nyepi, the Balinese Day of Silence. Last year it was celebrated at the end of March.

Author fact: Do a search for Clara Olink Kelly and she pops up on the website IMDb because she appeared on the Rosie O’Donnell show in 2002. Do an image search for Clara Olink Kelly and you will discover she looks just like her mother.

Book trivia: There is a study guide for The Flamboya Tree: Memories of a Mother’s Wartime Courage and the first question is, “would you have tried to escape?” What a loaded question!

BookLust Twist: From  Book Lust To Go in the chapter called “Indicative of Indonesia” (p 104).

August ’12 was…

August was a little of this and a little of that. Some people will notice I have made some changes to the book challenge – some changes more noticeable than others. For starters, how I review. I now add a section of why I’m reading the book. For some reason I think it’s important to include that in the review. Next, how I read. I am now adding audio books into the mix. I am allowing myself to add an audio book in “trapped” situations when holding a book and keeping my eyes on the page might be an inconvenience (like flying) or endanger someone (like driving). I’m also making a effort to avoid wasting time on books I don’t care for (like Honore de Balzac). One last change: I am not as stringent about reading something within the month. If I want to start something a little early because it’s right in front of my face then so be it.
What else was August about? August was also the month I lost my dear Cassidy for a week. I spent many a night either in an insomniac state or sitting on the back porch, reading out loud in hopes the sound of my voice would draw my calico to me. The only thing it yielded was more books finished in the month of August. She finally came home one week later.
Anyway, enough of all that. I’ll cry if I continue. Onto the books:

I started the month by reading and rereading Tattoo Adventures of Robbie Big Balls by Robert Westphal. This was the first time I read and reviewed a book after meeting the author. I wanted to get it right. I also wanted to make sure I was an honest as possible about the situation. Everything about this review was unusual. For the challenge:

  • After You’ve Gone by Alice Adams ~ I read this in three days and learned a valuable lesson about Adams’s work: read it slowly and parse it out. Otherwise it becomes redundant.
  • Go Tell It On the Mountain by James Baldwin ~ I read this in ten days, tucking myself in a study carrell and reading for an hour everyday.
  • Fahrenheit 541 by Ray Bradbury ~ an audio book that only took me nine days to listen to.
  • Wizard of Oz by L. Frank Baum ~ read with Wicked by Gregory Maguire. I took both of these to Maine and had oodles of car-time to finish both.
  • We Took to the Woods by Louise Dickinson Rich ~ this was probably my favorite nonfiction of the challenge. Rich’s Maine humor practically jumped off the page. I read this to Cassidy.
  • The Bridge of San Luis Rey by Thornton Wilder ~ I read this in three days, again hiding myself away in a study carrell.
  • Ten Hours Until Dawn by Tougis ~ another audio book. I’m glad I listened to this one as opposed to reading it. Many reviewers called it “tedious” and I think by listening to it I avoided that perspective.
  • The Sea Around Us by Rachel Carson ~ I read this in two days (something I think I thought I was going to get to in June).
  • All Quiet on the Western Front by Erich Maria Remarque ~ I read this in honor of World War I ending. I also read it in one night while waiting for Cassidy to come home.
  • The Lives of the Saints by Nancy Lemann ~ also read in one night. In honor of New Orleans and the month Hurricane Katrina rolled into town.
  • Kristin Lavransdatter: the Cross by Sigrid Undset ~ finally put down the Norwegian trilogy!

For the Early Review Program with LibraryThing:

  • The Most Memorable Games in New England Patriots History by Bernard Corbett and Jim Baker. This was supposed to be on my list a year ago. Better late than never.
  • Sex So Great She Can’t Get Enough by Barbara Keesling. This took me an inordinate amount of time to read. Guess I didn’t want to be seen in public with it.

All Quiet on the Western Front

Remarque, Erich Maria. All Quiet on the Western Front. Translated by A.W. Wheen. New York: Ballantine Books, 1982.

Do people consider this a classic? I think I have been aware of this book for the past 35 years but have never read it before now. If someone said “all quiet” I would finish with “on the western front.”

Throughout All Quiet on the Western Front there is the theme of a lost innocence. Soldiers as young as 18 or 19 reflect on a childhood lost. The main character of Paul Baumer is constantly thinking about how, if he were to survive the war, he could never relate to the peacetime world around him. He scoffs at the word “peace.” I saw All Quiet as a commentary on survival in its purest form. Doing anything and everything you can to live another day. When one soldier is obviously on death’s door another wants his boots and starts planning a strategy to get them…even before the dying man has drawn his last breath. This is not callousness personified. This is survival. He knows the boots are of no use to the dying soldier. They would be to him, if only he could get them before someone else does. Ironically, the boots are later passed along to Paul eventually.
Another aspect of Remarque’s work that bears mentioning is the detail he pays to describing death. While the images are unforgiving, violent and grotesque, it is war in its truest state and at its worst. Some of the images that stuck with me: a butterfly flitting around a field of dead men and finally settling to rest on the teeth of a corpse; a screaming horse that can’t be put out of his misery because he will reveal the hiding place of the soldiers.

Lines that moved me one way or another, “The army is based on that; one man must always have power over the other. The mischief is merely that each one has too much power” (p 44) and “At the same time he ventilated his backside” (p 83).

Book Trivia: This was made into a movie twice – once in 1930 and again almost 50 years later in 1979. It won an Academy Award in 1930.

Author Fact: Remarque served as a soldier on the western front in World War I. I can’t help but think All Quiet on the Western Front is almost autobiographical.

BookLust Twist: From Book Lust in two chapters “100 Good Reads, Decade by Decade: 1920s” (p 176) and “World War I Fiction” (p 250).

D-Day, June 6, 1944

Ambrose, Stephen. D-Day, June 6, 1944: the Climactic Battle of World War II. New York: Simon & Schuster, 1994.

Where do I begin with a book like this? Imagine watching a scene from high above. Everything is muted and details are fuzzy. Now imagine swooping in to ground level and being able to engage all the senses. You hear, see, smell, taste and feel everything at close range. D-Day is such a book. You know all about June 6th, 1944 from your textbooks and your history classes. With D-Day, June 6th, 1944: the Climactic Battle of World War II Stephen Ambrose swoops in and takes you down the to fighting. Ground level. You get to hear (supposed) first hand accounts from the American, British and Canadian men who survived Operation Overlord: the five separate attacks from sea and air. The opening chapter is a harrowing parachute drop into enemy territory. Soldiers who fought side by side with buddies who later wouldn’t make it recall every emotion. What a strange circumstance, to be fighting for your life and watching men die around you and yet, yet have no fear. They knew they could meet death at any minute but were so moved by the leadership of commanding officers to keep surging forward. The tragic battle at Omaha Beach illustrates this most poignantly.
Probably the most interesting section of the book for me was the comparisons between Commanders Eisenhower and Rommel. They had so many different things in common they could have been friends had it not been for their opposing positions in the war.
Of note: several people have told me that I should be taking the details of D-Day with a grain of salt; that not all interviews are truthful or accurate. Well, if that’s the case, slap a “fiction” label on it and call it a riveting best seller! Regardless of its integrity I loved the book.

Favorite lines: impossible to tell you because I ended up listening to this rather than reading it.

Author Fact: Ambrose was awarded the Department of Defense’s medal for Distinguished Public Service in 2000. This is the highest honor the Department of Defense can give a civilian.

Book Trivia: D-Day, June 6th 1944 is one of many books written by Ambrose that is surrounded in controversy involving inaccuracies and plagiarism.

BookLust Twist: From Book Lust in the chapter called “World War II Nonfiction” (p 253).