Kipling, Rudyard. the Light That Failed. New York: Doubleday, Page & Co., 1914.
I have to start off by saying seeing a swastika imprinted in this book gave me a start. This hated image got me thinking. What were Kipling’s political leanings? Was he actually a Nazi sympathizer? Even though the swastika in The Light That Failed was “backwards” or counter clockwise, I still questioned the meaning behind it. After doing a little research I discovered Kipling used the Indian symbol of good luck (typically paired with an elephant and a lotus flower – although my copy did not have either of these images). The Nazis adopted the swastika symbol for themselves in the 1920s, six years after my version of The Light That Failed was published.
This book was hard for me to get into, at first. The story didn’t roll off the pages as easily as other war-time novels. The Light that Failed follows the life of Richard Heldar, a soldier turned painter. The story begins with Dick as a child with his companion, Maisie, shooting a pistol by the ocean. This opening scene lays the foundation for the competitiveness they will share later in life. It also begins Dick’s never ending love for Maisie despite the fact they will have gone their separate ways by adulthood. Dick spends some time as a soldier in Sudan and makes some lifelong friends, but it’s after the war when he returns to London, England that the story really picks up. Dick comes home to be an artisit and to paint. His depictions of war become popular and his talent is exposed. Ironically, it is that same war that brought him fame that also brings his downfall.
Favorite lines, “Dick’s soul is in the bank. He’s working for cash” (p 64), and “I’m not going to belong to anybody except myself” (p 81).
BookLust Twist: From Book Lust in the chapter, “Balkan Specters” (p 31) although Bosnia is but a fraction of the plot.
ps~ Also, I should add – Because this book is out of copyright it’s available on the web.
If it comes to you in ashes that means I burned it. Burned it, but sent it to you anyway. I am twisted enough that I would do something like that…just to show you my good intentions comes with an evil streak. I started this whole thing in earnest thinking I would, I could, build you a masterpiece. Something worthy of a bedside table as a good bedtime story..or maybe even a coffee table out in the open if I let myself dare to dream that big and ambitious and grandiose. Shopping for supplies was much like being a id again. I was drawn in by sparkly stickers, glittery borders, sticky glue, funky cutting scissors, colored paper of vellum and linen and cotton. So much to chose from I didn’t know where to begin or end. Embellishments aplenty. My credit card shook from exhaustion. I wish I could say my enthusiasm for the project held up through the piles and piles of purchases, pages and pages of printed out out-of-print pictures, the plethora of everything saved and once cherished. Suddenly, without warning I felt unworthy of the task at heart. Who was I to decide what to keep? What to exclude? How could I decide what was coffee table worthy? Every well-wished sentiment, every scrap of paper had something worth saving, keeping, holding onto. The insecurity grew and grew and grew with each passing page created until finally every page created became a page hated.
I think nine times out of ten people are cruel because they have something better to say…but they can’t think of it at the moment. Can’t think on their feet so they act like a heel. They have to be funnier than kind. Hurtful is hilarious and sweet is just plain silly. I think nine times out of ten people are critical because they are jealous. They don’t want to admit to being lacking or without. Just because they can. What does it take for someone to see the riches in life without making comparisons? It takes a tragedy to recognize a triumph.