Master & Commander

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O’Brian, Patrick. Master And Commander. Philadelphia: J.B. Lippincott, 1969.

Sorry! Sorry! Sorry! I couldn’t get into this. As the last book of the month I found it incredibly boring. Maybe it was stopping every ten minutes to look up words like felluca and dursn’t and slops. It was all I could do to call up my father’s ghost and remember nautical terms like foretopgallantsail and cockade and halliards. To be honest, it was too much work for summer reading. This is something I went to bury myself in in the dead of winter when nothing else can distract me or call me away. I’ll put it back on the list in honor of something else.

PS ~ this was made into a movie starring Russell Crow. Maybe I should just shut up and watch it.

Less Than Angels

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Pym, Barbara. Less than Angels. New York: E.P. Dutton, 1980.

My impression of the first 50 pages of Less Than Angels was that the plot was very slow-moving, like a wide river with almost no perceptible action. Indeed, the first 50 pages are the reader’s surface introduction to at least fifteen different characters and only the very beginnings of a plot. Some of the characters are unnecessary to know for they never resurface again. Others are more important. On the whole, Less Than Angels is a community of contrasts. Professors of Anthropology mingle with fledgling students. The aged and retired cast a skeptical eye on the young and impulsive. Frenchmen stand baffled by the British. At the center of the story is Tom Mallow, a distinguished yet vain anthropologist caught between a relationship with a sophisticated older journalist and a younger wide-eyed student. In addition, Less Than Angels is an excellent study of English culture (lots of tea-times and interesting meals) along with the typical social graces and faux pas.

Favorite lines: “Curiosity has its pains as well as its pleasures, and the bitterness of its pains must surely be the inability to follow-up everything to its conclusion” (p 9) and, “And so it came about that, like so many other well-meaning people, they worried not so much about the dreadful things themselves as about their own inability to worry about them” (p 41)

BookLust Twist: From Book Lust in the chapter “Barbara Pym: Too Good To Miss” (p 195).

I Don’t Know Why I Swallowed the Fly

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Maxwell, Jessica. I Don’t Know Why I Swallowed the Fly: My Fly Fishing Rookie Season. Seattle: Sasquach, 1997.

Jessica Maxwell takes on fly fishing. I Don’t Know Why I Swallowed the Fly is an account of her very first year learning the sport. As with any hunting sport Jessica needed to learn how to think like her prey. She needed to teach her body, muscle, bones and nerve, to perform the movements necessary for a perfect, flowing cast. As psychological as the game of golf, Jessica found herself untangling the intricacies of throwing out the flawless line. Rod and reel in perfect harmony with human dynamics. Aside from Jessica’s expanse of humor throughout I Don’t Know Why.. I was drawn to the vibrant imagery of the landscapes around her. I adored the way she described, nature – especially when it came to light. Sunlight, especially. Her words had a way of dancing like rays on water, sparkling and bright.
But I Don’t Know Why… isn’t just about one woman’s fly fishing adventure. Jessica subtly deals with the loss of her father with poignant memories and in the end, revelations about the man who shaped her future with a simple love for nature and of course, fishing.

I don’t know anything about fly fishing so, for me, this was a nice 101 about a typically male-dominated sport.

Favorite lines: “Every day somebody somewhere becomes obsessed with an idea that won’t turn them loose” (p 50), “Now the radio static was so bad, Sting sounded like Bob Denver” (p 101), and “My mind was gone to the joy of the memory of what was for a moment so long ago but couldn’t last, and to the pain of what could have been but wasn’t” (p 214).

Small question for Jessica: where is the wrong side of Oregon? I couldn’t find it on a map…

Side note: Make no mistake about it. I always at least glance at the acknowledgments. They are usually a long blahblahblah list filled with family names and “I’d like to thank my editor…” It’s like looking at a yearbook from a school you have never heard of. Names and faces mean nothing. Jessica Maxwell’s acknowledgment page is another yearbook, but a fun one. True, it’s all names I don’t know, but for once Jessica made me want an introduction.

BookLust Twist: From More Book Lust in the chapter called, “Gone Fishin’ (p 101).

Writing Dangerously

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Brightman, Carol. Writing Dangerously: Mary McCarthy and Her World. New York: Clarkson Potter, 1992.

Mary McCarthy was born on June 2nd, 1912. Hence my reasoning for picking up her biography by Carol Brightman this month.

Mary reminds me of my friend, Ruth. Beautiful, outspoken inasmuch as she says what she feels, means what she says. In addition, she doesn’t take sh!t from anyone, yet has a heart of gold. She laughs when anyone else would have crocodile tears. She can confront fights with fire. She’s popular with the men with a come-hither glint in her eye and has no time for sugar cookie lies. Need I say, independent yet fidelis. I think I would have gotten along with Mary had I been in her day or she in mine.

Mary McCarthy was an outspoken critic of practically everything around her. From her humble beginnings as a self-proclaimed abused orphan Mary quickly grew into a witty writer and reporter with a constant comment about the world around her. No subject was off-limits whether it be about the abuse she suffered at the hands of her uncle, her contradictory religious views, losing her virginity at age 14, a scathing look at her peers in academia, Communism or war. Carol Brightman often quotes McCarthy to support her biography using both McCarthy’s fiction and nonfiction. Two sections of photography round out an already very thorough account of the controversial Mary McCarthy.

Favorite word, “bildungsroman” ( a genre of novel of complete self-development).

Favorite quote: “One of Mary McCarthy’s legendary attributes is that no matter how much fire and brimstone she and her fictional heroines traverse before they see the light, they never seem to get burned” (p 58).

BookLust Twist: From More Book Lust in the chapter called, Literary Lives: The Americans (p 145).

House on Oyster Creek (with spoiler)

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Schmidt, Heidi Jon. The House on Oyster Creek. New York: NAL Accent, 2010.

Probably the most distracting aspect of Schmidt’s style of writing was her almost fanatical need to portray Henry as the older, colder, and uncaring husband. I get it. Schmidt wants the reader to cheer Charlotte on when she meets a man more to her liking, more to her temperament, more to her everything. You aren’t supposed to hate the damsel in distress. You aren’t even allowed to dislike her. In order to make the damsel’s potential affair acceptable said damsel’s husband needs to be bad. Very bad. If the husband is really awful you wind up begging, praying for that knight in shining armor. In an attempt to make Henry bad I think Schmidt went overboard. As a result Henry became a caricature of the very worst. In the first chapter alone (we’re talking 13 pages) there were over 24 negative words associated with Henry. Here are some, but not all, of the words and phrases used to describe Henry’s words, actions and demeanor. I left out dialogue with Charlotte:

  • irritation
  • seething
  • contempt
  • staunch
  • “heart seemed to harden” (p 3)
  • bleak
  • rebellious
  • stark
  • “nothing pleased him” (p 6)
  • fury
  • bitter
  • “fit to kill” (p 7)
  • “real hatred” (p 8.)
  • rigid
  • suspicion
  • jeer
  • scorn
  • irritated
  • contemptuous
  • darkening
  • “glance was poison” (p 11)
  • infuriating
  • infuriated
  • “patience stretched to breaking” (p 13)
  • shuddered
  • “spasm of disgust” (p 13)
  • icy

To make matters worse, on the other side of this marriage is Charlotte and her demure, sweet, sensitive, caring, loving, “made of empathy” personality. Schmidt is not as fanatical about driving that point home. But, you get the point just the same.

However…once I got beyond page 14 I loved The House on Oyster Creek. Charlotte is a little self-righteous at times but after putting up with Henry all those years she deserves to. While House on Oyster Creek focuses on Charlotte as she makes her way the book is really about the entire community she joins. Schmidt is extremely accurate when introducing Charlotte to the new community. when it comes to a tight-knit community there will always be this Them and Us attitude. You could be in a community for over 30 years and just because you are the first generation to do so, you are still the newcomers in town. The more generations you can brag of, the more clout you have in the community.

Of course, I had favorite lines that I really hope Schmidt keeps in the book, but I won’t quote them here.

I have to admit I never rooted for Charlotte to have an affair. There was something so broken about Henry that I think Charlotte owed it to him to work it out. When Darryl ends up marrying someone else I was happy. I can admit the story ended exactly how I wanted it to end.

Confessions of Nat Turner

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Styron, William. The Confessions of Nat Turner. New York: Random House, 1966.

I have never run so hot and cold about a book before. On the one hand William Styron has a beautiful writing style. His descriptions of the Virginian south in the 1830s are breathtaking while his depictions of slavery are simultaneously heartbreaking. What I didn’t care for was the obvious artistic liberties Styron took with the plot surrounding  historical fact. Obviously, in order to fill an entire novel he needed to expound on the factual confession of Nat Turner which was less than a standard chapter in length. He had to assume supporting plots and characters, but was it necessary to have Nat Turner only lust after white women? Do we know this to be a true trait of Nat? His sexuality seems to be fodder for controversy. I saw The Confessions of Nat Turner to be the truth bundled by fiction. At the heart of Styron’s novel is Nat Turner’s confession, but what surrounds it is pure imagination and speculation. While the book garnered a Pulitzer Prize it was also banned in some parts of the south. That should tell you something.

Two lines that stuck with me: “They were in the profoundest dark” (p 17), and “I do not believe that I had ever thought of the future, it is not in the mood of a Negro, once aware of the irrecoverable fact of his bondage…” (p 171).

BookLust Twist: From Book Lust and More Book Lust. From Book Lust in the chapter called, “100 Good Reads, Decade by Decade: 1960s” (p 178) and from More Book Lust in the chapter called, ” Southern-Fried Fiction: Virginia” (p 209).

Hatchet

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Paulsen, Gary. Hatchet. New York: Aladdin, 1987.

Considering this book was written for kids ages 11-13 this was a breeze to read. I think I started it around 5:3pm and finished about 7:45pm…

Brian Robeson is a pouty thirteen year old on his way to visit his newly divorced dad. Despite an exhilarating, first time ride in a single engine airplane (sitting as copilot), Brian is not impressed. He is more obsessed with thinking  about his new fate – shuttled between two parents who don’t love each other anymore. What’s worse is that his mother has a Secret. It’s all Brian can think about until the pilot has a heart attack…

Somehow Brian survives the crash and is plunged into a vast Canadian wilderness with only a small hatchet  his mother had given to him as a gift right before getting on the plane. It is obvious the pilot is dead and Brian is very much alone. As the realization of his situation is revealed Brian’s preoccupation with  his parents and The Secret fades from his mind. His self pity is replaced with a new priority, staying alive. The best parts of Hatchet are Paulsen’s descriptive hunting scenes. As Brian learns to build a fire, pick edible berries and hunt small game he grows into a mature individual. This is a coming of age story, survival style.

Probably my favorite section of the story is the epilogue. Paulsen is able to wrap up every concerning loose end – how Brian makes it home (hey, this is a kids book. You didn’t expect him to stay lost forever, did you?), what Brian took away from his ordeal in the Canadian wilderness, and the confronting of the obvious truth that Brian probably wouldn’t have survived a winter. What further intrigued me was the research Paulsen put into Hatchet. Brian’s adventure is very believable.

Favorite line: “Time had come, time that he measured but didn’t care about; time had come into his life and moved out and left him different” (p 122).

BookLust Twist: From Book Lust in the chapter called, “Adventure By the Book: Fiction” (p 7).

Happenstance

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Shields, Carol. Happenstance: Two Novels in One About a Marriage in Transition. New York: Penguin, 1994.

The very first thing I noticed about this book is how it is arranged. I understood that Happenstance had originally been two very separate stories, published with two very different names. The husband’s side of the story was the original Happenstance (published in the early 80’s) and the wife’s side of the story was called A Fairly Conventional Woman. The wife’s story was published sometime later. The version of Happenstance Nancy Pearl suggested was the combined stories of the husband and wife. So, back to the arrangement of the book – her side has a pink cover with a photo of a woman’s upper torso in a frame. To see his side you have to flip the book upside down and over. His cover is blue with a photo of a man’s lower legs in a frame. Clever. I started with the wife’s story because if the book were to sit on a shelf properly (spine displayed correctly) it is her cover you see first when you pull it off the shelf. I’m sure this is the way Shields meant it to be read even though the husband’s story was written and published first.

In the first 50 pages I couldn’t tell if I liked Mrs. Brenda Bowman. She seemed too persnickety to me. Too particular. Too fussy. I am prone to comparing characters to myself, especially if we have something in common like upbringing, hobbies, schooling, age, or certain circumstance. In Brenda’s case, it was age. We are almost the same age. So, by default her actions made me seem fuddy-duddy. I don’t act that old, do I? Her husband seemed more laid back in an odd, disconnected kind of way. Together, they made up a marriage that needed some waking up, some simultaneous letting go. Both husband and wife had the opportunity to cheat on the other. I don’t think it’s a plot spoiler if I say the wife comes closer to doing so than the husband, even though the husband has a better excuse.

The most honest line in the whole book, “You could become crippled by this kind of rage” (p 49). How true.

What I liked the best about Happenstance is the idea of two sides of the same marriage. Both husband and wife notice small things while separated: Brenda notices small accomplishments like going out of town by herself. Jack notices small changes in the family he has practically taken for granted.

BookLust Twist: From More Book Lust in the chapter called, “Carol Shields: Too  Good To Miss” (p 197). I have to say I am sad that breast cancer took the life of this great author.

June ’10 is…

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June is a weird month for me. I might have a Monhegan plan. I’m not sure. The one thing I know about June is that there will be music. Plenty of music and books. As two constants in my life, I doubt anyone is honestly surprised by that remark. Music and books. For music it is the lovely Rebecca Correia at the Iron Horse in Northampton. June 11, 2010 at 7pm. That same weekend it is the eternally talented Sean Rowe at the DreamAway Lodge in Beckett. June 13, 2010 at 8pm…I think. There is Phish somewhere in there as well…I know, don’t say it.

For books it is:

  • Master and Commander by Patrick O’Brien ~ in honor of National Ocean month
  • Hatchet by Gary Paulsen ~ in honor of Adventure fiction month
  • Confessions of Nat Turner by William Styron ~ in honor of Virginia becoming a state in June
  • Happenstance by Carol Shields ~ in honor of June being the most popular month to get married in…
  • Writing Dangerously: Mary McCarthy and Her World by Carol Brightman ~ in honor of Mary McCarthy’s birth month.

For LibraryThing’s Early Review program:

  • The House on Oyster Creek by Heidi Jon Schmidt

For the fun of it:

  • Master of Your Metabolism by Jillian Michaels

May ’10 was….

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Pretty in Pink

May. What to say about May? For obvious reasons it wasn’t the month for reading. I still haven’t mastered walking and reading without doing both at an excruciatingly slow pace!

  • Endless Love by Scott Spencer ~ apparently this was made into a movie. I am curious how they handled the anal sex scene…
  • You Make Me Feel Like an Unnatural Woman: Diary of a New (Old) Mother by Janet Newman ~ funny, funny, funny (although, an odd choice to honor Mother’s Day)
  • Wobegon Boy by Garrison Keillor ~ my first Keillor book. Now I know what all the fuss is about. Another funny one!
  • Zorba the Greek by Nikos Kazantzakis ~I admit it. I gave up on this after 50 pages. I moved onto a Jillian Michaels book. More on that next month….

For LibraryThing & the Early Review Program:

  • Fundamental Weight Training by David Sandler
  • Fall Asleep Forgetting by Georgeann Packard ~ this should be a movie. It was weird but good!

For the hell of it:

  • Homer’s Odyssey by Gwen Cooper

Zorba the Greek

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Kazantzakis, Nikos. Zorba the Greek. Trans. Carl Wildman. New York: Simon and Schuster, 1952.

I will be the first to admit it wholeheartedly. I did not enjoy Zorba the Greek. There, I said it. I am beginning to feel I have a built in prejudice against translated stories because this is not the first time I have said this. Something gets lost in the translation. I am sure of it. Not only that, but this time I was bored. Supposedly, Nikos Kazantzakis’s Last Temptation of Christ is more exciting. I can only wait and see.

Lines I did happen to like, “And I’m making it snappy so I don’t kick the bucket before I’ve had the bird!” (p 36), and “The mischievous demon in the wine had carried her back to the good old days” (p 37).

BookLust Twist: From More Book Lust in the chapter “The Alpha, Betas, Gammas of Greece” (p 9).

Wobegone Boy

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Keillor, Garrison. Wobegon Boy. New York: Viking, 1997.

It is strange to (finally) read something written by Garrison Keillor. For years and years and years I have heard wonderful things about Lake Wobegon Days and it seems,  for even longer, I have heard Keillor on NPR radio. Yet – nothing in print has been before my eyes or in my hands. Ever. Go figure.

John Tollefson is the manager of an academic public radio station. He has an idyllic life that is boring him to tears. His job, his home, his relationships, all are going well – so well that he no longer feels like he is in the drivers seat. Coasting through everything his life lacks depth and more importantly, it lacks meaning. John, with the help of his can’t-commit-to-marriage girlfriend Alida, sets out to make his life more interesting by opening a farm restaurant and other daring risks. John is perpetually guided by history, the life stories of his ancestors – a butcher, publisher, politician, among a wild cast of others, and a philosophical slant unlike any other.

While the plot of Wobegon Boy is a little slow and laborious, the voice is exceptional. As John Tollefson tells his story you cannot help but often laugh out loud. The sly wit and juicy humor radiate from every page. I wanted to quote line after line until I realized I what I really wanted was to quote the entire book.

Here are a few of my favorites: “Lake Wobegon was a rough town then, where, all on one block, for less than five dollars, you could get a tattoo, a glass of gin, and a social disease, and have enough left over to get in a poker game” (p2). See, by page 2 it’s funny! Here’s another one, “You could romp naked in periodicals and copulate on the carpet, and the librarians would be grateful if, after climax, you took down a magazine and thumbed through it” (p 7-8). Knowing the importance of circulation statistics, yes. Yes, we would be grateful.

BookLust Twist: From More Book Lust in the chapter called, “Big Ten Country: The Literary Midwest (Minnesota)” (p 28).

Homer’s Odyssey

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Cooper, Gwen. Homer’s Odyssey: A Fearless Feline Tale, or How I Learned About Love and Life with a Blind Wonder Cat. New York: Delacorte Press, 2009.

A friend of mine gave this to me a few weeks ago. No, I take that back. She gave it to me several, several weeks ago. I meant to write a review about it in April but I wasn’t quite finished reading it. I wanted to make sure I was on page 287 (which is the last page in case you were wondering) before I wrote anything about it. The sad truth is, it took me until now to get to page 287. The training for Just ‘Cause simply took reading away from me for a few months (18 weeks to be exact). But, now that I am back on track I can finish what I started.

Gwen is great. Her story of Homer (the blind wonder cat) makes you fall in love with all things cats. I am clearly defined as a cat person (either you are or you aren’t) so this wasn’t a stretch for me. What I wasn’t prepared for was enjoying Gwen’s style of writing as much as I did. She is funny, sensible (dare I say logical?), and sometimes downright sassy. Homer’s Odyssey takes you on a journey from Homer’s start as a kitten, but you also get a sense of Gwen’s growth as well. How she handled the events of September 11th, 2001 and its aftermath are heroic and probably my favorite part of the entire story. If I had to gripe about any of it, it would be a small gripe and it would have to be about a story  towards the end. Homer gets sick and stops eating. I had a cat who stopped eating. I didn’t have to Google this to know what it could mean: cancer, tumors… Indeed, My Chessie died a few weeks later. But, I digress. Gwen’s detailed account of Homer’s listlessness and refusal to nibble at the most favorite of meals brought back painful memories. As I was reading I feared the worst and I honestly think that was Gwen’s plan. Decidedly, it was nothing more than a dirty drama trick. Homer regained his health and the illness was explained away as an unsolved mystery. But, as I said before this is a trivial gripe. It didn’t ruin the read for me. I’m sure Gwen has been asked (and asked and asked) about a Homer sequel. I, for one, would read it.

Fundamental Weight Training

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Sandler, David. Fundamental Weight Training: 102 Exercises to Start Training. Champaign: Human Kinetics, 2010.

I had many false starts trying to write a review for this book. My hesitancy directly related to my love-hate relationship with content and how it was arranged. There were many, many things to love about this book…and yet I found a few things to hate.

On the didactic side of things Fundamental Weight Training has it all. Simple weight lifting exercises for beginners that take into consideration using a professional gym, a home gym, or even just a person’s own body weight. There are simple black and white photographs to illustrate each exercise, showing correct form and posture. There is even sections on stretching, warming up and cooling down – all essential elements of working out and avoiding injury. In addition, Sandler goes above and beyond to explain gym etiquette and terminologies with a chapter called, “weight room language and protocol” (p 7). My favorite section was “Give it a Go” which gives the reader the opportunity to put lesson to life and try a series of exercises dedicated to a particular group of muscles like arms, for example.

But, here is where the hate comes in. The “Give it a Go” section assumes a person has every weight machine and accessory at his or her disposal. The exercises are a mix of free weights and machines usually found at the gym. Organization-wise, Fundamental Weight Training would have been easier for me if the “Give it a Go” section was combined with the “Take it to the Gym” and “Train at Home” sections rather than separate section.

A final frustration is, as with any exercise book, a person would need to not only memorize the names of each exercise but the proper way to perform them. Holding a book while trying to flex the a dumbbell is not all that easy. Flipping from the “Give it a Go” page to the section with the exercise can be frustrating.

All in all, I enjoyed reading Fundamental Weight Training. After reorganizing the information on my own I have a great training plan that I can take to the gym or use at home.

Fall Asleep Forgetting

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Packard, Georgeann. Fall Asleep Forgetting. New York: Permanent Press, 2010.

I have a love-hate relationship with books like Fall Asleep Forgetting. The problem is Packard’s writing is too good. Like a delicious meal I couldn’t slow down when it came to eating it up; devouring whole chapters at a time. What’s wrong with that? In truth, this is a book meant to be savored slowly. The writing is delectable, deliriously rich and expressive. One minor distraction is character focus is a little out of focus. I would have preferred Claude as the obvious heroine rather than swirled in a mishmash of other incredibly strong personalities. Because Fall Asleep Forgetting really is about Claude and her strange involvement with a married couple, Paul and Sloan, that fact really needs to be teased out. Paul is dying and his wife is bisexual and mentally ill…sort of. Claude is caught up in their relationship until it becomes her relationship, her obsession, but as I mentioned before, she is not the only one. There is nine-year-old Six and her parents Rae and Sonny, Cherry the transvestite owner of the trailer park where most everyone lives and her partner Barton, and elderly Mr. and Mrs. Saugerties. Each one of these characters has a unique and tantalizing story.

Quotes that I really hope are kept: “Once your parents hate you for who you are, the scorn of others in mere child’s play” (p 42), and “I see now that equal parts repulsion and attraction make for the most voracious form of lust” (p 124).

Personal note: I was really excited to see e.e. cummings quoted at the beginning of the chapter called “The Curving Support of Feather Pillows” (p 129). ‘Milly and Maggie and Molly and May’ is a great poem. My only argument would be against calling it a poem about just Maggie because Milly, Molly and May all had important parts.