Seife, Charles. Zero: the Biography of a Dangerous Idea. New York: Viking, 2000.
Reason read: another choice relating to New Year’s resolution. Everyone wants to reset the clock. Zero symbolizes just that.
No other number can do so much damage, so says Charles Seife. He tells you this as he is explaining the Golden Ratio, how Winston Churchill is equal to a vegetable, and how you can make your very own wormhole. Mathematics, religion, philosophy, art, engineering, history: they all connect to zero. Mathematics is a more obvious element, but take religion: Shiva, one of the three gods in the Hindu triumvirate, represents nothing because Shiva’s role is to destroy the universe in order to perpetually recreate it. Seife goes deep to illustrate the importance of the zero and how, historically, it created as well as calmed chaos. Zero is historical and humorous, informative and even a little emotional.
Lines I liked, “To add insult to injury, the ultimate Pythagorean symbol of beauty and rationality, was an irrational number” (p 37) and “But the sand reckoner was destined to meet his fate while reckoning the sand” (p 52).
As an aside, does everyone know the music of Josh Ritter? I couldn’t help but think of his song, Lark, when reading Zero because he mentions “Golden ratio, the shell.”
Author fact: Seife has an M.S. in Mathematics from Yale University. Are you surprised?
Book trivia: Zero is the only book I know that starts with the chapter 0 instead of a preface or introduction.
Nancy said: Pearl lures you in and makes you curious about Zero when she says, “[Seife] offers a mathematical proof that Winston Churchill is equal to a carrot” (p 256). Okay, you got me.
BookLust Twist: from Book Lust in the chapter called “Zero: This Will Mean Nothing To You” (p 256).
Orenstein, Peggy. Schoolgirls: Young Women, Self-Esteem, and the Confidence Gap. New York: Anchor, 1995.
Reason read: as part of a mother’s new year’s eve resolution I am reading this in solidarity.
Peggy Orenstein started her Schoolgirls project after reading a report by the American Association of University Women, “Shortchanging girls, Shortchanging America” in her daily newspaper. Inspired, she set out to probe deeper into this cultural chasm and ended up writing Schoolgirls.
Orenstein’s approach to her project was to visit two ethnically polarized middle schools and observe the behaviors of young girls, specifically eighth graders, from all walks of life. She even singled out specific children to learn more about their personal lives. She witnessed girls with declining confidence, girls with conflicting responsibilities: do I stay at home and take care of my younger siblings or do I go to school where I’m not learning much? Do I quit school to get a job to support my family? Orenstein shed light on challenges all girls face no matter their socio-economic backgrounds: self-image and eating disorders, sex, teen pregnancy, and harassment, cliques and bullying, and dipping academic success. One element of young girls’ lives not addressed was the advent of technology: texting, social media platforms, webcams.
Author fact: Schoolgirls has its own webpage here.
Book trivia: The re-issue of Schoolgirls features a new foreword.
Nancy said: Pearl said Orenstein should be read with The Body Project (Bromberg), Reviving Ophelia (Pipher), and Queen Bees & Wannabes (Wiseman) as they are all about “teenage girls’ problems with both society and themselves” (More Book Lust p 227).
BookLust Twist: from More Book Lust in the chapter called “Two, or Three, are better Than One” (p 227).
Brumberg, Joan Jacob. The Body Project. New York: Random House, 1997.
Reason read: Mothers have a special New Year’s Resolution. I’m not a mother, but I know one who has made some good promises to the new year. Read in her honor.
The Body Project is centered on female adolescence and body image. Probably the most fascinating aspect to The Body Project is Brumberg’s collection of diaries she used as research for the narrative. She could draw on the experiences of Victorian era girls as if she had interviewed them just yesterday. She is able to compare perceptions throughout the ages and the changing times. There is special attention paid to how mothers relate to their daughters. Take for example, menarche and menstruation. When mothers teach their daughters about the process they talk about how to “take care of it” meaning the bleeding, but rarely do they explain why the blood is happening in the first place. Brumberg cites a distinct disconnect between menstruation and fertility. Mothers even do not fully explain what is physically happening to their daughters’ bodies.
It’s as if Brumberg needs to be that mother figure for young girls. The Body Project has a whole chapter on acne: pimples and blackheads, calling it the plague of youth or a sign of poverty. Not only is the history of the treatment of acne covered, but how marketing took advantage of the plight of teenagers with unclear skin. Eye opening for me was when Brumberg addressed masturbation and the misconception it causes acne. I have to admit, I never heard of that. Wasn’t the theory you would go blind?
Another body project is more well known – the desire to be thin. One girl didn’t want to attend Mount Holyoke for fear of gaining weight. She had heard the food was quite good but her goal was to lose weight, not gain it.
A word of warning: Brumberg focusses mainly on middle class girls and all of her reporting is from mid-nineties statistics. Despite that, it is an interesting read.
As an aside, before I even cracked open the pages of The Body Project I said to myself, I bet you anything Brumberg is going to mention Madonna and within 50 pages, boom! There was Madonna.
Another aha moment, I did not know the Girl Scouts of America was the first group to systematically teach menstruation to young girls.
As another aside, Brumberg discusses the changing age of consent and the need for girls to be “sexy” at younger and younger ages. Kisa and I were watching a video from an emerging all-girl band and wondering how old they were. I predicted some of them hadn’t experienced menarche yet for they didn’t look a day over ten or eleven years old. Their seductive poses were well beyond their ages.
Quote worth quoting, “…A body is a proxy for the self…” (p 128).
Author fact: at the time of publication, Brumberg was a professor at Cornell University teaching Women’s History and Women’s Studies.
Book trivia: This is specific to my copy of The Body Project. It looks as though an animal chewed through a chapter for there are claw marks and several pages have gaping holes.
Nancy said: Pearl said to read Brumberg with Reviving Ophelia (Pipher), Queen Bees and Wannabes (Wiseman), and Schoolgirls (Orenstein) as they all “address teenage girls’ problems with both society and themselves” (More Book Lust p 227).
BookLust Twist: from More Book Lust in the chapter called “Two, or Three, are Better Than One” (p 226).
Fontenoy, Maud. Across the Savage Sea: The First Woman to Row Across the North Atlantic. New York: Arcade Publishing, 2006.
Reason read: my good friend Frank was born in January and he loved, loved, loved boats and the sea. Read in his memory. Also as a selection for the Portland Public Library 2021 Reading Challenge: An extreme survival story.
Maud Fontenoy was twenty-five years old when she decided to embark on a nearly four month journey across the North Atlantic in 2003. She was officially at sea for 117 days. While she kept in constant contact with family, friends, sponsors, and news agencies, Fontenoy was alone with only what the ocean could offer her for company. She was entertained by dolphins, mesmerized by whales, stymied by fish, and terrorized for a short time by sharks. Occasionally, a tanker would cross her path, as she was squarely in their shipping lane for a good part of the journey. The real threat to her journey, however, was not the sharks, nor the tankers but the weather. Tropical storms would wreak havoc on Fontenoy and her little boat. Despite the fact meteorologists kept her abreast of developing weather patterns, there was little she could do to avoid the high seas and violent winds that came with them. Her strength and fortitude to just survive were astounding.
Confessional: I read this book before I started the Book Lust Challenge. I opted to read it again because I couldn’t remember many details. Plus, it’s a pretty short book so it was easy to add it back on the list. If I ever met Fontenoy in person I would like to ask if anyone ever found her message in a bottle.
Somebody helped me out. There is a moment when Fontenoy was convinced a much larger vessel was bearing down on her. She describes how her radar detector went off, beeping like crazy. However, she later shares that her detector was defective and said it “detected no vessels during the crossing.” So, what was the beeping? Does that mean the droning of the vessel’s engine and the smell of exhaust was all in her imagination? Was there a near miss with another vessel or not?
Quote to quote, “I wondered why the god of the sea had chosen to keep me in the palm of his hand” (p 95).
Author fact: Fontenoy has written two books about sailing. Both are on my Challenge list.
Book trivia: there is a small section of photographs for which I am grateful. I had a hard time picturing Fontenoy’s craft, Pilot.
Nancy said: Pearl said Across the Savage Sea is “well worth your reading time.” I completely agree. So much so that I’m reading it again for the Challenge. I said that already.
BookLust Twist: from Book Lust To Go in the chapter called “Row, Row, Row your Boat” (p 191).
Gourevitch, Philip. We Wish To Inform You That Tomorrow We Will be Killed With Our Families: Stories from Rwanda.
Reason read: The movie Hotel Rwanda was released in the United States on December 22nd, 2004.
The title of the book comes from a letter written to Paston Elizaphan Ntakirutimana. In it, several Advent pastors, hiding in a hospital state, “We wish to inform you that tomorrow we will be killed with our families…” (p 42). Such a devastating cry for help…only to end in betrayal. But probably the most helpless and hopeless line in the book (for me anyway), was “I took it we were under attack, and did nothing because I had no idea what to do” (p 33). I can’t imagine knowing full well murderers were coming for me, and yet having no idea how to save myself. Imagine having nowhere to go. Nowhere to hide. No way to protect yourself. Heartbreaking. Like macabre trick or treating, gangs went from town to town, just looking for people to massacre.
I find myself asking over and over again how neighbors, friends, relatives, business partners could rise up against their brethren. To kill over and over again with such horrific brutality. Not just an impersonal shot to the head. Not just a quick execution from a far off distance, but an up-close and personal hacking, slashing, chopping; a hand to hand combat/rape/pillage with machetes and knives, sticks and stony rage. The willingness, the eagerness to turn on people you had once worked, lived, learned or played side by side. Colleagues killed colleagues. Neighbors annihilated neighbors. Teachers assassinated their students. Friends turned one another with surprising ease. Gourevitch tries to make sense of it in We Wish to Inform You… by going back historically and analyzing the time before the genocide. His style is to think about the subject from a distance and then living with it up close. He walks around a topic to scrutinize it from every angle. His focus was to ask what really happened and how its aftermath is understood today (at the time of his writing).
Quotes to quote (besides the ones previously mentioned), “Five hundred years is a very long life for any regime, at any time, anywhere” (p 49), “But the decimation had been utterly gratuitous” (p 180), and “What does suffering have to do with genocide, when the idea itself is the crime” (p 202)?
Author fact: Gourevitch spent his childhood in Connecticut.
Book trivia: We Wish To Inform You That Tomorrow We Will Be Killed With Our Families was awarded the Guardian First Book Award.
Nancy said: Pearl called We wish to Inform You…”personal” and “heart-wrenching” in Book Lust. In Book Lust To Go she included a link to a video of an interview she conducted with Gourevitch in —. The video is no longer available, but I have been able to request archives from Seattle Channel before so…an update: The super fantastic folks at Seattle worked their magic! Within a day I got an email with a link to the interview! Spectacular.
BookLust Twist: from Book Lust in the chapter called “Africa: Today and Yesterday” (p 9) and again in Book Lust To Go in the chapter called “Africa: the Greenest Continent” (p 8).
Thebe, Amanda. Menopocalypse: How I Learned to Thrive During Menopause and How You Can Too. Vancouver: Greystone Books, 2020.
Reason read: as part of the Early Review program for LibraryThing, I occasionally review books.
Amanda Thebe wants you to join a community of women pushing their way through middle age. Through her book, Menopocalypse, she wants you to know you are not alone, nor are you living in Crazy Town. Your body and mind may feel like they have been taken over by aliens, but fear not! This too shall pass. Thebe’s style of writing is approachable and conversationally candid. She swears a lot. I’m okay with that. I’m less okay with how often she repeats herself. In the chapter about stress and sleep she bullets different ways to combat stress and get more sleep. Only they are not all different – walking is mentioned three different times. It’s as if the repetitiveness is there to combat a shorter book. That being said, there is a lot of great information in an easily digestible format. I never knew the loss of balance after menopause was a thing.
Admittedly, I was skeptical about this book. I requested an Advanced Reader’s Copy because I am in the thick of “the change” myself. Most appreciated: the photographs of strength training moves and a suggested scheduled routine. As an avid runner, I always appreciate a variety of routines to keep me fit.
Deep confessional: it took me a while to recognize my own sorry state of affairs. In my mid-forties I was training for a full marathon and my periods were wildly erratic. Previously blessed with a cycle as regular as clockwork, I suddenly found myself never knowing when the flow would start, how heavy it would be, or how long it would last. I was ruining clothes and my disposition on a frequent basis. Doctors told me this: because of all the running I was putting my body through, my body was “rebelling” and holding my menstrual cycle “hostage.” I was told to be patient as it would take some time to get back to normal. That was over five years ago. My body officially resigned from menstruation two years ago.
Author fact: Thebe is a personally trainer with twenty years in the industry, so her physique was already primed for menopause. Her book should have a disclaimer, “results not typical.”
Book trivia: According to the back cover, this book is already on sale (since October 2020).
Pastiloff, Jennifer. On Being Human: a Memoir of Waking Up, Living Real, and Listening Hard. New York: Dutton, 2020.
Reason read: in the interest of self reflection I thought I would read this book.
There is no doubt Pastiloff is a talented writer. She executes words and sentiments like an executive chef whipping up a ten course meal using only the best ingredients. To continue the cheesy analogy, her ability to accomplish goals and banish self-loathing is nothing short of delicious. I hunger for that soul discovery/recovery as well. I want it for myself like craving a hot cranberry maple scone on a Sunday morning…but I digress.
Back to Pastiloff’s On Being Human. I can’t say why this took me forever to read. I started it in July. Yes, July. Only now, at the end of December am I wrapping it up. My one complaint? Pastiloff’s chronology was all over the place. If this was meant to be a collection of short, chopped up essays I could understand the disjointedness of it all. As a memoir, jumping from one timeframe to another, one awakening or realization to the next, was a little confusing. Aside from that little critique, I loved On Being Human. What can I say that hasn’t already been said about this gigantic best seller? Nothing. It is vulnerable. It is lovely. It is broken and brave and beautiful. Just read it if you haven’t already.
Author fact: Jennifer has her own website and other socials here.
Book trivia: There are no photographs included in On Being Human, but if you look up Pastiloff on her website you will find a beautiful human. It is hard to imagine her being hung up on how she looks, but that’s what makes On Being Human that much more honest. Good looking people have insecurities as well.
Bryson, Bill. Notes From a Small Island: an Affectionate Portrait of Britain. New york: Harper Perennial, 1997.
Reason read: Bill Bryson was born in the month of December. Read in his honor.
There is a definite pattern to Notes From a Small Island. Bryson travels across the British countryside in a haphazard way. Randomly taking trains, busses, ferries and even on foot, he wanders through towns checking into hotels and then checking out the sights all the while making comments as he goes. This book will make you release a stray snide giggle or two. You may even, heaven forbid, laugh or snort out loud. Honestly, at times you won’t be able to help yourself. Bryson is snarky and silly; at times absolutely hilarious. If you smile even just a little at this, “It really ought to be called the nice Little Gardens Destroyed By This Shopping Centre” you know what I mean. I think in British terms they would have called Bryson cheeky and maybe even a little snobbish about his views of architecture, country cuisine, and Wordsworth, just to name a few. (Why he has such a problem with Wordsworth I’m not sure.) He does love the region although at times it is hard to tell. Eventually, the reader will start to realize Bryson’s humor often comes at the expense of somewhere or someone. As an aside, people thought my ex-boyfriend was terribly funny until they realized he was just being terrible. Bryson is the same way.
Quotes I found especially funny, “He’ll make a face like someone who’s taken a cricket ball in the scrotum but doesn’t want to appear wimpy because his girlfriend is watching…”
Author fact: I find Bill Bryson so be so worldly in character that for some odd reason the fact he is from Iowa amazes me.
Book trivia: Notes From a Small Island was made into a television series in 1999. It had six episodes and only lasted one season.
Nancy said: Pearl said Notes From a Small Island would be “the single best book I know of to give someone who is depressed…” (More Book Lust p 36-37)
BookLust Twist: from More Book Lust in the chapter called “Bill Bryson: Too Good To Miss” (p 36).
Lawrence, T.E. Seven Pillars: a Triumph. Garden City, NY: Doubleday, Doran & Company, Inc., 1935.
Reason read: Lawrence of Arabia was born in December. Read in his honor.
The title of Seven Pillars comes from the Bible, in the Book of Proverbs. This is Lawrence’s personal narrative about the Arab revolt during World War I. A caveat: with all personal narratives come author perceptions that aren’t necessarily aligned with reality. Lawrence’s Seven Pillars is no different. He used unreliable sources in the form of diaries, journals, field notes, and most unreliable of all personal narratives, his memories. Yet, Lawrence goes to great pains to explain the process of his writing. In the spirit of artistic creation this is much appreciated.
I would be remiss if I didn’t draw attention to the full page portraits and illustrations that are beyond fantastic executed in plaster, oils, charcoal, pencil, and photograph . Lawrence makes special mention of the artist, Kennington, who worked for five years on the majority of the illustrations.
As an aside, Revolt in the Desert is an abridgement of Seven Pillars.
Quotes to quote, “All men dream, but not equally” (p 24), and “Some of the evil of my tale may have been inherent in our circumstances” (p 29).
Author fact: All Souls College gave Lawrence “leisure” in 1919 – 1920 to write about the Arab Revolt during World War I.
Book trivia: Bernard Shaw critiqued Seven Pillars.
Nancy said: From Book Lust To Go Pearl said, “It goes without saying that any trip to Arabia should include reacquainting yourself with him” (p 23).
BookLust Twist: from Book Lust To Go in the chapter called “Arabia Deserta” (p 25).
Morris, Jan. A Writer’s House in Wales. Washington, D.C.: National Geographic, 2002.
Reason read: for the Portland Public Library 2020 Reading challenge. I needed a book for the category of transgender or nonbinary author. Jan was James until the 1970s. I love how Morris makes mention of her transition and how the Welsh have “kindly pretended that nothing ever happened” (p 59). The way it should be.
Everyone loves a funky house. Trefan Morys is as unique as they get: imagine a converted old stone barn with wood beams and a slate roof. Now imagine this: the horse stalls converted into two rooms, both being floor to ceiling libraries (because “the Internet is no substitute” for a good book). Model ships, strategically scattered everywhere. More books piled on the floor. I picture this house being cozy yet drafty with its upstairs view of the wild Irish sea; cozy yet sprawling with all of its secret nooks and crannies.
Confessional: I grew up surrounded by houses with charming names. Not the last names of owners, but fanciful [names] such as Treetops, Fairhaven, and Inkspot. Trefan Morys as the name of Morris’s house in Wales seems perfect.
Morris’s focus is not just on her house, but on her country’s people as well. She speaks of geographic history and how Indigenous Wales continues to struggle to keep an identity in the face of a barrage of British influence.
The hidden bonus is learning more about Morris as a person and not just a Welsh author who changed gender. She has a sense of humor. She has a partner who has stuck with her throughout it all. She is fearless: Morris is not one to back down from a challenge, climbing Everest to write about Edmund Hillary’s ascent, for example. Then there’s Ibsen, the cat. It’s all so charming.
There were so many lines I liked. It was extremely hard to narrow it down to just a few, but here are the ones I connected with the most: “I always think of music as means of communication across the continents and the ages” (p 97), “Music also seems to me one of life’s great reconcilers, an instrument of universal good” (p 98),
Author fact: Morris had a cat named Ibsen. Perfect. But…I should also tell you Morris is better known as a historian. The Pax Trilogy is also on my list.
Book trivia: I would have loved to see photographs of Trefan Morys. It just sounds like the perfect house. I did find a picture in a recent edition of ‘The Guardian’ and it only left me wanting more.
Nancy said: Pearl said A Writer’s House in Wales is “distinguished by [Morris’s] keen eye for detail, her fine writing, and her enthusiasm for her subject” (Book Lust To Go p 248).
BookLust Twist: from Book Lust To Go in the chapter called “Wales Welcomes You” (p 248).
Gunaratana, Bhante Henepola. Mindfulness in Plain English. Boston: Wisdom Publications, 2002.
Reason read: During these crazy times I need to remember to breath; to be still. Read for me, myself, and moi.
The title of this book does not lie. Gunaratana offers a how-to for insight mindfulness in a straight-forward and easy-to-understand language. This is not the deeply didactic philosophy of mindfulness, but rather a deep dive into South and Southeast Asian Buddhism. The first order of business is to dispel the misconceptions surrounding mindfulness and meditation. For example, there is no magic to this vipassana style medication. You won’t levitate. Instead, you become grounded in morality, concentration, and wisdom. Speaking of concentration, you learn the concept of shallow concentration which seems contrary to successful mindfulness. In other words, you won’t lose yourself in mindfulness. Instead, you will train your mind to concentrate on a mental object, the breath being more convenient and ever-present. I am reminded of one of my favorite Natalie Merchant lyric from ‘Not in This Life,’ “Lately I’ve been satisfied by simple things like breathing in and breathing out.” Despite the easy language and thin volume, Mindfulness is a treasure trove of information.
As an aside, I have to laugh when Gunaratana advised not to sit in any one position for more than twenty minutes. Please! I can’t sit comfortably in any position for more than five, maybe ten minutes tops.
Quotes I loved, “Life seems a perpetual struggle, an enormous effort against staggering odds” (p 9), “What we face every day is unpredictable” (p 53), “Distraction cannot be seen as distraction unless there is some central focus to be distracted from” ( 77), and “Somewhere in the process, you will come face to face with the sudden and shocking realization that you are completely crazy” (p 82). Amen.
Author fact: Gunaratana was ordained as a monk at the age of twelve. Twelve! I shudder to think what I was doing at the age of twelve.
Book trivia: I can tell this book helped many people. My copy was dog-eared and heavily underlined.
Nancy said: Pearl said there was useful information in Mindfulness in Plain English. She goes on to say “Gunaratana’s book is much less theoretical, vis-a-vis Buddhist philosophy and psychology…but more practical and systematic in its presentation of technique” (Book Lust p 255).
BookLust Twist: from Book Lust in the chapter called “Zen Buddhism and Meditation” (p 255).
Scanlin, Tommye McClure. The Nature of Things: Essays of a Tapestry Weaver. Dahlonega, Georgia: University of North Georgia Press, 2020.
Reason read: as part of the Early Review program for LibraryThing.
I chose this book because I want more art and, by default, more artists in my life. I know absolutely nothing of weaving, how to or otherwise, so I suspect I read this differently than say, someone who makes his or her living by weaving tapestries. I read this simply as an admirer of a beautiful textile.
Scanlin calls her book a collection of essays, but I prefer to think of it as a memoir: the emergence of an extremely talented artist. Told mostly through the lens of photography and illustrations, Nature of Things explodes with color and creativity. Remove the visuals and the early narrative would probably not survive.
The final part of the book moves away from memoir and becomes a primer for learning the basics of weaving, complete with a glossary, clear diagrams, and a list of resources.
As an aside, I was surprised by how much I had in common with Scanlin. what inspired her in Nature of Things are the very same things that catch my attention: trees, crows, rocks, shadows, flowers, feathers, ferns, even the fine winding tendrils of vines.
Note: According to the back cover of Nature of Things, it has been on sale for well over a month now. I received my copy on October 29th, 2020.
Macaulay, David. Cathedral. New York: Houghton Mifflin, 2002.
Reason read: I just finished a walking tour on iFit. The trainer took me around Croatia and explained the architecture. It got me interested in learning more about the structure of cathedrals.
Originally published in black and white, Macaulay thought color might bring Cathedral to a new height. He was right. The story of how a cathedral is built is clear and concise. Even though the Chutreaux cathedral in Macaulay’s story is fictional, the meticulously detailed diagrams used to build the medieval structure, are not. This book will make you look at these impossibly beautiful buildings in a completely new way. Yes, everyone knows cathedrals were built as houses of the lord, to praise and thank a certain god, but the messages hidden in the architecture are wonderful. For example, every window tells a different specific story. What is most amazing is how long it took to build Macaulay’s fictional cathedral. It is easy to forget what a massive undertaking construction was during the thirteenth century. The roof alone wasn’t finished for nine years and in that time the original master builder and Bishop Chutreaux both die and are replaced approximately at the same time. They never see the fruits of their labor.
As an aside, I loved the illustrations. The cat on page 44 is great.
Author fact: Macaulay drew the illustrations for Cathedral.
Book trivia: Cathedral was written for children but is great for adults as well. I read somewhere that Cathedral was also made into a movie? I need to look that up!
Nancy said: Pearl calls Macaulay’s books “wonderful,” “useful,” “entertaining,” and goes on to say Macaulay is “particularly good at explaining various technical terms” (More Book Lust p 38).
BookLust Twist: from More Book Lust in the chapter called “Building Blocks” (p 38).
Boyden, Amanda. I Got the Dog. New Orleans: Lavender Ink, 2020.
Reason read: an Early Review from LibraryThing.
At turns Boyden is tender and sweet, sassy and sarcastic, funny and melancholy. There is heartache and humor underneath the solid layer of honesty. She twists and turns from childhood memories to adult turmoil with as much ease as I imagine she does swinging on her beloved trapeze. I loved her fierce attitude. It’s a bit rambling in places. You get the general idea she is heartbroken over her divorce, but at the same time celebrates breaking free while remembering seemingly unrelated bits of her past.
As an aside, who else Google Arcade Fire’s performance at Jazz Fest to find Boyden (and friends) dancing on stage in paper mache bobble heads? All I could picture was Natalie Merchant swaying under the weight of a ginormous puppet head as she sang “You Happy Puppet” on July 4th, 1989. Performance art at its best.
Here’s the strange thing – out of all the Early Review books, this is one of my favorites. For some reason I have a hard time articulating why.
Forgrave, Reid. Love, Zac: Small-Twon Football and the Life and Death of an American Boy. Chapel Hill: Algonquin Books, 2020.
Reason read: as a member of the Early Review Program for LibraryThing, I was asked to read and review Love, Zac.
The entire time I was reading Love, Zac I was asking myself why this book wasn’t written sooner. It is not Forgrave’s fault for coming to the table with Zac’s story after the fact; when it was too late to save Zac himself. I believe this is the kind of book that could save lives if the right people read it at the right time and read it the right way. Don’t look at it as one kid’s story; one instance of a brain injury gone wrong. Don’t diminish the damage by arguing Zac didn’t even play football in college. Read it for what it is, a plaintive cry, a demand to take a harder look at a hard hitting sport. There is no denying the fact an epidemic of football-induced concussions ruin lives long after the game is over. Forgrave writes in a manner that is straight to the heart; a punch to the gut.
Love, Zac was advertised as a book every parent should read. I am not a parent. I am not a coach. But, here is the irony. I sit with Love, Zac on my knees while my husband shouts “hit ’em!” at the television. Opening day of the NFL’s 2020 season in a pandemic.