Weber, Matt. Making Tracks: How I Learned to Love Snowmobiling in Maine. Yarmouth, Maine: IslandPort Press, 2019.
Reason read: Christmas gift from my
mother oops! sister!
Making Tracks thoughtfully combines a love of snowmobiling with an obvious respect for Maine, marriage, and mother nature. Part memoir, part comedy, Matt playfully tells stories and shares black and white photographs of his adventures riding with family and friends all over the great state of Maine. Despite the casual language, Matt is incredibly informative for beginners or those experts seeking advice on adventure riding in Maine. A list of resources is included. [As an aside, because the references include websites, it is always best to do your homework and make sure the links are still available.]
The title is a little misleading. Matt never hated to ride a snowmobile so the loving to ride came quite easily. He implies he was forced to love it when in actuality, his love of riding grew.
Favorite part: Tarzan. Without a doubt, Tarzan. My husband and I once found Tarzan hopelessly stranded amid sand and seaweed on a beach at low tide. His leash had gotten tangled around mid-sized rocks and no matter how he struggled, he couldn’t break free…and the tide was coming in, as it is bound to do twice a day. We did what any pet lover would do, and even though he didn’t need to, a grateful Matt repaid us in sea critters. Yum. Can’t refuse those things! But back to Making Tracks. It was touching to learn of Tarzan’s life, beginning and end.
Author fact: Confessional – Matt is “my” island neighbor when I am home-home. I have to wonder how differently I would view his book if I could have situational amnesia and forget my favored prejudice. True, Matt and I do not have a friendship per se; we have never had a meal together and we aren’t even friends on social sites, but I also know if my mother needed anything, anything at all, I could call Matt. He is just that kind of guy.
Second confessional: Weber’s book got me through a near two hour wait at the DMV. I was waiting to renew my license to get the all-important “real” identification card when their system ominously “went down.” Anxious employees wrung their hands and with eyes downcast, admitted it could be “hours” before it came back up. A few people who couldn’t stomach that kind of wait quietly gathered their things and slipped out the door. Me, I had no choice but to stay.
Book trivia: Making Tracks is super generous with photographs and includes a section on resources. I said that already. Meh.
Field, Joanna. On Not Being Able to Paint. Los Angeles: Jeremy P. Tarcher, Inc., 1957.
Reason read: Field was born in the month of February. Her birthday is one day before mine. Read in her memory.
On Not Being Able to Paint is divided into five sections, the first four all relating to Free Drawing. The fifth and final section is focused on painting. Words like “psychic creativity” and “moral education” are thrown around, which makes me think I’m in for the psychobabble
ride reading of my life. I wasn’t disappointed. There is a fair amount of deep psychology in On not Being Able to Paint. Even though the slim volume is less than 200 pages, it took me forever to read. In the end, I questioned if the obstacles which prevent one from painting are not the exact same “blocks” writers sometimes complain of experiencing when unable to write. Sure enough, Field is connecting free drawings with the self conscious.
As an aside, the first edition of On Not Being Able to Paint was written for educators. The second edition (my version) includes an appendix and Anna Freud’s foreword. I appreciated that Field was able to recognize that emotional drawing is not completely devoid of influence and that she shouldn’t be so fixated on depicting beauty for beauty’s sake.
Confessional: I was a bit disappointed by Field’s “art.” The illustrations were childlike and well, for lack of a better word, weird. As Field explains, and I said earlier, they are “free drawings” that helped her connect to the self conscious. I hope she was successful.
Quote to quote, “And the result was a sense of false certainty, a compulsive and deceptive sanity, a tyrannical victory of the common sense view which always sees objects as objects, but at cost of something else that was seeking recognition, something more to do with imaginative than with common sense reality” (p 76). Put that in your pipe and smoke it. Whatever that means!
Author fact: Joanna Field was the pen name of Marion Milner.
Book trivia: Illustrations are by Joanna Field, aka Marion Milner. Forward by Anna Freud.
Nancy said: Pearl said On Not Being Able to Paint was a later favorite of hers.
BookLust Twist: from More Book Lust in the cheating chapter called “The Book Lust of Others” (p 33).
I am consistently running (yay). My head is finally screwed on straight – somewhat (yay). Things are not perfect but I can say February is mostly fixed.
- The Crimson Petal and the White by Michael Faber – in honor of Charles Dickens and his birthday being in February. Weird, I know.
- Anna In-Between by Elizabeth Nunez – in honor of my childhood.
- Little Havana Blues: A Cuban-American Literature Anthology edited by Virgil Suarez and Delia Poey – in honor of Cuba’s reformed constitution.
- The Last Good Kiss by James Crumley – in honor of February being friendship month.
- Rome and a Villa by Eleanor Clark – in honor of Clark’s birthday.
- All Deliberate Speed: Reflections on the First Half Century of Brown v. Board of Education by Charles J. Ogletree, Jr. – in honor of February being Civil Rights month.
- Barrow’s Boys: A stirring Story of Daring, Fortitude, and Outright Lunacy by Fergus Fleming – in honor of Exploration month.
- Making Tracks by Matt Weber – a Christmas gift from my sister.
Forster, E.M. Passage to India. New York: Harcourt, Brace & Janovich, 1924.
Reason read: Forster was born and died in January, the first and seventh, respectively.
Much has been written about Passage to India. Hundreds of writers had offered up their opinion on the classic. I won’t bore you with the plot except to say India is at odds with British rule in every sense. It clouds judgement beyond reason, as most prejudices do. Indian-born Aziz is curious about the English and offers to take two British women to see the infamous caves of Marabar. My comment is Aziz acts oddly enough for me to question what exactly did happen in those isolated and mysterious caves?…which is exactly what Mr. Forster wanted me to do.
Every relationship in Passage to India suffers from the affects of rumor, doubt, ulterior motive, class, and racism. Friends become enemies and back again as stories and perceptions change and change again.
Quotes to quote, “One tip can buy too much as well as too little; indeed the coin that buys the exact truth has not yet been minted” (p 10), “Any man can travel light until he has a wife and children” (p 106), and “The racist problem can take subtle forms” (p 141).
Author fact: E. M. stands for Edward Morgan. Everyone knows that. But, did you know E.M. spent six months in India?
Book trivia: Passage to India was made into a movie starring Alec Guinness in 1984. It won two Oscars. Passage to India was also adapted to the stage twice and to television for the BBC.
Nancy said: Nothing. Absolutely nothing.
BookLust Twist: from Book Lust in the chapter called “100 Good Reads, Decade By Decade” (p 176).
January is a month of great indecision. I can’t decide if I want to say more…
If there is one thing I can say for the January books, it is that most all of the fiction made mention of great music. Some musicians I knew, some I didn’t. Some songs I knew, some I didn’t. I had fun looking it all up though.
- Sanctuary by Ken Bruen (EB & print). Music: Philip Fogarty, Anne Lardi, Rolling Stones, Snow Patrol, Johnny Duhan.
- The Farming of Bones by Edwidge Danticat (EB & print).
- Moonlight Downs by Adrian Hyland (EB & print). Music: Lucinda Williams, Slim Dusty, Nick Cave, The Warumpi Band, Ry Cooder.
- The Catastrophist by Ronan Bennett (EB & print). Music: Charles Tenet.
- Graced Land by Laura Kalpakian (EB & print). Music: Elvis, Elvis, and more Elvis.
- The Beijing of Possibilities by Jonathan Tel (print). Music: Leonard Cohen, Beethoven, and the fictional heavy metal band, Panda Bear Soup.
- The Passage to India by E.M. Forster (EB & print).
- Barcardi and the Long Fight for Cuba by Tom Gjelten (EB & print).
- Master of Hestviken: the Son Avenger by Sigrid Undset (EB & print).
- The Persuader by Lee Child (EB & AB).
Early Review for LibraryThing:
- Fine, Thanks by Mary Dunnewold (EB). Music: Ella Fitzgerald, Dave Brubeck, Mose Allison, Talking Heads, Aaron Copeland (can you tell, Dunnewold really likes music!).
Dunnewold, Mary. Fine, Thanks: Stories from the Cancerland Jungle. Texas: Black Rose Writing, 2019.
Release date: 10/24/19.
Reason read: this was a November pick for the Early Review Program from LibraryThing. I haven’t posted one of these in awhile (didn’t get chosen for October, forgot to make a selection for December, and November – this one -only came just recently).
My very first surprise takeaway from reading Fine, Thanks is how calm and pragmatic Mary is while describing her relationship with breast cancer. How is this possible when she went went a healthy mammogram to a “cancer everywhere” magnetic resonance image less than a year later? From discovery, treatment, and recovery there is a smattering of humor, a touch of sarcasm, more than a healthy strain of emotional bravery, and yes, to be expected, anger. For the most part, she is detailed and detached in such a way that a reader can relate in the abstract if he or she has never experienced breast cancer, or nod knowingly if it has been a nightmare reality. I have to wonder how many people diagnosed with any stage of breast cancer have whispered a sage yesyesyes at every truthful, clear-headed, powerful sentence Dunnewold wrote? Even when she points out the obvious I found myself making note of my emphatic agreement. For example, it is common sense that people would pay more attention to something when it relates to them directly. The greater the relationship the more one is willing and apt to sit up and take notice. But when Dunnewold points that out it becomes something different. Yes. She writes like a storytelling river; at times a crashing torrent of yelling words and roiling feelings. At other times her words are a gentle trickle of quiet and graceful acceptance.
Confessional: My favorite moment was not the height of her bravery during diagnosis or even treatment, but rather when she ended her search for religion. Odd as that may seem, it’s true. Her viewpoint awoke something deep within me. Not in the jolting sense of an abrupt aha moment. there was no visible lightning strike. But rather in the slow dawning of discovery; the way that a patch of sunlight plods across the carpet illuminating a slight discoloration in the pile never noticed before. A subtle stain. Oh. Ohhhh…now I see. There were a few of those moments.
Second favorite part – the laugh out loud moment or as I call it, the “snort coffee out the nose” moment was when Dunnewold described the “unanticipated side effect of cancer” in conjunction with pie crust. She owes me a cup of coffee.
As an aside, what is it about animals? I was f.i.n.e. with the ending of Fine, Thanks. I could close the book with a sigh of satisfaction…until I got to the epilogue. Having just helped my sister adopt a dog named Rubie…ugh.
Te, Jonathan. The Beijing of Possibilities: Stories. New York: Other Press, 2009.
Reason read: Okay, so I have a confession. I wanted to read this in honor of January being the month for the Chinese New Year (on the 25th), but as the loan was coming from the east coast, it took an inordinate amount of time to arrive. I didn’t think I would have time to read it before January 31st, so I changed the reason to China’s Lantern Festival, which is in February. Well, to make a long story short, I finished Beijing before January 31st, so I’m back to the original reason, the new year.
Beijing of Possibilities is comprised of twelve witty, sharp, and compelling stories all taking place in contradictory Beijing. Many of the stories address the conflict between old and new. Ancient tradition clashing with modern ambition. Beijing is a hotbed of contradictions. Each character exemplifies and amplifies what happens when cultural norm meets current forward trajectory of capitalism.
The brilliant thread running through most all stories: the ancient Monkey King and the modern Olympic pride of the city.
Author fact: Tel has written other collections of short stories, none of which are on my Challenge list.
Book trivia: Quite unexpectedly I found black and white photographs in each story. What a nice surprise!
Nancy said: Pearl described the stories in Beijing of Possibilities as surreal with “Italo Calvinoist tendencies” (Book Lust To Go p 62).
BookLust Twist: from Book Lust in the chapter called “China: the Middle Kingdom” (p 60).