Category: Fiction

Two Cities

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Wideman, John Edgar. Two Cities: a love story. Houghton Mifflen Company, 1998.

Reason read: read in honor of Philadelphia’s Global Fusion Fest that happens in July.

Two cities of then and now. Before and after.
I knew I would like Wideman when I read the passage about taking people for a walk. Like dogs, people should be exercised to work out pent up energies and aggressions. People might be nicer.
Kassima has known trouble and a grief so deep it is truly a constant sorrow. She lost her husband and two sons all within ten months. Each death was a seemingly fluke accident of epic proportions. Her husband, serving time in prison contracted AIDS. One son died while playing Russian roulette while another was murdered; a revenge killing for a drug deal gone wrong that didn’t concern him. Kassima doesn’t sugar coat the cruel realities of what it means to be black growing up on mean streets, or a man serving time in prison. When she meets a new romance, Kassima is afraid to take a chance on love. It isn’t until the death of a neighbor brings clarity to a life worth living.
Wideman’s writing is like a photograph. Images of young men trash talking while playing a game of basketball is crystal clear.

Quotes to quote, “All men got the dog” (p 21) and “People are as good as dead when you weren’t around them” (p 85).

Author fact: I am reading three novels by Wideman: Philadelphia Fire, Sent For You Yesterday and Two Cities.

Book trivia: the dedication in Two Cities is heartbreaking. It begs the question what happened? I did some digging and found that Wideman has had more than his share of tragedy.

Playlist: “Everybody Plays the Fool”, the Dells, the Imperials, the Spaniels, the 5 Royales, the Five Saints, the Diablos, Bessie Smith’s “Backwater Blues”. As an aside, Wideman mentions a guy by the name Louis Berry. I couldn’t find his musician (at least one that fit his era), but I found a new favorite with the same name

Nancy said: Pearl included Wideman in her list of other good examples of African American fiction by men.

BookLust Twist: from Book Lust in the chapter called “African American Fiction: He Say” (p 12).

Rebels of Ireland

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Rutherfurd, Edward. The Rebels of Ireland. Doubleday, 2006.

Reason read: to continue the series started in May.

This is the sequel to the Princes of Ireland. The Rebels of Ireland follow six families through history but before doing so, Rutherfurd takes the time to catch the reader up by giving a recap of The Princes of Ireland. Once caught up historically, Rutherfurd focuses on deep character development of the families and their political involvements in Ireland’s struggle for independence.
Throughout history, differences in religion have been dangerous. A tale as old as time and will never change. I found it interesting when a character used the pulpit to announce his declaration of war. Everyone in the church knew what his sermon would be, but none expected the vehemence of his words.
Another notable moment: looking for the staff of St. Patrick.
The Rebels of Ireland is well researched. Rutherfurd consulted the National Library of Ireland as well as other national offices in Ireland to make sure he had his history accurate.
Word to the wise: do not try to read two different Irish historical novels in one month. All month long I was getting Rutherfurd mixed up with Flanagan and Flanagan confused with Rutherfurd.

Author fact: Edward Rutherfurd’s real name is Francis Edward Wintle.

Book trivia: The Rebels of Ireland contains a map of Ireland, a map of the Dublin region and a map of the city of Dublin.

Nancy said: Pearl said nothing specific about The Rebels of Ireland except it is a historical novel.

BookLust Twist: from Book Lust To Go in the chapter called “Ireland: Beyond Joyce, Behan, Beckett and Synge” (p 110).

Unless

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Shields, Carol. Unless. Read by Joan Allen. Harper Collins, 2002.

Reason read: Shields celebrates a birthday in June. Read in her honor.

How do you carry on with your life when one of your children is mentally ill and choosing to live on the streets for no apparent reason? I read a review where someone called Unless whiney and self-indulgent. I’m sorry but if I had a loved one “lost” like that, I too would be fixated on their wellbeing. Are they getting enough food to eat? Where are they going to go when the temperatures are minus ten degrees (not including wind chill factor) or one hundred and two (in the shade)? Reta Winters is trying to be a mother to her two other teenage daughters while thinking these things about a third, her eldest. She is a wife going through the motions with her trilobite-obsessed husband. She is a translator while trying to write her own second novel. She is an aging woman, trying to stay relevant in the youth-obsessed world around her.
There is a little trickery going on with Unless. Like mirrors angled so images are reflected to infinity, Unless is a story about a woman writing about a woman writer who is writing about a woman writer. The nesting dolls of feminism. Then there is the carefully disguised biography of her mentor, Danielle. Danielle is at once a strong holocaust survivor and a fragile French woman who relies on Reta for writing support. Finally, there is the mystery of why eldest daughter, Nora, insists on sitting out on a street corner with a sign that simply reads “Goodness.”

Author fact: Shields died when she was only 68 years old, shortly after Unless was published. My audio had an interview with Ms. Shields and I was struck by how oddly she spoke. I have to wonder if she was ill at the time of the interview.

Book trivia: Chapters are titled with adverbs and conjunctions. If I read more carefully I probably would have seen how each word tied back into the storyline.
Audio trivia: at the end of the reading of Unless Carol Shields answers some questions. I have to admit I was distracted by her strange manner of halting speech.

Playlist: Mozart, Sinatra, Beethoven, and Bach.

Nancy said: Pearl did not say anything specific about Unless.

BookLust Twist: from More Book Lust in the chapter called “Carol Shields: Too Good To Miss” (p 197).

I Capture the Castle

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Smith, Dodie. I Capture the Castle. St Martin’s Griffin, 1948.
Smith, Dodie. I Capture the Castle. Read by Toby Jones and Holliday Grainger. BBC4 Radio, 2016.

Reason read: A long time ago we stayed in a castle. It was June and very romantic.

Teenage Cassandra writes in her diary like a typical girl. She makes observations about not-so typical situations, like the fact her family lives in poverty in a rundown English castle. Her dream is to become a famous author so to practice she recounts the lives of her family with sharp and witty commentary. As she says, “contemplation seems to be about the only luxury that costs nothing” (p 25). At the onset, the name of the game seems to be to marry off sister Rose to the highest bidder; and that man seems to be American Simon Cotton. Poor Rose cannot even find a suitable dress for dinner let alone charm her future husband over a decent meal. I Capture the Castle is more than a dating game, it is the story of society’s opinion of a woman’s place. It says something about the attitudes about feminine decorum.
One of my favorite moments was when Simon and his brother Neil spotted Rose and Cassandra in ratty fur coats. To avoid anyone seeing them in such shambles Neil pretends they are a bear and “kills” it before mother can see. How perfectly ridiculous yet, there is an air of social grace in the midst of destitution.

As a personal aside, I could relate when Cassandra was seduced with the help of music. I have been there myself, both as seducer and seduced. Music can say a lot without saying anything at all…if you know what I mean.

Author fact: Dodie is Dorothy Gladys Smith, born in 1896. I Capture the Castle is her first novel, but she is also responsible for the Disney story of the One Hundred and One Dalmatians, inspired by Pongo, Smith’s own Dalmatian.

Book trivia: I Capture the Castle was made into a movie “most romantic” but before that, it was a play in 1954. Confessional: I have been saying I captureD (past tense) the castle for days now.

Audio trivia: the BBC4 Radio version is a big production with a full cast complete with music.

Playlist: “Green Sleeves”, “The Isle of Capri”, “Blow the Man Down”, “God Save the King”, Handel’s “Air from the Water Music”, Debussy’s “Water Music” and “Clair de Lune”, La Cathedrale Engloutie”, “La Terrasse Des Audiences au Clair de Lune”, Bach’s “Lover” and “Sheep May Safely Graze”.

Nancy said: Pearl admitted it was hard not to smile when reading the first line of I Capture the Castle. What was that first line? Read the book to find out.

BookLust Twist: from Book Lust in the chapter called “First Lines to Remember” (p 86).

End of the Hunt

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Flanagan, Thomas. End of the Hunt. Dutton, 1994.

Reason read: to finish the series started in April.

Flanagan’s End of the Hunt picks up where Tenants of Time left off; right after the Easter Rebellion. So begins the birth of the IRA (Irish Republic Army). Flanagan weaves intimate portraits of widow Janice Nugent as she tries to find love again; Patrick Prentiss as he navigates the world as a World War I amputee; and Frank Lacy, a contradiction in character with his weapons and Virgil in hand. Character development is so on point you swear you have met these people before. Meshed with real historic events and people, it is easy to see why End of the Hunt is a best-seller.

As an aside, how can you be historically deliberate and accurate and yet only coincidentally name actual people? I realize the coincidence phrase is a standard blurb to cover an author’s ass, but either these people were a part of history or they weren’t.

Line I liked, “Dublin is a city of half sentence” (p 7).

Author fact: At the time of publication, Flanagan divided his time between Long Island (New York) and Ireland.

Book trivia: End of the Hunt is the final book in the Irish trilogy and has been compared to Leon Iris’s Trinity.

Playlist: “Lead, Kindly Light”, “Sean O Dwyer”, “Slievenamon”, and “A Nation Once Again”.

Nancy said: Pearl called the entire trilogy “magnificent” and End of the Hunt “good.”

BookLust Twist: from Book Lust in the obvious chapter called “Historical Fiction From Around the World” (p 113) and again in the chapter called “Irish Fiction” (p 125). Funny how none of the other books in the trilogy are mentioned in this chapter.

Sweet Cheat Gone

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Proust, Marcel. Remembrance of Things Past: The Sweet Cheat Gone. Vol. 6. Translated by C.K. Scott Montcrieff. Chatto & Windus, 1961.

Reason read: to continue the series started in November for National Writing Month. Obviously, I have skipped a month or two.

If The Fugitive was all about keeping Albertine hostage, The Sweet Cheat Gone is her escape. Albertine’s departure sets the stage for volume six. Proust has this way of capturing obsession and grief in all their painful intricacies. You know that moment, right before coming fully awake when you thinks maybe yesterday has all been some kind of horrible nightmare? But then remembrance brings back the horror with a vengeance. Yesterday’s reality is today’s truth. Proust’s narrator is constantly remembering the times he bused Albertine’s love. He couldn’t tell her she reminded him of paintings of other female forms because he didn’t want her to think of female nude bodies. His jealousies were that strong. After her departure, he is inconsolable; able to pick up his grief right where he left off before sleep; as if he had never closed his eyes. He repeatedly fixates on how to return the escaped Albertine back to him. If you don’t believe me, count the times Albertine’s name appears on every page. It got to the point where I wanted to please take this man out behind the barn and put him out of his misery.
It is so cliché to say, but you really do not know what you have until it is gone. Proust’s narrator is no different. He enjoyed hurting Albertine while she was in his possession, but upon hearing of her death he fixates on all the times he took her for granted or thought her company to be a nuisance. Her charms, her innocence was something to be scoffed at until she vanished. Now that he has lost her everything she touched (including “the pedals of the pianola she pressed with golden slippers”) becomes all too precious. He knows he has abused her and admits as much in the way he describes her departure as flight, escape, gone, and on the run. His obsession grows worse when he thinks her dead. He couldn’t even read newspapers because the mere act of opening and lifting one to his eyes brought back memories of Albertine doing the same.
In volume two there is a return to M. de Guermantes and Gilberte. Everything remains the same. Our nameless narrator is still looking for love wherever he can find it. His mother is unwilling to let him see just how much she loved him and that bothers him.

Quotes to ponder, “An impression of love is out of proportion to the other impressions of life, but it is not when it is lost in their midst that we can take account of it” (p 107) and “We wish to be understood, because we wish to be loved, and we wish to be loved because we are in love” (p 111). This last sentence is probably my all time favorite quote of Proust’s.

Author fact: For the first volume I told you Proust’s full name. In the second review I explained where the term romans-fleuve came from. In the third review I mentioned Proust spent a year in the army. In the fourth review I mentioned the influence of Flaubert, but by the fifth review I had run out of things to say (either that or I just forgot to add an author fact). Now, in this sixth review, my author fact is Proust was also an essayist. I won’t be reading any of his essays.

Book trivia: Sweet Cheat Gone is also called The Fugitive or Albertine Gone. So many different titles, I can’t keep track! Another tidbit of info: in the French text Albertine Disparue volume one ends before chapter two, “Mademoiselle De Forcheville.” It is at this time that the obsession with Albertine abruptly ends. She is not mentioned on every page life the first volume.

Nancy said: Pearl said absolutely nothing about this volume of Remembrance of Things Past.

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Boy’s Own Story

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White, Edmund. A Boy’s Own Story. Iconic Books, Open Road Media. 2000.
White, Edmund. A Boy’s Own Story. Vintage International, 1982.

Reason read: June is Pride Month.

First published in 1982, A Boy’s Own Story‘s main character has been compared to Teddy Roosevelt and characters from Lolita and Huckleberry Finn. The first in a trilogy and supposedly autobiographical in nature, A Boy’s Own Story introduces themes of desire, coming of age, and identity. The book’s nameless young narrator navigates his own sexuality in an age when parents simply warn their children about predators who seem “oversexed” and “take advantage of younger boys.” Our hero fights his homosexual tendencies while wondering why the adult camp counselor doesn’t rub his back in the middle of the night. Torn between propriety and passion, he struggles to find normalcy in his desires. Will his feelings for other boys fade in time? It this something to grow out of? In an effort to “change” he first seeks the advice of a priest. When that does not work, he convinces his father to send him to an all-boys boarding school. Maybe being in the presence of so many males would normalize his sexuality and set him straight? Not so. Next came a psychiatrist. Maybe he can address the psychological aspects of being attracted to men? Ultimately, he is looking for a way to have sex with a man and then disown him so to disavow his homosexuality. The secret to his longing is power which makes A Boy’s Own Story all at once poignant and sad.

Line I liked, “The subject of this book might be that brief eloquence between the fantasies of a dream-bound child and his implementing through charm, sexuality, his wits” (p 6). The saddest sentence in the book, “I had spent so much of my childhood sunk into a cross-eyed, nose-picking turpitude of shame and self-loathing, scrunched up in the corner of a sweating leather chair on a hot summer day, the heat having silenced the birds, even the construction workers on the site next door, and delivering me up to the admonishing black head of the fan on the floor slowly shaking from left to right, right to left to signal its tedious repetition of no, no, no, and to exhale the faintly irritating vacillations of its breath” (p 126).

Author fact: White lists Proust as one of his influences. I love it when I’m reading a connection to another book.

Book trivia: A Boy’s Own Story is autobiographical.

Playlist: “Dies Irae”, Juliette Greco, “Nothing Like a Dame”, Odetta, “Pat Boone’s “Twixt Twelve and Twenty”, “Now is the Hour”, “Zip-a-Dee Doo-Dah”, “Kitten on the Keys”, “I’ll Be Seeing You in Apple Blossom Time”, “The Tennessee Waltz”, Haydn, Mozart, Beethoven, Brahms, Liberace, Schubert’s “Unfinished”,

Nancy said: Pearl said Boy’s Own Story was “set prior to Stonewall” (Book Lust p 94). For those who don’t know, Stonewall refers to the Stonewall Rebellion or Stonewall Uprising; a riot in the early morning of June 28th, 1969. Police violently raided an establishment known as Stonewall. The community in and around Greenwich Village, New York, protested the attack.

BookLust Twist: from Book Lust in the too-short chapter called “Gay and Lesbian Fiction: Out of the Closet” (p 93). There are so many other great novels Pearl could have mentioned (like Annie On My Mind by Nancy Garden).

Blue Bowl

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Minot, George. The Blue Bowl. Alfred A. Knopf, 2004.

Reason read: June is National Family Month.

On the surface The Blue Bowl is the story of Simon Curtis, accused of killing his father. It is an open and shut case for the prosecution. Simon blamed his father for his mother’s death because he heard her exclaim she would kill herself if his father didn’t stop drinking; Simon wanted his father’s money; when Simon wasn’t squatting in his father’s Maine house (when his father wasn’t there), he was living as ghost with his father in Massachusetts. Maine or Massachusetts, it didn’t matter. His father didn’t want him in either place. If his father knew Simon was disobeying him and squatting in either house he never let on. Are you supposed to like Simon? He has no social graces, an anarchist attitude, lazy, barely cognizant of the world around him, tags along uninvited, lies, scams and steals. As the trial progresses you want him to be guilty.
I have to admit, The Blue Bowl was a little annoying. Because of Minot’s style of writing I wasn’t sure in which house Simon was squatting, Maine or Massachusetts. It seemed like both at one point. I know the death happened in Manchester, Massachusetts and the trial took place in Boston, but then there are all these other connections to Maine. Everyone in Boston seemed to have something or someone somewhere in Maine.
Then there was the issue with the word “like.” I am not a fan of repetition. Like is everywhere. Like like like.
Run on sentences are not my thing either. Holy marathon run-on sentences. It is if Minot has so many thought running through his head and, afraid of losing them, spits them out in a stream of consciousness.

But here is a spoiler. I figured out who killed dad pretty early on. The Blue Bowl opens with the first person narrative of Simon’s nameless brother. He relays how Simon came to visit him in New York and then backtracks to tell the story of the murder, “starting with the aftermath.” The reader is given a ppe-show montage of Simon’s family, but here is thing thing – this first-person brother never inserts himself into the story. Who is he? How come he never came to Simon’s trial? He tells Simon’s story in third person narrative but never breaks in to say where he fit in. Because this “nameless” brother has something to hide.

Author fact: Minot lived in New York City at the time The Blue Bowl was published and leonine is a favorite word of his.

Book trivia: I don’t think it is a spoiler alert to say that the title of the book, the blue bowl, doesn’t really come into frame until the very end of the book. The Blue Bowl is the only work of Minot’s in LibraryThing.

As an aside, it was cool to see so many Maine names I knew. I decided to track them: Babbidge, Bangor, Blue Hill, Burnt Island, Camden Hills, Georges Bank, Iron Point, Isle au Haut, Thorofare, Little Thorofare, North Haven, Rockland, Thomaston, Portland, Mullen’s Head, Belfast, Rockport, Camden Hills,
As an another aside confessional, I never thought about the phrase “man-child” until a friend used it to describe someone with whom I was desperately in lust. I couldn’t understand his hot-cold nature and his loose grasp on reality. Simon is that same man-child.

Playlist: “American Pie”, “Allelujah”, Bee Gees’ “Lonely Days”, Billy Joel, Bob Dylan, Bob Marley, Chopin’s “Nocturnal”, “Coconut”, Counting Crows (as an aside, I thought it ridiculously funny that Minot described the line “I need a raincoat” as whiney), James Taylor, Jimi Hendrix, “Lean On Me”, Mick Jagger, Neil Diamond, Neil Young’s “Helpless”, Pete Townsend, “Rock of Ages”, Three Dog Night’s “Jeremiah”, and the Who.

Nancy said: when talking about the Minot siblings as writers, Pearl said they each offered their own perspective on growing up in a large, dysfunctional family, but nothing specific about each individual author.

BookLust Twist: from More Book Lust in the chapter called “All in the Family: Writer Dynasties” (p 5).

At Weddings and Wakes

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McDermott, Alice. At Weddings and Wakes. Farrar Straus Giroux, 1992.

Reason read: June is a very popular month for weddings…to the point where it is almost cliché.

Time is handled in a “This Is Us” fashion: time goes backwards and forwards in At Weddings and Wakes. Time moves through memory and observation and seems incrementally slow. This is the story of what it means to be Irish-American in New York, told from the point of view of Lucy Dailey’s school-aged children. Again, I was reminded of “This Is Us.” The viewpoints are poignant and sad, tender and true to life. This Is Life. Lucy dutifully brings her children from Long Island to see her sisters and stepmother in Brooklyn. The three generations of family all have a rich bittersweet history to tell. Aunt Veronica needs alcohol to numb her grief. Aunt Agnes is nothing but sharp-tongued and career driven. But, the sweetness and light is found with Aunt May, a former nun in the midst of a romance with mailman.
McDermott is a master at displaying human emotions and behaviors in a way that you swear the characters are in your life; just ghosts who have just passed into another room while you weren’t looking.
As an aside, can I just say how much I love the slug scene that appears in the beginning of the book and then returns at the end?

Line I liked, “She inherited her mother’s easy access to regret” (p 52) and “The need to disagree rose in her like appetite” (p 87).

Author fact: I am reading five McDermott books. I cannot wait for That Night and Child of My Heart. I have already read Charming Billy and The Bigamist’s Daughter .

Book trivia: this should have been a movie.

Setlist: “All the Things You Are” by Jerome Kern, “Wild Irish Rose”, “I’ll Be Seeing You”, “I’ve Been Working On the Railroad”, “Rambling Wreck From Georgia Tech”, and “The Caissons Go Rolling Along”.

Nancy said: Pearl did not say anything specific about At Weddings and Wakes.

BookLust Twist: from Book Lust in the chapter called “A…is for Alice (p 1).

Broken Soul

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Krompinger, Keith. Broken Soul. Archway Publishing, 2023.

Reason read: someone practically threw this at me and dared me to read it.

Very. Dramatic. Language. I dare you to count the number of pages that do NOT include references to violence, sex, drugs, devils or demons. You will lose count because if someone isn’t being tortured or raped, he or she is dying a very violent (and very graphic) death. But, wait. There’s more. The women have lots of crimson hair, they must be undressed and stared at for a little while before they are “sexually raped”, tortured, and finally put out of their misery with a brutal murder. Oh wait. I forgot to mention the cannibalism. People being eaten alive on some strange Caribbean island.
Unfortunately, the violence is laid on so thick there is very little character development. As each person met a horrible fate, I didn’t care. Go ahead. Dress the women in weird outfits before painting their bodies with symbols, raping them and then eating them alive, body part by body part. I shrugged off the rape and torture as if was a breakfast scene with pancakes and eggs. I didn’t know any victim well enough to want them to live. Even when someone had their jugular bitten out, I shrugged with indifference. I couldn’t tell you the plot if I tried other than to say some guy is haunted by his wife’s murder. He is being called to revenge by a demon (or something with red eyes in the mirror) while his teenage daughter has her own coping mechanisms with drugs.

Here are my questions: there is a scene when the “good guys” enter a building with guns ablazing. They kill four people with a double barreled shotgun, but afterwards two people are heard talking upstairs. Are those people deaf? Didn’t they hear the blasts? Wouldn’t they be yelling or running or yelling while running?

Is it normal for someone to rush to a crime scene with enthusiasm? Cops are fueled by adrenaline, yes. But enthusiasm?

Do the women have mirrors in their jungle captivity? Because they all seem to know about the paint marked on their faces.

Poison Heart Death Club. Is that anything like Lonely Hearts Club Band?

I don’t really understand the timeline: 10/12/10 5am, 3:30am, 11:45am. 11/8/05 11:23pm, 2:45pm, 6:24pm. Is this still 11/8/05? The hours ticking by down give me a sense of suspense, but this timeline is all over the place. I lost track.

How often do you hear someone say the word ravished?

What is a Kailua drink?

Why “parts of her heart” in her mouth? Why not her whole heart stuffed in her mouth and only parts could be seen?

The characters do a lot of smirking no matter what the situation.

Confessional: I left Broken Soul in a recycling bin in New York City.

Brothers Karamazov

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Dostoevsky, Fyodor. The Brothers Karamazov. Translated by Richard Pevear and Larissa Volokhonsky. Alfred A. Knopf, 1992.

Reason read: I no longer remember why this was chosen for May.

The question of nature versus nurture has always been a topic for debate. Who are we? Why are we here? Do we have a divine reason for being on this planet? In short, Dostoevsky is asking for the meaning of life. Sort of. This is the story of a patricide when any of Fyodor’s children could have been his killer because no one has a good relationship with him. Not to mention the competition between father and son over Agrafena (Grushenka). Here is a brief overview of The Brothers Karamazov:

  • Book One sets up the family dynamic
  • Book Two introduces the dispute over the family inheritance
  • Book Three is about the love triangle between Fyodor, Dmitri, and Grushenka
  • Book Four – you can skip. It’s a side story
  • Book Five is pros and contra, the Grand Inquisition & Jesus (reason and blind faith)
  • Book Six is about the Russian monk; the life and history of Elder Zosima, dying in his cell
  • Book Seven introduces Alyosha and the death and decay of Zosima
  • Book Eight illustrates Dmitri’s greed in order to run away with Grushenka
  • Book Nine is Fyodor’s murder (finally)
  • Book Ten is another side story
  • Book eleven is about Brother Ivan and his quest to find his father’s killer
  • Book Twelve is the trial of Dimitri

Author fact: Dostoevsky died shortly after finishing The Brothers Karamazov.

Book trivia: The Brothers Karamazov was originally published as a serial.

Nancy said: Pearl said “A good part of reading life can be spent most productively with the great (and well-known) Russian books…” (Book Lust p 210). She said more but you’ll just have to read it for yourself.

BookLust Twist: from Book Lust in the chapter called “Russian Heavies” (p 210).

Let Me In

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Lindqvist, John Ajvide. Let Me In. Translated by Ebba Segerberg. Thomas Dunne Books, 2007.

Reason read: Mr. Nash

Admittedly, it took me a few pages to get into Let Me In. Once I fell in love with Oskar and Eli I couldn’t get enough of their story. Being a twelve year old sensitive boy, Oskar is the subject of daily bullying at school. He dreams of murderous revenge far beyond his sad and lonely years. At night he takes a hunting knife into the woods and repeatedly stabs trees, imagining the soft and penetrable flesh of his school yard enemies. Meanwhile, Eli is a mystery. With a strange way of speaking and no history to speak of, Eli fascinates Oskar to the point of obsession. He finds himself in love with a strange girl who only comes out at night, repeatedly says she neither a girl nor boy, and can solve puzzles she has never seen before in the blink of an eye. Who is she? Then the murders begin. Gruesome and strange, victims are drained of blood. Is Eli to blame?
A running theme through Let Me In is the absence of father figures. Eli has a fake father. Tommy has a fake step-father. Oskar’s dad has divorced his mom and is living an alcohol-soaked life outside of town. I wanted to pay attention to the mothers for I hoped they would be the unspoken heroes of Let Me In.
Not so much.
As an aside, I appreciated the literary references of Plato, Dante, Pyramus, Thisbe, and King Minos.

As another aside, I’ve never really paid attention to the traits of vampires, so Let Me In taught me a lot. The manner of speech, how quickly they can solve puzzles, the aversion to light and potential for spontaneous combustion, their physical strength and dexterity, the need to be invited to enter a residence, how they can be killed with a stake through the heart, and of course, the constant need for “food”, for blood. As yet another aside, I never considered the quality of the blood a vampire must consume. Someone on drugs could cause an overdose and “Blood from the dead was worthless, harmful even” (p 126).

Quotes to quote, “But Eli was a terrible monster who ate beautiful maidens for lunch and she was the one he would have to fight” (p 211).

Author fact: Lindqvist has been called Sweden’s Stephen King.

Book trivia: Let Me In was also a movie in 2010. All the characters have different names, but the story is essentially the same. Guess what? I haven’t seen it yet. Let Me In was also published under the title Let the Right One In.

Playlist: Alice Tegner, Kiss, Iron Maiden, Gene Simmons, “The Internationale”, “We Come Unto Jerusalem”, Morrissey’s “The Last of the Famous International Playboys”, “Beth”, “Can’t Help Falling in Love”, Blessed Be”, Hallelujah”, “Joy to the World”,

Princes of Ireland

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Rutherfurd, Edward. The Princes of Ireland. Narrated by Richard Matthews. Books on Tape, 2004.
Rutherfurd, Edward. The Princes of Ireland. Doubleday, 2004.

Reason read: in honor of the Cat Laugh Comedy Festival in Ireland.

Rutherfurd’s Princes of Ireland opens with a lesson in geography, anthropology, and history. I am always learning something new with historical fiction, like the difference between overlords and feudal lords. Did you know that Celtic warriors rode their horses naked? Kissing each other’s nipples is a show of forgiveness? Clans buried their warriors standing up, facing their enemies camp, to keep an eye on them? So many customs and traditions and that is not even getting into the politics of the country!
Although I kept making comparisons to Thomas Flanagan’s Irish series, Rutherfurd’s Ireland is much rowdier than Flanagan’s epic tale. People stealing horses for animalistic (pun intended) pleasures was a head scratcher for me. I have heard the rumors of men with sheep, but horses? Mythology and rituals abound. As an example, the success of the season’s harvest is dependent on the druid’s blessing. All of these details are a vehicle for the clever entanglement of fact and fiction – details so interwoven it is hard to tease them apart.
My favorite part of the story was Rutherfurd’s mastermind of the relationship between Margaret and Joan. Margaret’s misconceptions and prejudices of Joan were skillful and plausible. It was like a medieval gossip rag. Here is another drama: the king’s wish to divorce his Spanish wife for the love of another. The townspeople quarrel about who is in the right.

Edited to add a quote I liked, “Marriage is like religion, in a way, it requires an act of faith” (said by Dame Doyle, p 740).

Author fact: beyond the Ireland saga, Rutherford has also written London, Sarum, and The Forest which are all on my Challenge list. I am not reading the novel about New York.

Book trivia: Princes of Ireland is epic. It spans seventeen centuries of Irish history and is only part one of the saga. The Rebels of Ireland continues the journey.

Nancy said: Pearl did not say anything specific about Princes of Ireland.

BookLust Twist: from Book Lust To Go in the chapter called “Ireland: Beyond Joyce, Behan, Beckett, and Synge” (p 110).

The Prisoner

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Proust, Marcel. Remembrance of Things Past. Translated by C. K. Scott Moncrieff. Modern Library, 1956.

Reason read: to continue the series started in November in honor of Proust.

Whatever you want to call this volume of Remembrance of Things Past, whether it be “The Prisoner” or “The Captive”, it is also for obvious reasons called “The Albertine Novel.” In the beginning of “The Captive/Prisoner” Albertine is the narrator’s mistress. As soon as she wants to visit friends he (as narrator finally named Marcel at times) bribes Albertine with furs and jewels to make her stay in his family’s Paris apartment. There he keeps a close eye on her. Despite this possessive nature, he (Marcel) soon grows tired of Albertine but cannot completely let her go, hence the title of prisoner or captive. He becomes progressively more jealous, possessive, obsessive to the point of borderline psychotic worrying and wondering about who Albertine is with, male or female. Her confession of a friendship with lesbians forces Marcel to stoop to spying to see if she has relationships with other women. As usual, Proust has his finger squarely on the pulse of human nature. Albertine is the epitome of freedom while Marcel embodies jealousy and rage.
Sadly, because I had to switch to another publication, this version does not have the beautiful and whimsical illustrations of the other volumes.

Lines to like, “People who learn some accurate detail of another person’s life at once deduce consequences which are not accurate, and see in the newly discovered fact an explanation of things that have no connexion with it whatsoever” (p 2).

Book trivia: The Prisoner was published posthumously. The next book to read is The Past Recaptured.

Nancy said: Pearl didn’t say anything specific about “The Captive” or “The Prisoner.”

BookLust Twist: from Book Lust in the chapter called “Romans-Fleuves” (p 208).

Brunetti’s Venice

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Sepeda, Toni. Brunetti’s Venice: Walks with the City’s Best-Loved Detective. Grove Press, 2008.

Reason read: prepping for a grand trip to Italy. Venice is on the list. I cannot wait to walk the same streets as Lord Byron, Wagner, Goethe, and Proust. They all went to the San Marco district of Venice for inspiration. I must see the equestrian statue of Colleoni.

Brunetti’s Venice is a very clever book. Part travel guide to Venice and part homage to Donna Leon’s character, Guido Brunetti, Brunetti’s Venice is one hundred percent entertainment. Using direct quotes from each of Leon’s mysteries a reader can tour Venice through the eyes of Brunetti. Places like Murano become more vivid. Quoting from all Leon’s mysteries was a bonus for me. I am afforded glimpses of passages from books not on my Challenge list. It also gave me a chance to get to know Guido Brunetti better, as Sepeda writes just as equally about Commissario Brunetti the person as she does the island city of Venice.
As a travel book, the most appreciated information was the time it should take to walk each route using the detailed map. I have to wonder if the information has held up. Information like when restaurants are closed, how to visit a basilica, how to avoid the seedy parts of town. When Brunetti’s Venice went to press Sepeda said, “…today only three exist until the new bridge linking Piazzale Roma and the train station designed by the Spanish architect Calatrava is finished” (p 143). Well, is it finished? Are Venetians still suspicious of Sicilians?
Aside from wondering how current the information, I loved the idea of the great authors who have wandered around Venice: Charles Dickens, George Sand, Balzac, and Cocteau to name a few. Imagine Othello in Venice…
Confessional: I fell in love with Guido from the very first book. He is passionate, sensitive, and predictable. I loved that as a member of the law he lived in an illegal apartment; a structure without permits, blueprints, or statement of intent.

As an aside: Donna Leon admits to getting lost in Venice. Tommy Puzey guaranteed we would get lost during his Walk Italy series on iFit (so far we haven’t).

Quote to quote, “One of the secrets Paolo and Brunetti never revealed to anyone was their decades-long search for the ugliest Christ child in western art” (p 127). Can you just see them whispering to each other, rating the artwork across Venice?

Author fact: I heard a rumor that Sepeda has given guided tours of Brunetti’s Venice. She must really love Donna Leon’s books.

Book trivia: Sepeda uses arrows to indicate when it is time for walkers to move on. I felt it was unnecessary.

Playlist: Vivaldi

Nancy said: Pearl said it would be fun to recreate strolls described in Brunetti’s Venice.

BookLust Twist: from Book Lust To Go in the chapter “Veni, Vidi, Venice” (p 240).